Murder on a Sunday Morning

2001
7.9| 1h51m| NA| en| More Info
Released: 14 September 2001 Released
Producted By: France 2 Cinéma
Country:
Budget: 0
Revenue: 0
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2001 French documentary about the murder trial of a 15 year old black teen accused of murder in Jacksonville, Florida. Winner of 2002 Academy Award for Best Documentary.

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Cast

Director

Jean-Xavier de Lestrade

Production Companies

France 2 Cinéma

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Murder on a Sunday Morning Audience Reviews

Stometer Save your money for something good and enjoyable
VeteranLight I don't have all the words right now but this film is a work of art.
XoWizIama Excellent adaptation.
TrueHello Fun premise, good actors, bad writing. This film seemed to have potential at the beginning but it quickly devolves into a trite action film. Ultimately it's very boring.
MartinHafer "Murder on a Sunday Morning" was an Oscar-winner for Best Documentary Feature--a pretty prestigious award to say the least. And, on IMDb the reviews are mostly very favorable. I loved how like a good documentary this one had something to say and worked to right a wrong. However, I am surprised that the technical aspects of the film haven't been really discussed, as it is NOT an especially pretty documentary and seems to consist of lots of videotape arranged in a semi-professional manner. In short, although it's got a lot going for it, it is an ugly looking film. Because so much of the film seems to lack good editing and the film is VERY, VERY dry and could use incidental music and energy, I found it VERY hard to stick with the film--even when it brought up a lot of great points about the justice system, prejudice and the unreliability of eyewitness testimony. I know this makes me sound like a jerk, but it just didn't look very professional or well made--certainly not like something you'd expect to win the highest award the entertainment world can offer. Tough going, that's for sure.
wromaine2010 Art imitates life imitates art. Atticus Finch is reincarnated into the D.A. in this tragic and suspenseful gripping documentary that plays more like a who-done-it and how did it happen. The authenticity and sometimes reluctant honesty of the individuals make this a compelling story in many layers. Although racism is one of the themes there are other elements such as work ethic, integrity, and coping with grief that have drawn me back to view and review this film again and again. The music is driving but not obtrusive; the pacing and visuals are such that there is no mistaking the fact that these are real people going through an authentic experience.
va_eer with that, carry the same dark weaknesses we all unfortunately possess: lying, deception, laziness, the list goes on.However, as an American, I was shocked to see that corruption and racism exist in today's police force as is reflected with the Duval County Sheriff Department's horrible detective and police work with the murder of a white female tourist and a 15-year old accused black youth. I shook my head in shame that detectives were protected from their abusive work while a young man's LIFE hung in the crooked balance of justice.However, there is also a story of hope with our judicial system and how poorly-paid public defenders stuck by their guns (irony intended) and forced the truth from the detectives. I wanted to fly down to Florida and tell anybody with influence what a great public defender team they have in Duval County; those lawyers care about the "little" man and, most importantly, for justice.The other story line is about faith and family. Praises to the accused's family and their strong Christian (submit any dedicated religion) beliefs and wonderful family values. I hope they win their lawsuit against the Duval County Sheriff's Department.Bravo for justice!!! Bravo for the little guy!!!
bob the moo On the morning of the 7th May 2000, Mary Ann Stephens and her husband were accosted by a young black man who held them up at gunpoint, taking her purse and shooting her at point blank range. A matter of hours afterwards police pack up 15 year old Brenton Butler after the husband identifies him on the street. Butler is interviewed and signs a confession which he says he was forced to sign. This film follows Public Defenders Ann Linnel and Patrick McGuiness as they defend Butler on all charges.I watched this film expecting some form of fireworks akin to a fictional courtroom thriller – these were not forthcoming, I was misled by the advertising. However the outcome is a stronger film because it is not an extraordinary case, or one that is unusual. This is alarming due to the nature of the investigation which is lacking at best – brutal at worst. The fact that McGuiness does more investigation than the police is worrying simply because I refuse to believe that every court appointed attorney is as professional as he is depicted here – or as thorough. I'm sure many in his situation must grow numb to the numbers of young black men who pass through the courts daily.Having mentioned his colour, I was pleased to note that the film never played the race card once. Even the fact that the husband could clearly care less which black kid he picked wasn't played up. This is helped by the fact that one of the officers involved in the courtroom is black, but it is refreshing to look at the courtroom scenario without having someone shout `racist' every 2 minutes. The focus of the film is very much on the process of the trial. As such, McGuiness is a likeable and honest guide, his interviews are scattered throughout him working the court and he makes interesting observations. His actual work in court is very sharp and he is very skilful attorney. I suspect the angelic light that the film casts him in may not be totally true but he is certainly not the other side of the spectrum as many of the others here are. It is alarming to see officers completely neglect their duties simply because they have already made their minds up.As a documentary this is a solid film that does very well to condense the trial down without doing it a disservice. The only area I felt it could have done better with was in presenting a balanced view of the trial – the prosecutor is only really in objectives and a brief closing statement. I can't help wondering if a film about `a black man being prosecuted by an unjust system' winning the Oscar was a little to do with the politics of Hollywood, but regardless I'm glad this won.Overall this is not a wild legal ride – in fact the details of the case are not that extraordinary (in terms of the crime). However this is the film's strength – it shows how easy it would be for one man to be locked up in jail for life, how twisted the system can be but also, happily, how the system works just fine when it is not abused or perverted.