Sleepstalker

1995 "Evil never dies, it only waits to be reborn"
4.7| 1h45m| R| en| More Info
Released: 23 April 1995 Released
Producted By: Prism Entertainment Corporation
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Info

Seventeen years after slaughtering all but one member of a family, a vicious serial killer known only as "The Sandman" awaits execution. But first, his jailers allow a minister to visit the killer to give him last rites, unaware that the minister is a voodoo priest and an ally of the condemned prisoner. The priest places a hex on the Sandman so that when he is executed, his soul migrates into a new body made of sand. To sever his ties with his former life and achieve absolute power, the sandman must find and kill a man named Griffin, the sole survivor of the last family murdered by the killer

Genre

Horror

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Director

Turi Meyer

Production Companies

Prism Entertainment Corporation

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Sleepstalker Audience Reviews

Alicia I love this movie so much
Stometer Save your money for something good and enjoyable
Forumrxes Yo, there's no way for me to review this film without saying, take your *insert ethnicity + "ass" here* to see this film,like now. You have to see it in order to know what you're really messing with.
Bumpy Chip It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.
billybillgratie This was playing over at my friends's house recently, so to be fair I missed the first twenty minutes but what I did see was a movie that had a lot in common with Freddy Krueger and Horace Pinker. For a knockoff, it had relatively solid pacing. The casting was slightly off but all the performers could act. I wouldn't say it's a horrible way to waste a evening. So much 90's-ness in it too.
Aaron1375 Yes, this movie has a man executed and returned as the Sandman a supernatural killer that does in fact have about the same powers as the villain from the Spidey comic books. He must kill now and his main target is his younger brother. Creepy music played, strange truths revealed near the end, and lots of sand and not all that much gore. In fact, he does kill his victims in rather different ways from other movie slasher/monsters. The movie has some good in it, with that it has just to much bad. The whole using sand to kill gets old and is a bit lame, sand is just not all that scary. Well unless of course you are in the desert and in the middle of a sandstorm. There are some interesting plot points, and there is one kill that occurs near the end that makes one who watches this type of movie go "that is not supposed to happen". They try to kill the sandman in differing ways, one of those ways backfires and leads to the death above. I do not know, I think they had an interesting concept going for them, but maybe they needed to do something with the killer perhaps making him more of a supernatural slasher who turned to sand only to get to his victims and not as a means to kill them. I mean that one scene involving that girl in the bed was really over the top.
slayrrr666 "Sleepstalker" is somewhat of a guilty pleasure of mine.**SPOLIERS**Fifteen years ago, as a serial killer attacks and kills a whole family except for the son before the police arrive and catches him. Now in the present day, the same kid, Griffin (Jay Underwood) is a writer trying to catch his big break by getting an interview with a notorious gang leader. He and his girlfriend Megan (Katherine Morris), a photographer, head out on the interview. That night, the same man who attacked his family, the Sandman (Michael Harris) is being put to death for his crimes. He is visited by the Preacher (Michael D. Roberts) and is given a special necklace and the last rites, which are actually a spell used by the Preacher to transfer the Sandman's soul into another body before being sent to death. In order to pass onto the next world, the Sandman must kill the lone surviving member of his last attack, Underwood, and goes after him and his friends, killing them in a variety of methods using sand (Drowning in a sea of sand, creating hurricane force winds with sand, sand projectiles, etc.) Griffin learns that the Sandman is a close family relative who was abused by his father earlier on, snapped, killed him and became a serial killer to silence the pain he felt. Eventually, the search leads him to the Preacher, who gives Griffin some advice on how to stop the Sandman. Now with only Griffin and Megan left alive, the Sandman chases them into an abandoned where house, where Griffin is killed and Megan saves the day by drying up the Sandman in a giant fire when they learn fire can kill him.The Good News: I have to give props to the FX department, as the Sandman's make-up effects are pretty scary. Harris also gives a chilling performance, making the Sandman appear even creepier. Underwood does an okay job, but doesn't get a whole lot to work with. He is basically a hysterical man running from an impossibly created being, so is naturally treated with a crazed man's attitude. Morris is actually better, though like Underwood isn't given a lot to emote. The Preacher fares better than both, due to Robert's dead-on performance and the colorless contact lenses used to turn his eyes white. The gore is, for a change, not blood and guts, but instead having your skin stripped away from being caught in a windstorm, leaving bone, marrow and ragged clothes behind. Several killings are unique and done creatively. Also, the hero is killed instead of barely surviving the ordeal with his girlfriend.The Bad News: When I first heard that the killers name was the Sandman, I had flashes back to an action film several years earlier, Van Damme's 'Death Warrant,' where serial killer in the film is also called The Sandman. This immediately struck me as weird, since it would make no sense that two films, in different genres, would be made so close to each other would have a character of the same name and occupation. Aside from the three leads and the Preacher, the rest of the acting is dull and uninspired. No one came across as convincing, a major no-no in a film where the believability of a character drives the film along. Also, the clichéd part of the Sandman being Griffin's relative (I won't give it away, but based on what I've just said, most of you can immediately know) is, well, clichéd. A dull beginning after the Sandman is caught also dooms the picture to boredom.The Final Verdict: See this one only if you watch horror movies religiously, like me, and have very undiscriminating tastes in your preferences. I mean, I like it, but several of you out there will disagree and say it's dull, boring and without imagination.Rated R: Graphic Violence, Language, Adult Situations and brief nudity
Rob_Taylor I saw this movie a little while ago. For a killer who is apparently made of sand, two things were immediately obvious to me, the viewer. Water would slow him down and as I suspected, there would be a fiery demise for him.The hero is someone you don't actually care about so it's mostly just a big sigh of relief at the end when the Sandman offs him. But why oh why do all directors, when the scene calls for a handgun, pick a Desert Eagle? IMI (the company that makes them) either has the biggest product placement deal in the universe, or are simply rubbing their hands in glee at all the free coverage it gets. They are in everything. Simply because they are the biggest handgun in the world doesn't make them the best. But as far as directors go, size apparently does matter.Anyway, the film sucks terribly and seems to go on forever. If you need a film to fall asleep to, this is it.