Rowing with the Wind

1988
5.7| 2h6m| R| en| More Info
Released: 19 September 1988 Released
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Budget: 0
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In the summer of 1816, Percy Shelley, his mistress Mary, and her stepsister Claire visit Lord Byron at Lake Geneva. Byron challenges each to write a horror story, and Mary begins her novel, Frankenstein. She imagines the monster becoming real, and for the next six years, as tragedy befalls those around her, she believes the personification of her imagination is the cause. Against this backdrop, Claire has Byron's baby then is estranged from him and barred from her daughter. Byron and Percy continue their friendship, the one self-centered and decadent, the other wildly idealistic. The Shelleys take up residence near Pisa.

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Director

Gonzalo Suárez

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Rowing with the Wind Audience Reviews

ScoobyMint Disappointment for a huge fan!
Inadvands Boring, over-political, tech fuzed mess
Kidskycom It's funny watching the elements come together in this complicated scam. On one hand, the set-up isn't quite as complex as it seems, but there's an easy sense of fun in every exchange.
Zandra The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.
antonjarrod Badly acted, with a sense of a lack of direction, the only saving grace for this film are the wonderful settings and the score.One would not recommend this movie to anyone other than fans of 'early Grant and Hurley', but one wonders how many of them there are!The script is the biggest hurdle. While it contains wonderful references and allusions to the most interesting lines spoken by the historical personages, and does indeed contain some of the words of the poets, the script fills padded out with unnecessary archaisms at best and drivel at worst.What is most strikingly dull about the work is the character of the monster. Whilst the monotony of the voice is supposed to give us certain Gothic impressions, we are left in fact with only a sense of horror at the poor delivery and rather senseless decision to characterize death and foreboding in this way.
mlaiuppa I thought this was a very interesting take on Mary Shelley's Frankenstein and the people and history surrounding it's creation. It's slow but worth the wait, beautifully filmed. Hugh Grant and Valentine Pelka do a fine job. Thankfully there is less of Grant's girlfriend of the time, Liz Hurley. She should stick to modeling. The use of the monster as an omen of death is very interesting.I didn't really know much about the life of Shelley or Byron before this movie. Be aware there is some nudity, but it is not what I would consider gratuitous. I looked it up. Shelley really would walk around his house nude. He even answered the door once with no clothes.The locations are absolutely fabulous. I so want to tour Europe and stay everywhere this was filmed.I really loved the music and wish there was somewhere with a more detailed list of the pieces used. There is a list of the composers in the credits, but they all wrote a lot of music. Which Beethoven piano sonata? Which Mozart? You could spend a lot of time trying to find the music. There is no soundtrack released that I am aware of so you're out of luck if you want to listen to the music in the car. If you can get the DVD or VHS on sale, worth it. But I wouldn't pay full price.
Kennybee This film has promise that is never fulfilled. Curly-topped Hugh Grant as Lord Byron has to be seen to be believed. He wears the frilliest costumes imaginable. With long hair and chest bared, he looks like he's auditioning for a Lifetime biopic of Siegfried and Roy. One of the best (and unintentionally comical) scenes is Grant howling out on a boat. He is too fey and whimsical to make a credible Byron.Another newcomer is a furry-browed, heavier set Elizabeth Hurley. She is beautiful. Yet, like Grant, she isn't ready for prime time. The scene where her sister, Mary, consoles her following a suicide is funny due to Hurley's exaggerated facial expressions.The music labors on to new melodramatic Gothic depths. Music can enhance an atmosphere when the atmosphere is right. When it isn't, music only makes for another distraction.The monster speaks in staccato. Due to editing, it's difficult to determine if he's a villain or victim. Sometimes it's difficult to determine if he even is.
Cajun-4 Although the story of how Mary Shelley came to write her famous horror story FRANKENSTEIN is a familiar one that has been touched on in quite a few movies, there is always room for a different viewpoint and probably there is the germ of a good idea here but something went horribly wrong. It could be a case of too many cooks which often happens in these international co-productions. It has obviously been heavily cut but I don't think the edited scenes would have helped any, we would have just been bored for longer that's all. The acting is generally poor and the actors are miscast especially Hugh Grant as Lord Byron who has none of the brooding qualities one associates with the poet and who also looks downright ridiculous in some of the costumes even they may be historically accurate. There are one or two rather pretty scenic shots but that's about it.The whole thing ends up as so boring I would suggest it as a cure for insomnia but the music is so inapt and irritating is would probably have the opposite effect.One to avoid.