Mr. Smith Goes to Washington

1939 "Romance, drama, laughter and heartbreak... created out of the very heart and soil of America!"
8.1| 2h9m| NR| en| More Info
Released: 19 October 1939 Released
Producted By: Columbia Pictures
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
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Naive and idealistic Jefferson Smith, leader of the Boy Rangers, is appointed to the United States Senate by the puppet governor of his state. He soon discovers, upon going to Washington, many shortcomings of the political process as his earnest goal of a national boys' camp leads to a conflict with the state political boss.

Genre

Drama, Comedy

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Director

Frank Capra

Production Companies

Columbia Pictures

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Mr. Smith Goes to Washington Audience Reviews

Linbeymusol Wonderful character development!
Matrixiole Simple and well acted, it has tension enough to knot the stomach.
Usamah Harvey The film's masterful storytelling did its job. The message was clear. No need to overdo.
Donald Seymour This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.
Vonia Well, this is like any other political film oozing patriotism, where the small guy gets the big guy. The underdog wins. All American. Better yet, it is Frank Capra, with James Stewart. Can we get any more cliché? Oh, wait. The main character is a Jefferson Smith. Bribery, corruption, conspiracy, lies and deceit. It is all here. Shady deals, ulterior motives. In other words, politics. In case it was not already obvious, I am not very political. But guess what? In all the above ways, yes, this is like all those other films. But it the most important ways, it is not. What makes it different? In one word, Stewart. Sure, the clever writing, the directing, the supporting cast are all assets to the film. But he makes this film. His character's name is in the title, after all. Through his heartfelt performance as Jefferson Smith, the audience is inspired; even the most cynical of us might find ourselves beginning to really like this country, appreciate what we have today that our ancestors did not, and maybe even believe that we can make a difference by getting involved in politics. His naiveté is practically excruciating at times. His first glance at the White House can be compared to a little kid in a candy store. His first evening exploring all the monuments along and around the National Mall is shown in montage form with patriotic backgrounds music. Cheesy, yes. But somehow it was not as bad as it sounds. As he, an everyday man, tries to acclimate himself in the world of politics, each blunder brings new laughs. His awkwardness in palpable and his character lovable. Eventually, of course, he must learn the truth- that it does not really exist in the government. We all cheer for this everyday Smith as he tries to pave the way for all the little guys. As far as high school or even grade school education goes, this should be on a list of required viewings. Along with School House Rock's classic "How a Bill Becomes a Law", of course. I would have loved to learn about government, the Senate, bills, and filibusters this way. **** Spoilers **** Sadly, it was the ending that brought the greatest disappointment. It was extremely sudden and cheap. After all that determination and rallying from Smith; after how far Paine was willing to go to condemn the man he supposedly felt was "like a son" to him, after all his stubbornness to do the right thing, he gives up and confesses everything on the Senate floor? Highly unlikely. Even worse, it cheapens all that Smith has done.
jacobs-greenwood Produced and directed by Frank Capra, with a story by Lewis R. Foster and a screenplay by Sidney Buchman, this essential political comedy drama features James Stewart in the title role, as Jefferson Smith (AFI's #11 hero), who's appointed to the Senate by his state's Governor Hubert 'Happy' Hopper (Guy Kibbee), on the advice of his children (the Watson brothers), when one of their Senators dies. The state's senior Senator Joseph Harrison Paine is played by Claude Rains.Stewart's character is a young, idealistic boys' club (like the Boy Scouts) leader and a patriot, who's far too naive to fair very well among the alligators in Washington, D.C.. This fact is quickly recognized by everyone, especially the former Senator's streetwise secretary Clarissa Saunders (Jean Arthur), who helps Smith navigate the treacherous waters of our nation's capital (and capitol building) and eventually (and obviously) falls in love with him.Edward Arnold plays media magnate Jim Taylor, who controls the state's political party and "owns" several (if not all) of its politicians. At the time of Smith's appointment, Taylor is in the midst of having his civil servants put through some pork barrel legislation (a dam project) for his own financial real estate benefit. Once the junior Senator catches wind of what's going on, Taylor utilizes Paine et al against Smith, who famously incorporates a one man filibuster, in a symbolic fight against the other politicians' corruption.Thomas Mitchell, Eugene Palette, Beulah Bondi as Ma Smith, H.B. Warner as the Senate Majority Leader, Harry Carey as the Vice President, Grant Mitchell and Porter Hall as senators, Charles Lane as a newsman named Nosey, William Demarest, and Dick Elliott are among those also in the cast.Capra earned two Academy Award nominations, Best Picture and Best Director; Foster won the film's only statuette for his original story, and Buchman's screenplay was Oscar nominated. Stewart received his first Best Actor nomination; supporting actors Rains (his first) and Carey (his only) were also nominated, as was Lionel Banks' Art Direction, Dimitri Tiomkin's Score, John Livadary's Sound, and its Editing (Gene Havlick's last nomination, Al Clark's second). The film was added to the National Film Registry in 1989. #29 on AFI's 100 Greatest Movies list. #5 on AFI's 100 Most Inspiring Movies list.
bib12342004 This movie sends a very strong message to the American people, as not all politicians are corrupted or on the take. It shows the true way how a democracy system should work here in the US. The political statements shown in this movie were attack when the film was released, as people thought of it as anti-American and pro-Communist for its portrayal of corruption in the American government. In my opinion this film shows the faults and positives of our political system. A film like this really can give the viewer of what the true democracy system feels like and shows it only takes the courage of one man to stand up against corruption. Mr. Smith is that man who is not a career politician, just a common man that bleeds red, white and blue. He has an idea that would benefit sociality as it will help kids stay out of trouble and become men. When he finds out about the graft scheme he stands tall and challenges the big political machine Taylor, with out fear like the other members of the hall. This shows the courage of a man standing by his self against the same members of his party. Mr. Smith stands his ground and keeps to his word to ensure that a "government of the people, by the people, for the people, shall not perish from the earth"
Steven Torrey I gave it 10 stars--but let's just say I'm good for another 50 years before I see this again. I thought it was sentimental shlock and that Stewart's performance was questionable, and that is the best I can say. When we look at an actor's oeuvre over time, the audience can compare performances, and for me, he was weakest here.I don't like these kinds of movies because they are a deliberate attempt to tug on the heart strings of the audience; the audience is being overtly manipulated. And not a bit of it rang true. That Washington is a cesspool is self-evident from reading the daily news; that someone idealistic could expose Washington on such a flimsy basis as a questionable land deal...About the best moment was when Stewart's Secretary explains how a bill is passed; now that sounded true to life. Guy Kibbee's performance of a corrupt and weak governor was spot on.So given Stewart's weak performance, given the sentimental shlock, given overt audience manipulation--like I say, I'm good for another fifty years before I watch this again.