Stage Door Canteen

1943 "YOU'VE HEARD ABOUT IT! READ ABOUT IT! NOW *SEE* THE WORLD'S GREATEST ENTERTAINMENT HIT!"
6.3| 2h12m| NR| en| More Info
Released: 24 June 1943 Released
Producted By: United Artists
Country:
Budget: 0
Revenue: 0
Official Website:
Info

A young soldier on a pass in New York City visits the famed Stage Door Canteen, where famous stars of the theater and films appear and host a recreational center for servicemen during the war. The soldier meets a pretty young hostess and they enjoy the many entertainers and a growing romance

Genre

Comedy, Music, Romance

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Director

Frank Borzage

Production Companies

United Artists

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Stage Door Canteen Audience Reviews

Wordiezett So much average
Vashirdfel Simply A Masterpiece
Acensbart Excellent but underrated film
Sexyloutak Absolutely the worst movie.
utgard14 Another of the WW2 star rally movies where a bunch of movie stars get together in a single film to support the troops, each having minor parts and sometimes doing musical numbers or comedy skits. The main plot in these films usually features a romance involving one or two lesser known actors. Several of the studios did one of these during the war. The best, for my money, is Hollywood Canteen from Warner Bros. This one is one of the lesser efforts, but still enjoyable for classic film fans.Directed by Frank Borzage and released by United Artists, it tells the story of the title recreation center for servicemen in New York City and a romance between an aspiring actress (Cheryl Walker) and a soldier (William Terry). The bigger names giving support or doing cameos include Katharine Hepburn, Ethel Merman, Paul Muni, Merle Oberon, Johnny Weissmuller, Tallulah Bankhead, Ralph Bellamy, George Raft, Ray Bolger, Gypsy Rose Lee, Judith Anderson, Ed Wynn, Sam Jaffe, Franklin Pangborn, Alan Mowbray, and Edgar Bergen, among others. The stars vary in screen time and what they do. Some do bits, others just play themselves saying a line or two (usually a corny joke). The musical numbers are so-so and mostly feature popular bandleaders like Count Basie, Xavier Cougat, Kay Kyser, Benny Goodman and their respective bands. It's definitely worth a look for movie buffs but it goes on way too long for such a thin story and the music is nothing to get worked up over.
Lechuguilla Well-known performers and film stars entertain, serve food and drink to, and socialize with, young WWII soldiers and sailors, before these guys go off to war. The fictional plot follows three or four young servicemen in particular, and their encounters with attractive young females whose work at the canteen involves being the guys' romantic dates for a couple of hours.Most of the plot takes place at the canteen, a New York City nightclub with dance floor and stage. The atmosphere is intentionally lively and upbeat. For servicemen, it's a momentary escape both from the demands of military duty and the prospect of overseas battle. Yet there's an undercurrent of loneliness and separation, knowing that in war not everyone returns safely to friends and family. Owing to these melancholy and sad themes, I find the token plot more interesting than the appearance of celebrities.Some of the entertainers do nothing more than chitchat for a minute or so with the servicemen. Other entertainers perform on stage. And it is the selection of performers and their musical numbers that I found quite disappointing. Almost all of the selected songs and comedy routines were downright boring. Of course it was a different era then, so judgment needs to be tempered with a sense of historical perspective.B&W lighting is acceptable, but it would have been interesting to see this film in color. The sounds of the performing bands seemed tinny or thin to me; maybe it's just the era technology. Casting and acting are acceptable. The appearance of the celebrities could have been enhanced if they had been wearing name tags, or in some way could have been identified by name."Stage Door Canteen" is a lengthy film, which could have been rendered higher quality with less dialogue and far better stage entertainment. Yet, it's worth watching as a useful window into an era that is long gone, an era of some interesting performers, almost none of whom are with us anymore.
