Secret Honor

1984 "Anyone can be the president."
7.2| 1h30m| NA| en| More Info
Released: 07 June 1985 Released
Producted By: Sandcastle 5
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In his New Jersey study, Richard Nixon retraces the missteps of his political career, attempting to absolve himself of responsibility for Watergate and lambasting President Gerald Ford's decision to pardon him. His monologue explores his personal life and describes his upbringing and his mother. A tape recorder, a gun and whiskey are his only companions during his entire monologue, which is tinged with the vitriol and paranoia that puzzled the public during his presidency.

Genre

Drama

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Director

Robert Altman

Production Companies

Sandcastle 5

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Secret Honor Audience Reviews

GazerRise Fantastic!
Comwayon A Disappointing Continuation
Maidexpl Entertaining from beginning to end, it maintains the spirit of the franchise while establishing it's own seal with a fun cast
Mathilde the Guild Although I seem to have had higher expectations than I thought, the movie is super entertaining.
curtis martin ...who Richard Nixon was and every detail about the Watergate Scandal. But if you're under the age of, let's say 45 or so, you're pretty much screwed. No amount of Oscar caliber acting or great writing or incredibly inventive direction and editing can save a movie that is totally of its time. You will be lost despite the brilliance involved. It really is a brilliant film, but there is no exposition--it does assume that you know all about Nixon and Watergate. Back in 1983, everyone still did. Now, not so much.One dumbed down solution if you're Gen-X and younger: rent and watch "All the President's Men" with Redford and Hoffman first. Then watch the archive footage of Nixon speeches included in the DVD supplements. Then some of this will make sense.
OttoVonB Any individual is a puzzle, and Richard M. Nixon was no exception, rather living proof. To those who know him and his story (wether through a variety of books or personal experience or even through Oliver Stone's excellent "Nixon") this is a magnificent epilogue that instead of tying all loose threads together, reopens wounds and reformulates old and tired questions.The film is a mix of fragments of a complex and important life (one that helped shape the modern world) and an equally complex mind. Since only a very long (and impossible, given the obvious budget) running time could grace this with a tight sense of structure, the performance becomes the binding element, which is the key element of this picture. Whether you are interested in history, Nixon himself, character suffering, paranoia, film or acting, this is a must-see, if only for the brilliant performance by Philip Baker Hall. His portrayal of Nixon blows Anthony Hopkins's away in terms of accuracy and is a mighty challenger in terms of acting alone. He may be less sympathetic than Hopkins, but such was one of the real Nixon's flaws (in interviews the real Hall is quite charming!).Turning a play - especially a one-man-show - into a film is quite a challenge, but Altman, through simple yet effective means (notably the use of security-camera monitors and portraits), cranks up the intimacy and paranoia, ending the film in an uneasy and dark manner that would never be conceivable on stage.In fewer words, suffice to say that this unusual little film is in truth a giant in movie-making resourcefulness and talent. Unmissable.
user-38 If you ever get a chance to see this film, grab it! Phillip Baker Hall doesn't simply portray Nixon, he inhabits him. The familiar hunched shoulders and odd poses employed by every Nixon impersonator, in Hall's hands seem less like imitation than brilliant artistic choices, revealing the inner struggles of a remarkable, tormented man. No disrespect to Anthony Hopkins, unquestionably a very talented actor, but his Nixon doesn't hold a candle to Hall's. This is of course a work of fiction, but like the best fiction it lies in order to reveal a deeper truth. Nixon never made the tape we see him creating through the course of this film, but what is revealed through it is both psychologically and historically honest. The portrait that emerges is unsparing and sympathetic. Nixon emerges as a hero in a Greek tragedy with the same grandeur and the same tragic flaw. Fans and critics both of Richard Nixon will find their judgements challenged by this complex, revealing portrait. Even someone who has never heard of Nixon couldn't help but be fascinated by this powerful, complex man.Note to PT Anderson fans: According to Anderson, this was the performance that convinced him he had to work with Hall. It's no accident that Anderson's first full-length film, Sidney (or Hard Eight), was a showpiece for Hall's amazing talent.
dvanhouwelingen SECRET HONOR should be seen by everybody with an interest in Richard Nixon. It may not be what he was really like, but it is a weird and unforgettable portrait of this man. Philip Baker Hall delivers one of the best screen performances I can ever remember in this one man movie. The movie takes place on the day before Richard Nixon is going to resign, and sits around drinking scotch and yelling into a tape recorder about everything in his political life. He blames Castro, Kissinger and anyone named Kennedy for all the problems in his life- while never accepting resposibilty for any of it himself. He's a man entrenched in denial. The movie utlimately makes Nixon look like an idiot- a man who has no idea what he was doing. This is one of Robert Altman's best films- an utterly amazing film.