Miss Violence

Miss Violence

2013 ""
Miss Violence
Miss Violence

Miss Violence

7 | 1h39m | en | Drama

On the day of her birthday, eleven-year-old Angeliki jumps off the balcony and falls to her death with a smile on her face. While the police and Social Services try to discover the reason for this apparent suicide, Angeliki's family keep insisting that it was an accident. What is the secret that young Angeliki took with her? Why does her family persist in trying to "forget" her and to move on with its life?

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7 | 1h39m | en | More Info
Released: September. 09,2013 | Released Producted By: Greek Film Centre , Faliro House Productions Country: Greece Budget: 0 Revenue: 0 Official Website:
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On the day of her birthday, eleven-year-old Angeliki jumps off the balcony and falls to her death with a smile on her face. While the police and Social Services try to discover the reason for this apparent suicide, Angeliki's family keep insisting that it was an accident. What is the secret that young Angeliki took with her? Why does her family persist in trying to "forget" her and to move on with its life?

Genre

Drama

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Miss Violence (2013) is currently not available on any services.

Cast

Themis Panou , Reni Pittaki , Eleni Roussinou , Sissy Toumasi , Kostas Antalopoulos , Chloe Bolota

Director

Thanassis Demiris

Producted By

Greek Film Centre

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  • Crew
Thanassis Demiris
Thanassis Demiris

Art Direction

Eva Manidaki
Eva Manidaki

Art Direction

Daphne Koutra
Daphne Koutra

Assistant Art Director

Olympia Mytilinaiou
Olympia Mytilinaiou

Director of Photography

George Maniatis
George Maniatis

First Assistant Camera

Giannis Georgiou
Giannis Georgiou

First Assistant Camera

Stefanos Kalothetos
Stefanos Kalothetos

Steadicam Operator

Despina Chimona
Despina Chimona

Costume Design

Mary Stavrakaki
Mary Stavrakaki

Makeup Artist

Ioanna Symeonidi
Ioanna Symeonidi

Makeup Artist

Apollonia B.
Apollonia B.

Makeup Artist

Nikos Bouyioukos
Nikos Bouyioukos

Sound Recordist

Kostas Varympopiotis
Kostas Varympopiotis

Sound Re-Recording Mixer

Kostas Peroulis
Kostas Peroulis

Screenplay

Alexandros Avranas
Alexandros Avranas

Screenplay

Miss Violence Audience Reviews

Reptileenbu Did you people see the same film I saw?
ChanFamous I wanted to like it more than I actually did... But much of the humor totally escaped me and I walked out only mildly impressed.
Derry Herrera Not sure how, but this is easily one of the best movies all summer. Multiple levels of funny, never takes itself seriously, super colorful, and creative.
Paynbob It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.
theosanto The purpose of this film was to shock just for the sake of it. This is not independent cinema, this is pure sickness. We need to move away from the sick minded people and the movies that reproduce sickness so they can be named ''independent'', ''shocking'' , ''contemporary'' etc. Every useless director in Greece is trying to imitate previous successes (dogtooth) and make a name, but apparently they cannot realize the limits. Or are they sick too? The worst part of the movie was the attempted connection of these disgusting actions with the financial crisis (the low wage that that the grandpa was offered). Don't watch it.
billcr12 This is my second venture into Greek cinema; the first being Dogtooth. Is everyone in that country insane? The concepts are similar in both films which share a controlling father in the lead. This time around, the dad is dancing with his eleven year-old granddaughter when she shortly makes an unexpected and abrupt exit. For the following ninety six minutes we are subjected to four adults and four children behaving very strangely. There is not one light moment and we are witness to an extremely sexually repulsive scene involving a girl and men who are not interested in a loving relationship. The acting is fine, but the actors spend every moment brooding. There is no reason on earth to sit through this tortuous movie.
aland-3 Of the 40 or so films I have seen so far at the Vancouver International Film Festival, this is the best. No. Wait. It is the best film I have ever seen. In the opening scene, Angeliki calmly leaves her eleventh birthday party, steps over the balcony of her family's Athens apartment and drops to her death. The reason for her suicide drives the rest of the film. Of course, your first guess is that she is being sexually abused, probably by her grandfather, the only man in a family consisting of two women, one teenage girl (besides Angeliki), a 10-year-old boy and an eight-year-old girl. But not so fast. The grandfather, brilliantly played by Themis Panou, overcomes his embarrassment over his grand-daughter's death and leads the way in helping social services uncover the dark secrets of his family. And under the skillful direction of Alexandros Avranas, who also co-wrote the script, as the secrets are revealed, so the tension increases. But suspend your suspicions until the last ten minutes -- they may surprise you. Great acting by all the cast. I am reluctant to paste the cliché "riveting' to any film. Except for this one.
trailofdead Miss Violence was the first film I've seen at this years Vancouver International Film Festival and what a fantastic film it is. There are similarities to Giorgos Lanthimos's films (Dogtooth, Alps) where you spend the first third of the film figuring out the relationships of the characters to each other and the rules of the world they live in. The rest of the film is spent either reveling in either horror or fascination in the world and characters created.This story is given to you in small pieces which build upon your understanding of who these people are. This in turn makes you a very active film-goer and creates a feeling of investment. When Miss Violence reaches it's climax I could feel the collective sighs from the 200+ people gathered to watch it at the festival.Be warned though...it is heavy, but so worth it. You'll be talking about it for awhile to come.