Jimmy L. STAGE DOOR CANTEEN (1943) is a lot of fun for what it is. What it is is a patriotic morale-booster that brings the star-studded experience of New York's Stage Door Canteen to a wartime audience. Canteens were set up by big names in show business to entertain servicemen on their home soil, free of charge.The film is chock-full of celebrity cameos by dozens of famous stars of the stage, screen, and radio. Most of the celebrities are identified in some way, although big-time classic movie fans should have fun spotting them first.The movie is a product of its time, and seen many decades removed from its original context it becomes something of a time capsule, showcasing the entertainment of a past generation. Some of the names will be a bit obscure to modern audiences (particularly stage stars who didn't make many movies).* Guest stars include ventriloquist Edgar Bergen, vaudeville comedian Ed Wynn, Oscar-winners Katharine Hepburn and Paul Muni, the jazz bands of Benny Goodman and Count Basie, and various Hollywood supporting players and entertainment personalities.Where else can you see Franklin Pangborn wash dishes with jungle man Johnny Weissmuller? Other highlights are scenes between married Broadway stars Alfred Lunt and Lynn Fontanne, a rousing song by Ethel Merman, and a comic striptease by Gypsy Rose Lee (strictly rated G -- more "tease" than "strip").Classic movie fans will get more out of this film than the uninitiated, who might not recognize the faces or even the names that go with them. The movie works best when you can appreciate the cameos.Don't expect much in the way of plot. Comedy bits and musical numbers are strung together by a story of young soldiers visiting the Canteen on leave before being shipped overseas and the girls they meet inside. The young romances reflect the bittersweet reality of wartime relationships.Cheryl Walker is lovely as the ice queen hostess who comes to the Canteen for all the wrong reasons. She's looking to further her own acting career and isn't particularly interested in showing the soldiers a good time. Marjorie Riordan is cute as one of the other hostesses, who spends time with a soldier who has no sweetheart back home.STAGE DOOR CANTEEN isn't wartime escapism. Director Frank Borzage doesn't try to distract the audience from the global situation. He keeps the audience constantly reminded, with the soldiers, sailors, airmen, and Marines that populate the Canteen and the alternately upbeat and somber patriotic tunes. Amid all the star-gazing, the film comes out in support of the U.S. servicemen, as well as America's allies in combat from Australia, the U.K., Russia, and even China. It's not hard to imagine the comfort the film must have given audiences at the height of World War II.*The similarly-themed HOLLYWOOD_CANTEEN (1944) may have more recognizable stars, boasting some of the biggest names from Warner Bros. films (Bette Davis, Joan Leslie, Joan Crawford, John Garfield, S.Z. Sakall, Ida Lupino, Jack Carson, Sydney Greenstreet, Jane Wyman, etc.).
secondtake Stage Door Canteen (1943)This is not a great movie as movies go, but if you stick it out, you'll find an amazing parade of great music from the time, played by the real deals, from Benny Goodman to Count Basie. There are some small moments that are treasures, and they will vary depending on who you are. I know I absolutely get choked up in the short recital of Romeo and Juliet with the great Broadway star Katharine Cornell playing Juliet--behind the lunch counter. And there is Katherine Hepburn (at the end), and Yehudi Menuhin (violin and Schubert) and Ray Bolger (he was the Scarecrow four years earlier). There is a really touching moment with a group of Soviet soldiers including a young woman, whose eyes and story are just super sad...but she says, if she meets a Nazi, her "hand will not tremble."The soldiers are such regular guys, all sweetness and loneliness. It's a sad reminder of the war at its most basic--tearing young men from their innocence--and yet of course this is putting the best tilt to it all. These kinds of "canteens" were benefits of sorts, morale boosters, and this movie is a summation of that best of them. Frank Borzage (the director) was top flight a decade early (he did the famous 1932 "Farewell to Arms"), and the photography by Harry Wild (a studio mainstay) is great.Still, it's a canned affair. After an hour of entertainment there's an interlude out on the streets which is weak, and then they are back for more. There are two parallel stories outside the music--the soldiers who are about to go to war, and they are floating around fishing for company, and the women, back stage and in off hours. It's not bad stuff at all.