Princess Ka'iulani

2010 "Her heart was torn between love and the future of Hawaii..."
6.1| 2h10m| PG| en| More Info
Released: 14 May 2010 Released
Producted By: Island Film Group
Country: United States of America
Budget: 0
Revenue: 0
Official Website: http://www.princesskaiulanimovie.com/
Info

Ka'iulani, a 19th-century Hawaiian princess, is raised in England but determined to maintain her people's independence from aggressive American businessmen. After being sent to England as a child by her Scottish father, Ka'iulani returns to Hawaii and becomes a political activist who fights to retain her throne, even though she must leave her English paramour.

Genre

Drama

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Director

Marc Forby

Production Companies

Island Film Group

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Princess Ka'iulani Audience Reviews

CheerupSilver Very Cool!!!
ShangLuda Admirable film.
Erica Derrick By the time the dramatic fireworks start popping off, each one feels earned.
Kayden This is a dark and sometimes deeply uncomfortable drama
freydis-e Ka'iulani did exist – at least they got that right. She was an interesting minor historical figure, beautiful, charming, smart, brave and determined. They got that right too, but not much else. Some of the main facts were correct. She was the last heir to the throne of Hawai'i, educated in England and did visit President Cleveland. Her family's monarchy was suppressed and her country annexed by the USA. But history isn't so clear about her motivations – to nobly serve her people, as in the movie, or to retain/regain her family's enjoyment of hereditary power and adulation.The real Ka'iulani was something of a heroic failure. Her charisma and shuttle-diplomacy may have delayed some of the inevitable, but not by much and she achieved almost nothing in the end. She had long suffered from ill-health (ignored in the movie) and died in her early 20s. A true biopic of her life would be fascinating but rather sad and depressing. This manufactured twaddle was nothing much at all.Kilcher is a fine actress, as shown in New World (where she had rather better support) and she does her best here in a feebly written part. The support is horrible, Pepper hamming it up as the villain and Evans as a shoehorned-in love-interest bland and tedious enough to stretch credibility as any kind of interest for a woman like this. The script is trite and ghastly, apart from authentic quotes – Princess K herself had better script-writers! Production values, costumes and settings do pull this up a little way by the bootstraps but not very far.The worst thing here is the manufactured story, not only false but lacking any originality. The romantic strand is trite, ridiculous and way too time-consuming – as though there was nothing more interesting to say about this woman. Ludicrous cameos – nasty people from her schooldays being welcomed and helped by this saintly figure. And a true Hollywood-style happy ending. Meanwhile the true hero of the vain battle to preserve Hawai'i from the USA, Queen Liliʻuokalani, is diminished to an insignificant bit-player. This movie may have been well-intentioned but it's worse than just a waste of time. To turn the history of these real and genuinely fascinating women into this clichéed garbage is criminal.
sleeping_gorilla I thought the movie was very interesting with strong performances but poor editing. Events often seem to occur out of order and there is some scenes where she just sitting on the beach thinking. One very good directing choice was that rather than force feeding us historical information we found out the fate of Hawai'i as Kaiulani does. There really are many great cinematic moments here, but it comes off as a mish-mash.I believe "Barbarian Princess" would have been a much better title, as that's how US papers referred to Ka'iulani, and she was anything but.I can't speak on the movie's accuracy, but the events are fascinating and this movie makes me want to learn more about Ka'iulani and the Kingdom of Hawai'i.This gets a higher rating from me due to it's unique subject and the performance of the lead actress.
gradyharp PRINCESS KA'IULANI feels like a made for TV movie, a film that will inform the viewer about a bit of history few know, but also a rather static and amateurish production - pretty to look at, embarrassing to hear. Marc Dorby directed this his first directorial outing based on his story written with the assistance of Robert Payne. The facts presented are apparently true and since few know the background history of Hawaii it is at least informative. Without much historical background about the Islands before the Americans inserted themselves to feast on the beauty and agricultural goods of that paradise, the film begins with a conflict between the anti-Royalists lead by Thurston (Barry Pepper in muttonchops) and the Royal reign of King Kalalaua (Ocean Kaowili), Queen Liliu'okalan (Leo Anderson Akana). Princess Ka'iulani (Q'orianka Kilcher, a half Peruvian actress remembered for her role as Pocahontas in THE NEW WORLD with Colin Farrell and Christian Bale) is the niece who is in line for the throne, a royal personage who understands kindness in regards to the people of her nation (she is only half Hawaiian - her father is a Scotsman). To protect the princess she is sent to England where she gradually grows accustomed to British snobbery and overcomes it through her inner strength, living in the home of the Davies - Mr. Davies (Julian Glover, Alice Davies (Tazmin Merchant, from THE TUDORS) and Clive Davies (Shaun Evans). The family presents her to society, nurtures her, and the princess falls in love with Clive, who is juts ready to enter university, and they become engaged. Back home in Honolulu things disintegrate: Thurston gathers rebels to take over the Royal rule, alters the constitution to forbid voting by