Prime Suspect: The Final Act

2006
8.2| 3h2m| NA| en| More Info
Released: 12 November 2006 Released
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Helen Mirren returns for the final time as Jane Tennison in the long-awaited Prime Suspect 7. Retirement looms for Detective Superintendent Tennison, but as her career draws to a close, the body of a missing schoolgirl is found, and the hunt for her killer begins. However, as Jane and her colleagues work to identify their prime suspect, the emotional fallout from the murder begins to take its toll on the battle-scarred detective. As the investigation gets underway, Jane is not only dealing with the imminent death of her father, but also an addiction to alcohol which she is desperately trying to keep hidden. There are plenty of twists and turns as Jane confronts her toughest challenge yet: herself, as the popular award-winning series reaches its devastating finale.

Genre

Drama, Crime, Mystery

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Director

Philip Martin

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Prime Suspect: The Final Act Audience Reviews

Solemplex To me, this movie is perfection.
Afouotos Although it has its amusing moments, in eneral the plot does not convince.
SpunkySelfTwitter It’s an especially fun movie from a director and cast who are clearly having a good time allowing themselves to let loose.
Paynbob It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.
PippinInOz Hfk from Oklohoma, another contributor here, describes seeing this the first time it aired and being a bit underwhelmed, but then seeing it again was really impressed.I totally agree with this comment! Have just finished watching it and feel compelled to write a review to encourage anyone to have a look at this, because:1. Like all first class television, the Prime Suspect series in general picks up on contemporary themes in culture and society and holds them up for us to see them closer. This final Prime Suspect does this so beautifully it will prove a rich source of information for future social historians. When we first meet Jane Tennyson she is a woman up against ingrained sexism in the Police Force, about 40 years old. When this was made (about 1991), it picked up on the generation of women who chose a career over the more traditional life map of marriage and children. Fast forward to 2006 and the ideology of the programme seems to have shifted. The writers almost appear to be punishing the character at times for pursuing a career. Also, the wonderful interrogation of teenage life in London. People will look back and laugh at the 'innit' speech of the kids here. Also, the over the top excessive use of the new technology: mobile telephones and constant texting. All excellently held up for us to ourselves and our world at the time.2. The acting is just outstanding. Even the bit parts are spot on here. Helen Mirren's performance here, well, put it this way, several times I muttered: 'What a brave performance' - just incredible. At a time where even young actors are getting botox and 'fillers' and starving themselves into submission, Mirren stares down the camera - and 'stares down' a film and television celebrity culture which insists on a cartoonish perfection. Remarkable. 3. The emotional fall out as this programme goes on is almost unbearable to watch at times. You empathise with these fallible human beings. It says a great deal for the writing that no one here is completely innocent or guilty. It says even more that you care so deeply about them all. Even the Headmaster. It would have been so easy to make him a nasty piece of work wouldn't it? He makes a terrible error of judgement.4. Which brings me to: 'The Final Act' - the very title holds connotations of a Shakespearian Tragedy......and this final act is a Tragedy. Literally. (A tragic figure for example is brought undone by the fatal flaw in their character) Tennyson and Otley: alcoholism. The Headmaster, a desire to escape his middle aged suburban responsibilities and falling for a student. 5. The thematic threads which link Jane's fondness for Penny and the Headmaster's infatuation for Sallie are beautifully realised. When Penny breaks into Jane's father's house late in the piece and mirrors the earlier scene of a drunk Jane dancing with her police hat on, I just marvelled at it all to be honest. Jane and the Headmaster both look to extreme youth to try and reclaim their own lost, carefree youth. 6. Finally, when so many television programmes constantly show people 'having a relaxing glass of wine' to 'unwind' from the stresses of their job, how refreshing to see alcohol in it's altogether more nasty guise. That hangover at the beginning - I could feel that nausea. Oh......loved the intertextual reference to Helen Mirren playing The Queen (Elizabeth 2), when she quips: 'Don't call me Ma'am. I'm not the Queen.'Give it another go if you only saw it in 2006. You will very likely (like a couple of us here) be shocked at just how emotionally wrenching this is to watch.
John Bale In a remarkable performance Helen Mirren plays the alcoholic detective Jane Tennison with depth and understanding rare in television. Mirren once the vivacious girl who was opposite James Mason in Norman Lindsay's "Age of Consent" today is not frightened of getting down and dirty in her roles. She goes full bore warts and all. Supported by a strong cast of British character players we can overlook some minor plot weaknesses when the overall quality of this series is streets ahead of the usual crap cop shows on the box. If only most TV was this good. Not often do we see actors bare their souls like Mirren outside of the cinema screen. Others in the cast worthy of mention are Stephen Tompkinson as Sean Philips, and Gary Lewis as Tony Sturdy.
josiebreen Helen Mirren was superb in this - she was tough but broken. Scenes like when she went to the local shop but could barely raise the energy to shop for food, and quietly broke down while reading a Pot Noodle carton, were totally original. The thing is, compared with earlier episodes, the story was no good. It really plodded along and it was obvious who had done it from the start. Also, what an error when Tennison receives the phonecall from her niece, who is being attacked, and seconds later is able to pull the attacker off! I mean, this is London - unless she was in the next street it could've taken her ages to get there, and we're meant to believe her niece was being attacked that whole time? Hmmmmm.
Mark Price Well it was to be expected that over the fours hours less adverts she would not go out in a blaze of glory and rather more time was spent on Jane Tennyson herself than the investigation. Not on a par with earlier in the series Helen Mirren was nevertheless superb and a new star in the making is Laura Greenwood. The storyline is only adequate and her squad was the smallest yet. Excellent performance also from Mr Tompkinson who continues to impress. But for me there was too much shouting and focus on the parents anguish. Yes it should be portrayed but I thought it excessive. So much so that towards the end the scenes seemed rushed. So I expected and hoped for more but it was good to watch all the same.