See the Sea

1998 "When stranger knocks..."
6.8| 0h52m| NR| en| More Info
Released: 06 July 1998 Released
Producted By: Fidélité Productions
Country: France
Budget: 0
Revenue: 0
Official Website:
Info

Sasha, a young British woman, is living with her baby daughter at Ile d'Yeu, a peaceful beach community. A stranger appears. Her name is Tatiana, she's passing through, and pitches her tent in Sasha's yard. The two women build an odd rapport, and tension builds as events unfold.

Genre

Drama, Thriller

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Director

François Ozon

Production Companies

Fidélité Productions

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See the Sea Audience Reviews

Fairaher The film makes a home in your brain and the only cure is to see it again.
ChanFamous I wanted to like it more than I actually did... But much of the humor totally escaped me and I walked out only mildly impressed.
Arianna Moses Let me be very fair here, this is not the best movie in my opinion. But, this movie is fun, it has purpose and is very enjoyable to watch.
Allison Davies The film never slows down or bores, plunging from one harrowing sequence to the next.
MartinHafer MAJOR SPOILER ALERT--Don't Read This if You Haven't Seen the Film! This little picture is slightly less than one hour long, but due to its being a rather disgusting little picture, it seemed longer--I simply didn't enjoy it at all and found it tough going. It's the story of a screwy young lady and her baby at the beach. They meet a very strange female drifter and they become friends, of sorts. Then, rather out of the blue, the film has a very, very bloody and unsettling ending--complete with very explicit nudity and violence.The very end of the story I found to be very confusing, as it was hard to figure out exactly WHO murdered WHO (I am sorry for the spoiler, but this is a truly confusing film). Apparently I got it wrong who perpetrated the attack when I first reviewed the film, as an alert IMDb reader noted. And while I usually don't make these sort of errors, I tried re-watching the film just to see how I could have made this mistake. And, even the second time, I could see how this occurred, as the body and perpetrator were only VERY briefly seen at the end. This ambiguity may have been intentional--I just don't know. Another reason I think I didn't exactly understand who did what is that what DID occur didn't make much sense to me at all--it seemed like a gratuitous and senseless ending and the motivation for this act was unclear.
lulu18 I taped this due to the recommend in the NYT television section and it was right. I kept getting apprehensive from the moment the backpacker turns up. The suspense of approaching terror reminded me of the growing sense of horror in Chabrol's Le Ceremonie.Two quibbles: what mother would leave her baby in the bathtub for only a few seconds. And what mother would leave her baby alone on the beach? The mother obviously had a dark side to begin with; she was lonely (trying to reach her husband for several times without success) and was an easy prey to the backpacker. While the ending horrified me, it shouldn't have surprised me. What was great is the movie didn't drag on and was short.Definitely worth watching and it left me shaken for a long time after-wards. Like Le Ceremonie, it will remain in my memory. Horror doesn't mean slash and gore.
Rogue-32 Francois Ozon once again demonstrates his confidence in his intensely brilliant story-telling abilities, creating a downright unsettling atmosphere where you, as the viewer, aren't sure what is going to happen but you sense it's not going to end well. And then afterwards, you are left thinking about what you've seen and realizing that the 'clues' were there all along, some subtle and some not-so-subtle. I would say this movie is basically a cautionary tale, about what can happen to one who is carelessly focused on one's own needs, who doesn't pick up on what is going on in a potentially dangerous situation. -=- SPOILER ALERT -=- The mother has all the signals that something is very wrong with the backpacker, particularly when she sneaks into her tent and finds the extremely disturbing book with her insane scribblings and drawings, but she is so consumed by her OWN needs that she overlooks these signals. Big mistake.
glabrezu The visual sequence of this film is excellent as for any other film by Ozon. I don't know where he gets the camera people, but they all are top-notch.The scenes that might seem illogical at the beginning keep providing more substance to the characters, and the final (I liked it a lot that it wasn't in the list of the possible outcomes that I had in mind) everything suddenly snaps into places.The dilemma with this film is that watching it early in the day will probably keep you uneasy for the rest of it, and watching it late in the night might easily make your sleep less sound. The choice is up to you.Yeah, and Ozon is brilliant in shooting women with cigarettes.9/10