the natives, the King dies, and the Queen is under house arrest. Princess Ka'iulani travels to the United States to plead her case with President Cleveland, receives a grand reception and then returns home to Hawaii, raises her dignity to cope with Thurston and the anti-Royalists and with the assistance of Sanford B. Dole (Will Patton) she is able to alter the new constitution to allow voting rights to her people. If that all sounds a bit short on story then the viewer can understand why so much time is spent with the princess, Julie and Clive skipping along the beach and finding other moments of diversion to fill the 90 minutes of the film. The cast is competent and delivers the piecemeal scraps of script given them well. In the end there jut isn't much story here that isn't fairly obvious from the first 15 minutes of the film. It is a good lesson about the US annexation of Hawaii and the tension between the native Hawaiians and the 'invaders'......Grady Harp
Chad Shiira Burt Lancaster was not an Indian, but the English/Irish actor played a Potawatomi in Max Steiner's "Jim Thorpe: All-American" and one of Geronimo's tribesman in Robert Aldrich's "Apache". Paul Muni had no Chinese blood. Susan Kohner had no black blood. Marlon Brando had no Okinawan blood. In retrospect, now that the cinema is well-represented by all walks of life, such racial performances, however well-meaning, instantly dates the film. Blood is important, but it doesn't necessarily have to make or break the movie if the filmmaker employs red-face(or black-face, or yellow-face) simply as a means to an end(the productions of "The Good Earth", "Imitation of Life", and "The Teahouse of the August Moon" would not have been mad without the prevailing film industry's political incorrect casting practices), in which the masquerading actors aren't consciously foregrounding their appropriated ethnic impersonation through grotesque minstrelism(for starters, Mickey Rooney's take on the Japanese in Blake Edwards' "Breakfast at Tiffany's"). Nowadays, if a minority race gets misrepresented, it's less a matter of outright racism, but rather, a marketability concern, which is best exemplified by the casting of non-Japanese actresses Zhang Ziyi, Gong Li, and Michelle Yeoh in "Memoirs of a Geisha". Likewise, "Princess Kaiulani", a sugar-coated chronicling of the Hawaiian royal who, due to American intervention, was denied the chance to rule her island nation, would never have been financed with a "Hapa"(a Hawaiian with Caucasian blood). It's a knee-jerk reaction to call this film racist, because the overriding flaw of "Princess Kaiulani" has nothing to do with Q'orianka Kilcher's Peruvian/Spanish background; it's the performance that the filmmaker coaxes out of her, which doesn't clearly delineate a resolute anti-colonization stance. That's because the star of Terrence Malick's "The New World", as Kaiulani, behaves more like her oppressors, than the native Hawaiians she professes to love.By all accounts, Princess Kaiulani was not a coward, so the historical inaccuracy of a colonialist-led insurgency(during a lighting ceremony which introduced electricity to Honolulu) as being the catalyst for her overseas voyage to England, could be construed as an insult to the girl's legacy. Being non-Hawaiian is not the insult. But it's a forgivable offense(in the context of narrative film), since all biopics that depict the past rewrites itself for the sake of clarity and time compression. While in London, Kaiulani complies with Belle Epoque fashion(wide-shouldered blouse with muttonchop sleeves, cinched with a corset and wide belt to hug the waist), which wouldn't have been especially foreign to the princess, who wore European-style clothing back home, but Kilcher's assignation of the fairer "ali'i" suggests that the filmmaker decided against addressing the young woman's "other-ness". Although Kaiulani should look English, she shouldn't literally be a descendant of Queen Victoria, which is how Kilcher plays the princess, as a "barbarian" without the slightest trepidation about gaining entree into a wholly new culture. Kaiulani seems bereft of royal carriage, giggling and mugging for Clive(Shaun Evans), lost as she is in the throes of love, despite her consciousness(that's why the opening scene proves to be problematic) of the governmental tumult back home, having been a first-hand witness to the king's premier being taken hostage at gunpoint by the Hawaiian League before her hasty departure. This big romance dominates "Princess Kaiulani", at the expense of detail surrounding the fallout from the Bayonet Constitution that resulted in the reigning queen(Liliokulani) being ousted from her dismantled court. The film conjures up emotional uplift(big rabble-rousing speeches, an appointment with President Cleveland, the restoration of her title, purely symbolic) to obscure the tragedy that befell the native population, who had lost their land to the missionaries(a fact that gets lost in Kaiulani's small victory of restoring the Hawaiian people's right to vote), and lives(due to disease transmitted from the newly minted foreign landowners). Not enough is made ado about this drastic transference of power. Worst of all, despite Clive being in cahoots with his family to deceive Kaiulani(who should have known that a coup was in the making), she accepts the British gentleman with open arms at her seaside "coronation", going so far as kissing him in front of her people during their darkest hours. That is not how a dethroned monarch would act. "Princess Kaiulani" treats the loss of her personal happiness and kingdom as commiserating catastrophes. Being ethnic for an ethnic role, in this case, Hawaiian, is not nearly as important as acting certifiably ethnic, a non-Hawaiian with an authentic spirit, which is what Kilcher lacks, as a result of he filmmaker's passive attitude towards colonization.