Pretty Woman

1990 "She walked off the street, into his life and stole his heart."
7.1| 1h59m| R| en| More Info
Released: 23 March 1990 Released
Producted By: Regency Enterprises
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Info

When a millionaire wheeler-dealer enters a business contract with a Hollywood hooker Vivian Ward, he loses his heart in the bargain.

Genre

Comedy, Romance

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Director

Garry Marshall

Production Companies

Regency Enterprises

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Pretty Woman Audience Reviews

SnoReptilePlenty Memorable, crazy movie
FeistyUpper If you don't like this, we can't be friends.
AshUnow This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.
Jonah Abbott There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.
PWNYCNY Watched this movie again, for maybe the tenth time since it was first released in 1990, and it is still as fresh as ever. An angry business man who uses his money to destroy businesses, and the in the process hurt people, meets a street hooker, a real slut, and they fall in love. Alone, both are struggling to survive; together they form a bond that nothing can break. On the surface the story seems farfetched, even contrived. A rich guy hooking up with a slutty whore - no way. However, this why this movie is so great. The story is not only believable, but appealing. Despite the huge difference in their social statuses - Edward is loaded with money and spends it, while Vivian is struggling just to pay the rent - both characters have one thing in common - intelligence. In each one's respective circles, they are surrounded by people who are not only vile but stupid. The movie captures how Edward and Vivian immediately connect. It is the key scene in the movie and shapes the entire story. Botch that scene and the whole story collapses. The cast brings this story to life. Richard Gere and Julia Roberts deliver the best performances of their careers. Gere is somber and tense and Roberts is sassy yet a little menacing. Their chemistry is impossible to miss. They become the characters they are playing. The movie depicts the story in a straightforward manner. The movie shows how Edward and Vivian evolve, in the process bringing out aspects of themselves that were lying suppressed. Alone, they were fighting the world; together, the world is theirs. Tremendous story about the power of love.
jamariana The premise is obviously problematic. It's understandable why so many A-list actresses turned down the role - it comes across as sexist. But the film has a different energy than that upon viewing. I know, I know, maybe that's the magic of Hollywood movies - they can brainwash you and make prostitution seem innocent and harmless. There was some pretty good acting in this though. I really liked Julia at least.
sol- Hired by a rich businessman to be his date for a week, a prostitute has to work out if the businessman is serious about his romantic advances towards her in this romantic comedy that propelled Julia Roberts to fame. A popular movie when first released, 'Pretty Woman' has received some backlash over the years for its lack of realism and indeed one has to suspend disbelief at how kind-hearted both protagonists are. There is enough snappy dialogue though to keep things moving along; "we both screw people for money" Richard Gere comments at one point, while his observation that "stores are never nice to people... they're nice to credit cards" offers some unexpected social commentary for a lighthearted film like this is. The other big plus is the talented supporting cast. Hector Elizondo is delightful in a Golden Globe nominated role as a prim and proper hotel proprietor who gradually warms towards Roberts while Jason Alexander is a lot of fun as Gere's cunning lawyer. Realism aside, the biggest issue with the film is how little Roberts changes over the course of the film. This is no 'Pygmalion' or 'My Fair Lady' tale in which we see a noticeable difference in the protagonist as a result of her experiences. Still, it is a pleasant enough movie with some really funny moments (Roberts commenting on an opera) in between the clichés.
Gaylord McGee (gayinfolsom) An over-the-top elaborate extravaganza which pushes woman power down your throat like a roided up school bully. This is the kind of movie a woman with an extreme power complex would love, if she was straight, that is, and its a wonderful feeling. Most of the circumstances in this movie are absurd and very unlikely but it does posses a kind of class and a type of female domination theme. Great Movie.