Tales of the Grim Sleeper

2014 "25 years. Hundreds of victims. Justice for none."
7| 1h45m| NA| en| More Info
Released: 29 August 2014 Released
Producted By: South Central Films
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When Lonnie Franklin Jr. was arrested in South Central Los Angeles in 2010 as the suspected murderer of a string of young black women, police hailed it as the culmination of 20 years of investigations. Four years later documentary filmmaker Nick Broomfield took his camera to the alleged killer’s neighborhood for another view.

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Director

Nick Broomfield

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South Central Films

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Tales of the Grim Sleeper Audience Reviews

Hellen I like the storyline of this show,it attract me so much
Exoticalot People are voting emotionally.
Dotsthavesp I wanted to but couldn't!
Verity Robins Great movie. Not sure what people expected but I found it highly entertaining.
chaos-rampant The more films I see the more I hanker for a few simple things. Do we enter an interesting world, not fully charted? Can we steal an entry into life as it comes to be? Ways?This is what I get here. Not just a documentary that traces the particulars of horrible crime - a serial killer who freely killed for 20 years has just been arrested - but a first person noir that swerves off the beaten track to investigate simmering truth.What you'll see here is an English guy with a camera and his soundman driving around Southcentral LA or snooping outside homes to talk with people as they're trying to see how far this malaise seeps. Was it just a crazy man in an otherwise perfectly fine world after all?Our host who shows them around is a former prostitute and crack addict, a tough street-wise woman who freely stops the car and chats with women on the street. A breathtaking sequence shows them driving around at night in search of prostitutes who may have known the killer, we find them here and there in dark streets and roll down the window to talk to them. We stop at a girl's house at night and someone is glaring from a window. During an interview, gunshots are heard from nearby. It has all this tension, invaluable because it comes from having quietly slipped into this world from a backdoor and just prowling in search. One acquaintance leads to another and we find a man who was paid one day by the killer to take a car out and burn it, who found bloodstained clothes in the back but kept quiet. We meet with the man's friends who insist he couldn't be the one but begin to have second thoughts. We're taken to a backroom where one of them keeps stacks of photos of nude girls who posed in shabby bedrooms or in the back of someone's car, images these guys passed on between them.The greater insight is that all of this has been quietly taking place for decades and accepted as sleepless life, that we're seeing how the lives of 20 year olds in Reagan's time faded away. It's all in being able to see how this man who is now sharing stacks of photo albums - a catalogue of despair, both his and the women's who sell themselves for their next crack fix - is sharing what is for him a casual pastime in a life that you have nothing better to do, sleeping with hookers and keeping these mementos.Even better; none of this would have been possible without these people being so candidly open to the camera and freely sharing stories. Can you imagine how fastidiously silent a German neighborhood would have kept? (and that's the subject of The White Ribbon) Now we begin to see the life that give rise to this world. How many people would have been spared if they had all come forward or the police cared enough to investigate? They won't because of past experience with police, the police won't because murders in the ghetto are a triviality.This is more valuable to me than any book James Ellroy could write or anything seen in True Detective. I'm going to go ahead and add it to my list of essential views of LA, next to Angel City, Killer of Sheep and Southland.
Robert J. Maxwell Nick Broomfield, I gather, is a well-known figure in documentary films, and he IS a little different from what you'd expect. He wanders in and out of the frame carrying the microphone and wearing earphones. He looks like a normal, middle-aged Englishman, moves deliberately, and sounds a little like Donald Crisp might have sounded as he approached adolescence. His voice is calm, dispassionate, and lacks drama. On the whole he sounds like a philosophy professor at some British boarding school, maybe Sidcot. "Next we met Bertrand Russell. Bert is a white-haired socialist. He once drove a garbage truck but is now homeless. Bert, how well did you know Alfred North Whitehead?" In point of fact, we don't really get to know much about the suspected murderer, Lonnie Franklin. Broomfield has the invaluable help of a key informant, Pam, who takes him on a tour of South Central Los Angeles and calls pedestrians over for a few words about the Grim Sleeper. Without Pam Bromfield probably wouldn't have got as far as he did, since he's white. According to the anecdotes we get from the people on the street, Lonnie Franklin seems to have been one of those fellows who goes out of his way to help other people, although his friends do mention a few peculiarities -- a pile of stroke magazines in the bathroom, a proudly displayed .25 caliber pistol.If we don't learn much about Franklin, we certainly get a good gander at the neighborhood and its residents. First of all, despite the bars on the windows and the gun shots in the background, it doesn't look nearly as squalid as the black ghetto near where I grew up, in Newark, New Jersey. Anybody moving from Chancellor Avenue to broad sunny Central Avenue in LA would take a deep breath and relax, the way retirees do when they finally step off the bus in Florida.The police weren't involved in the film, so we get the African-American perspective on events. Generally, the attitudinal set is that the LAPD is incompetent and neglectful of black crime victims. There are exceptions but it's clear that there is a great big wall between the black neighborhood and the police force, as in so many other cities.Broomfield doesn't show much in the way of political correctness. His informants speak for themselves. As an anthropologist, which is what I am, I would be very careful in taking some of their statements as literal fact.One of the more admirable features of the film is that Broomfield, despite his narrative voice-over and his occasional intrusion into the images, is no Michael Moore. He's not one of the so-called Nouvelles Egotistes.I regret to say that on the whole it was a little repetitious and dull. Too many anecdotes from a handful of acquaintances and relatives about what Franklin might or might not have done. It could have been pruned down to a fascinating one-hour show.
punishmentpark A scary, intriguing look into the life of a(n alleged, since he is yet to be convicted) serial killer through the statements of people who knew him first hand. And that look expands to the neighborhood of South Central, Los Angeles, which almost looks like a third world country place. Very likely, hundreds of women, girls, have been abducted, tortured and killed by this Lonnie David Franklin. Considering the vast amount of evidence that was present very early on, this man could have and should have been taken off the streets pretty much straight away.But Franklin was a man of (relative) stature, and to the L.A.P.D. most black lives appear to be not worth so much. The victims were mostly hookers addicted to crack, so he was even praised by them for 'cleaning the streets', if we may believe his son Chris. The picture that the women (prostitutes who knew Franklin, but also mothers of victims) paint throughout the documentary leaves hardly a shred of hope for the citizens of South Central. It is a community in which people seem to look out only for themselves, and in which drugs, violence and gangs get the better of many, and women like Margaret Prescod are admirable, yet rare voices for justice.This is a grim tale, which is not over, and for the people of South Central, things are looking bleak as ever. The only positive outcome is that the Lonnie David Franklin is off the streets of L.A. forever - I at least want to assume that he will be convicted.9 out of 10.
mel kelly This documentary has so many holes. Nick Broomfield is an idiot who doesn't listen to the people he interviews. He needs to stop making documentaries. Example: He'll play a 911 call but goes no further to explain the van mentioned by the caller. Why would the killer call 911 and report his own van and license plate? He asks frustratingly DUMB questions (Often more than once per interview). He even runs a stop sign while driving around. He's inept and I can't stand the way this movie was done. Could have been great. But he made it unbearable with far more questions than answers. What a shame. These people deserve to have their story told by someone who knows what they're doing.