Psycho-Pass: The Movie

2016
7.1| 1h53m| NA| en| More Info
Released: 15 March 2016 Released
Producted By: Production I.G
Country: Japan
Budget: 0
Revenue: 0
Official Website:
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Year 2116—The Japanese government begins to export the Sibyl System unmanned drone robots to troubled countries, and the system spreads throughout the world. A state in the midst of a civil war, SEAUn (the South East Asia Union), brings in the Sibyl System as an experiment. Under the new system, the coastal town of Shambala Float achieves temporary peace and safety. But then SEAUn sends terrorists to Japan. They slip through the Sibyl System and then attack from within. The shadow of a certain man falls on this incident. In charge of the police, Tsunemori travels to Shambala Float to investigate. The truth of justice on this new ground will become clear.

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Director

Katsuyuki Motohiro, Naoyoshi Shiotani

Production Companies

Production I.G

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Psycho-Pass: The Movie Audience Reviews

SpunkySelfTwitter It’s an especially fun movie from a director and cast who are clearly having a good time allowing themselves to let loose.
CrawlerChunky In truth, there is barely enough story here to make a film.
Fairaher The film makes a home in your brain and the only cure is to see it again.
BeSummers Funny, strange, confrontational and subversive, this is one of the most interesting experiences you'll have at the cinema this year.
Mayank Agarwal The movie is only for those who have watched the series as it starts off with a belief you know the characters, there inter relation dynamics and how this world and its technology works. There are enough references from past for fan service while giving us a new setting and plot. For me it's been few years since I watched the show, forgotten many of the characters and the story, I felt like I missed out on elements when they get into past talks and such.The movie is based in Cambodia, a trial capital city is built using the Sibyl System. The problem is local government having to fight rebels outside the capital area, the worse part the rebels seem to be trained by the runway enforcer Shinya Kogami. Enter Inspector Tsunemori, she goes in to resolve the past as well as the present. The story is great, lots of intrigue and suspense all throughout until the end. The animation itself is amazing, better than the series. The artwork is gorgeous, especially the ones showing the temples of Siem Reap and the jungles of Cambodia. Also, the fight sequences are crazy awesome, the group of mercenaries are bad ass fighting machine.I enjoyed the movie, although its more action focus than Sci-Fi story driven.
micky-hutter > Animation: 10/10Gorgeous pictures with great lighting effects. In some moments, objects are extremely realistic (e.g. they seem to have weight).> Plot: 8/10+: As typical for the Psycho Pass franchise, behavior of the characters is based on different ideologies. Not being a sociology major, I was only able to identify a couple of them. I find and always found this underlying intellectual debate to be one of the major selling points of the series and this movie does not disappoint here. The movie even indirectly criticizes contemporary politics. While the first 15 minutes were rather boring for me, I was gripped afterwards. -: I missed expression of and evocation of intense emotions in dialogs! Also I do not remember any character development at all! The film really had way more potential there.> Conclusion:If you are a fan of the series and if your local cinema shows this movie, it is definitely worthwhile to get the big-screen experience. If you don't know the series yet, I would recommend watching season 1 instead.
holleratyourbutler consider this movie an epilogue to the prior 2 season of the TV series. It explores the consequences of actions taken by certain character in those past two series and is ultimately a nice companion piece.I've heard it said that this movie does not provide resolution to what came before but I disagree. The show is more than just about events, it is about the message the show has been trying to get across and it does this perfectly. 'People need democracy, they should not have a system of governance IMPOSED upon them'.The film gives resolution to Gino character who was sorely underused in in season 2. The music, the animation, the writing was all top quality. A masterpiece.
Alfabeta It's the year 2116 and Japan is more or less the only stable country in the world thanks to the introduction of the Sybil System, a bio-computer surveillance system built to pacify the country and replace the police. The system is now subtly taking over various less notable roles of the government one at a time as well due to its unmatched rationality and effectiveness. For the first time since its introduction, the Japanese government has agreed to export the Sibyl System to another country. SEAUn or the South East Asia Union is a neighboring territory torn by a long-running civil war. The strongest of the armed factions has managed to set up a military government but now needs help with restoring order and defeating the rebels and the Sybil System should be able to help with both. This experiment will show how well the Sybil System can be implemented outside of pacifist Japan. Meanwhile, a small team of armed rebels from the SEAU manages to enter Japan in secret, but is then intercepted by Inspector Tsunemori, the protagonist of the TV series the movie's based on, and her team. One of the rebels is caught and forcibly brain-scanned. His fragmented memory reveals that Shinya Kogami, Tsunemori's former enforcer who went rogue and disappeared three years ago is now one of the rebel leaders. Tsunemori asks to be sent alone to Shambala Float, the current capital of the SEAU, where, as an experiment, the military government has already introduced the Sybil System, to find and apprehend Kogami. Her boss agrees. The official reason for her visit to Shambala Float will be the inspection of the implementation of the Sybil System. Tsunemori is about to leave Japan for the first time and visit a place where violence is an everyday occurrence. As she begins her investigation, a mercenary group is sent to take Kogami out of the picture and if Tsunemori comes in their way, that's an acceptable collateral damage.The movie overall is something that could easily have been adapted into one half of the next Psycho-Pass season and if that were the case, it'd probably have had more time to develop the setting and the problems that this new situation of Sybil expanding abroad has created. Still, everything that Psycho-Pass fans want is still here, if to a lesser degree, and we finally get to see what happened to Kogami after season 1. The idea for the plot is excellent and it's the next logical step after the events of the first two seasons. However, the plot is also more or less rather predictable even for someone who's never seen the show before. The visuals are great as usual (it's more or less the same quality of animation drawn for the show) and the movie features a few neat visual moments just like the show frequently does, although again, there's a certain fine lack of ambition here as well, which you notice during those neat moments when the visuals kick it up a notch. There's a surprising amount of Japanese-spoken English in the movie (Japanese actors talk in heavily accented English), since the two countries in the movie use English to communicate with one another when their automatic translator isn't on (yes, there's an automatic translator almost as efficient as the one in Star Trek). There are also tidbits of philosophical debate sprinkled here and there in the dialogue.Overall, while season one of the show is still the best part of the series and season 2 more or less successfully adds new shades of gray to the world through new issues, conflicts and characters, this movie is a decent "sidequel" addition to the franchise nonetheless, and if you view it as a single extended episode of the show that's primarily focused on a single new world-building issue, instead of some epic event for the show, you won't have too much problems with it (other than that gnawing sense of lackluster ambition).