Rock Brasília - Era de Ouro

2011
7.4| 1h51m| NA| en| More Info
Released: 21 October 2011 Released
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The story of the young people from Brasília that, led by Renato Russo, after a long journey and many obstacles, sees their dream come true, with the success of their bands.

Genre

Documentary

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Rock Brasília - Era de Ouro (2011) is currently not available on any services.

Director

Vladimir Carvalho

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Rock Brasília - Era de Ouro Audience Reviews

Catangro After playing with our expectations, this turns out to be a very different sort of film.
Jonah Abbott There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.
Kirandeep Yoder The joyful confection is coated in a sparkly gloss, bright enough to gleam from the darkest, most cynical corners.
Bob This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.
ConfucioBSB Don't take me wrong: "Rock Brasília" does deliver a nice overview of the so-called "golden era" produced by bands from Brazil's capital during the 80s and 90s. It features some great interviews (especially those with Legião Urbana's Dado Villa-Lobos and Capital Inicial's Fê Lemos) and few but invaluable footage from old shows. Nonetheless, it lacks structure and rhythm, not to mention more recent interviews (which might be explained by a lack of support). Four characters leads the narrative: the before mentioned Villa-Lobos and Lemos and Plebe Rude's Philippe Seabra plus Legião Urbana's frontman and soul Renato Russo (mostly through a single interview). It is enough for telling the overall story, but not to really contextualize much of it. Plus the director's interventions are sometimes kind of harsh and really unnecessary. Finally, for a rock documentary, though it might be said that the focus is on the phenomena itself, this film does lack more music. Most of the songs that could be mentioned as symbols of that era are played in snippets - if at all.If you live any part of this era, you will probably enjoy the film to some extent and probably be moved by it, but I doubt that any serious listener or social observer will be completely taken by it. It does fill a still empty space. However I can't consider this anything close to a definitive portrait of Brazilian (and Brasília) rock.