Metro

1997 "San Francisco's top police hostage negotiator is about to get more than he ever bargained for."
5.6| 1h57m| R| en| More Info
Released: 16 January 1997 Released
Producted By: Caravan Pictures
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Info

Roper, a hostage negotiator catches a murderous bank robber after a blown heist. The bank robber escapes and immediately goes after the man who put him behind bars.

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Metro (1997) is now streaming with subscription on CineMAX

Director

Thomas Carter

Production Companies

Caravan Pictures

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Metro Audience Reviews

FeistyUpper If you don't like this, we can't be friends.
Odelecol Pretty good movie overall. First half was nothing special but it got better as it went along.
Philippa All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.
Francene Odetta It's simply great fun, a winsome film and an occasionally over-the-top luxury fantasy that never flags.
Python Hyena Metro (1997): Dir: Thomas Carter / Cast: Eddie Murphy, Michael Rapaport, Michael Wincott, Carmen Ejogo, Art Evans: Absolute junk advertised as a comedy when it is really another dreary action film. It stars Eddie Murphy as a negotiator undergoing a familiar drill involving a bank full of hostages that he will rescue. This bares little to the rest of the movie. His partner is murdered and he seeks revenge. It isn't much different than his Beverly Hills Cop comedies although this film is lacking in laughs. Director Thomas Carter allows the action to get way out of hand particularly during a reckless street chase where cars are bashed aside with no attention given as to the people in those vehicles. It is as if the filmmakers didn't care just as long as the audience cheered. Carter made one film prior called Swing Kids. Here he gets to work with Murphy but brings nothing new to the table. Familiar work by Murphy who is merely reciting superior work. Michael Rapaport is reciting the Judge Reinhold role from Beverly Hills Cop as the partner. Michael Wincott is wasted as a villain whose identity is given away way too early. That pretty much leaves any form of surprise out of the question as we just wait for Murphy to enact his revenge and beat the crap out of this guy and kill him. Basically a pointless variation of Beverly Hills Cop that should be throttled with a baseball bat. Score: 0 / 10
kai ringler I enjoyed Metro,, along with Michael Rapport as his sidekick,, they pack a good one , two punch,, have to love that line in the movie where Eddie thinks he get's the vehicle of his choice at the impound garage,, he's like this is my vehicle.. the capt says,, no this is you're vehicle.. and the look on Eddie's face is priceless,, this old beat up truck from the early 70's or late 60's.. he chimes out,,,, Who am I,,,, Red Foxx.. I couldn't stop laughing,,, Eddie Murphy plays a hostage negotiator in this one,, and his partner knows sign language which will come in handy later on in the movie,, fast paced lot's of action ,, and an evil villain for the cops to go up against,, what's not to like,, lot's of comedy and action..
Panterken Randy Feldman, who worked as the writer and producer on this movie, has four theatrical releases on his belt, the other three being the painfully bad horror flick 'Hell Night', the Jean-Claude Van Damme vehicle 'Nowhere to Run' (which I have not seen but can only assume it's as bad as any other of Van Damme film) and the eighties cop flick 'Tango & Cash', which received some audience acclaim. To state 'Metro' is by far his most memorable attempt at a screenplay isn't really a compliment, it seems he always kept the 'screenplay writing for dummies' book by hand during his writing sessions. We have the typical hero-cop; underpaid, under-appreciated by his boss, personal problems galore,financial troubles to boost, a smirking sense of humor, and of course a personal investment in the investigation ('now it's personal :-)). So we have the good cop with a revenge motive, but the chase isn't enough to fill the runtime. No, we also are forced to suffer - surprise, surprise - the obligatory (but in this case unfortunately also clumsily set up) love interest played by a young Carmen Ejogo. Sure; she's very easy on the eyes but as an actress she's sub-par. Then we have a fellow cop, lifelessly portrayed by Art Evans, and it must be said the poor fellow's been typecast, his role in the script is mainly to be victimized(also see: Die Hard 2 for an almost identical role). His monotone delivery and robot-like autopilot acting certainly didn't lift this film to a higher level, neither did Denis Arndt's one-dimensional police chief, the villain whose dialog consisted primarily of grunting or the gross of the side-characters for that matter. They are mainly present for giving us some insight in our lead's personal life (and some perspective) and of course to pitch for Eddie Murphy's jokes. The only roles that still spring to mind as I recollect on the movie today are Michael Rapaport and Donal Logue, both competently playing their respective roles.Other clichés for the fanatic cliché-spotters among you, the rain suddenly appearing when a tragic event happened: both when Murphy's friend is murdered, as when there's an attempted murder on his girlfriend. Speaking of which, there's one cliché scene to build up the tension before the attempt, where we see Ejogo in a shoulder-shot frame as she puts on perfume in front of a bathroom mirror. She opens and closes the mirror/cabinet two times, with tense music playing, as if any moment some creep will appear behind her (the best use of that sort of scene can be found at the end of 'Candyman').The action scenes felt very standard. The soundtrack bugged me to a lesser degree, it really couldn't make up its mind. The other big flaws are an OD of love story, a waste of plot opportunities (a lot more tactical SWAT stuff would've been welcome) and a lack of funny scenes (especially with the cop partners). But it is precisely that humor that keeps 'Metro' from totally falling apart, I'll never be Murphy's biggest fan but as a comedian he's far from mediocre (although we don't see his best work in this movie). I did appreciate the way they threw us off track time after time: as to who (or what) Troy is, the restaurant scenes (with the implied marriage proposal) and the hostage negotiation training scene. Those scenes, and the opening hostage situation, made up 90% of the enjoyment level of 'metro' for me. In the end 'Metro' can be summed up as painfully (almost insultingly) mediocre but still enjoyable because of the humor involved.
monkey-man (Spoiler)This movie is really good but before i watched it i thought that this movie would be crap and the funny Eddie Murphy from the great movie Beverly Hills Cop stars in this movie along side other good actors and actors like Michael Rapaport,Kim Miyori,Art Evans and Michael Wincott.There are heaps of great action scenes in this movie and the best one has to be the great car chase half way into the movie and the scenes in the end of the movie are great as well.Over all this movie is really good and it is worth watching and my rating is 6 out of 10.