Gurlyndrobb While it doesn't offer any answers, it both thrills and makes you think.

ActuallyGlimmer The best films of this genre always show a path and provide a takeaway for being a better person.

Neive Bellamy Excellent and certainly provocative... If nothing else, the film is a real conversation starter.

Mandeep Tyson The acting in this movie is really good.

Horst in Translation (filmreviews@web.de) "Poor Cinderella" is a 10.5-minute animated short film from 1934, so it had its 80 anniversary two years ago and it is one of the longest Betty Boop cartoons. There is one crucial difference here compared to her usual work: This one is in color. And this is also the main reason why it makes such an impact. I do believe color usually adds a lot to fairy-tale based movie and the title already gives away that this is the Fleischer Studios' take on the famous Cinderella story. You all know the plot, so I won't go a lot into detail here. Of course, at this runtime, they had to shorten it considerably in terms of certain plot elements. The evil mother of the two not-so-attractive girls is missing entirely and she is the main antagonist in the tale usually. Betty as Cinderella works very well and once again the male audience members will like that you see Betty in underwear on one occasions. They certainly play with her sex appeal, not just in this one. And who would have guessed that Betty shows up as a redhead in her most-known color movie. I recommend the watch. Different, but pretty good for a Betty Boop film and one of my favorites.

Son_of_Mansfield Betty Boop, fetching even in rags, meets her prince thanks to her fairy godmother. Similar elements of the movie are here, but the short stands in it's own. There are wicked stepsisters, but no stepmother. The animation of the mice and lizards transforming to horses and coachmen is very reminiscent of the Disney movie. The music would fit in that movie, but adds to the short's charm. I really liked the Cupid who banged the prince on the head with a mallet when he first glimpsed Betty. The talking pumpkin is a little scary with it's jagged teeth and deep voice. The ending is happy of course with Betty reunited with her slipper and her prince. While this short can't match that movie's completeness and gloss, this is a very enjoyable short for lovers of the classic story. This is the only color Betty Boop cartoon that I have seen and hopefully not the only one in existence.

JaJWM Long before Rodgers and Hammerstein had the idea of musicalizing Cinderella, Betty Boop made the midnight pumpkin change tunefully, with verve, sex and good story editing. The plot is trimmed to its essentials, the splendid backgrounds may have influenced the Disney Beauty and the Beast, and the closing shot of the Pinocchio-nosed sisters wraps everything up with a laugh.

Popeye-8 Before moving on to their prolific (and highly successful) POPEYE series (as well as into their unfortunate GABBY series--just imagine Elmer Fudd without his macho sex appeal), Paramount's Fleischer brothers poured their creative genius into BETTY BOOP. This is their finest B-B cartoon, and may just be their finest EVER, period.Using their 3-D filming process (and a unheard-of budget for a cartoon short), they adapted the Cinderella legend to Betty, adding some marvelous songs and (likely roto-scoped) beautiful dance numbers. For reasons not told, this was the only Betty Boop cartoon ever done in color--a tragedy.Look for versions with the original opening titles intact--even the titles show that this was a project of love (and yes, money). Plus, Betty's as sexy an ingenue as ever thanks to Technicolor.