Teenage Caveman

2002 "The future sucks."
3.3| 1h30m| NA| en| More Info
Released: 03 April 2002 Released
Producted By: Creature Features Productions LLC
Country:
Budget: 0
Revenue: 0
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In a post-apocalyptic future mankind is lives in a prehistoric manner. After killing his father for sexually assaulting his girlfriend, the son of a tribal leader runs away with a group of his teenage friends. They are taken in by Neil and Judith who introduce them to the vices outlawed by their tribes namely sex and drugs.Neil and Judith, however, are genetically altered indestructible mutants who have their own plans for the future of the human race.

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Director

Larry Clark

Production Companies

Creature Features Productions LLC

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Teenage Caveman Audience Reviews

KnotMissPriceless Why so much hype?
Stevecorp Don't listen to the negative reviews
Kaydan Christian A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.
Zlatica One of the worst ways to make a cult movie is to set out to make a cult movie.
Steve Pulaski Watching Larry Clark's Teenage Caveman, I felt as if I was being Punk'd, especially when one character tells another she looks like "she's in a bad B-movie." Clark has made a career out of being subversive and downright wild behind the camera, capturing adolescent debauchery and lawless behavior amongst youth with a frightening authenticity, mainly because Clark's own adolescent was dominated by intimate photography and heavy drug use.By the time Teenage Caveman was made, Clark had developed a name for himself with his shocking film Kids, his solid sophomore effort Another Day in Paradise, and his brutally honest Bully, released a year prior. I'd say he was on a role, with one strong film after another at the time. With Clark's already established filmography, I can only assume and guess why he wanted to dive into the often doomed realm of modern odes to campy science- fiction pictures of yesteryear. The story exists in a post-apocalyptic world where a great deal of humanity has been erased thanks to a viral epidemic. The few remaining souls have resorted to tribalism in the regard that they gather in packs and rely on basic human instinct to get by, as if their common sense, morality, and values have all been extracted along with the epidemic.A group of survivors, all teens, soon come in contact with two people who have been genetically altered and modified in order to combat the epidemic and now reside in a city reliant off of solar power. They have their own vision of humanity, although we never really grasp what that may be. The two groups collide and what ensues is pure madness as each try to assert dominance as well as go about their own agendas.The teens have virtually no personality, so to name them is a worthless exercise. The film, if it should be remembered as anything besides what seems to be a go- for-broke filmmaking attempt by Clark, should be seen as a solid showcase for talents of Richard Hillman, who plays one of the genetically-altered humans. Hillman handles this offbeat character effectively, that is, until emotions rings true in the last act. Up until then, however, he is great fun to watch and his frantic acting talents are a rarity that are nice to see unfold before us. Other than Hillman, nobody else shines, particularly because their characters are so thinly written. But even that is a non- issue compared to the fact that the film is just terribly uninteresting. Clark tries to infuse the story with the coldness of teen sex and relations and it's a move that is more fun to comment on than actually watch. The futuristic setting, especially in the context of a viral epidemic and mutant forces, just doesn't make for an interesting time period on sex and adolescent bonding. It seems that beneath the rubbish, Clark had the idea of making this film one that would potentially see sex in the future as an action robbed of its intentional purpose - to produce love and pleasure. An overarching theme in Clark's filmography is the loss of meaningful sex, and here, the meaning is muddled to the point where sex means as much as a spur-of-the-moment kiss or hug but with even less sentiment and passion. With this idea as my only justification for the material at hand, Clark seems to be going for some attempt at commentary lodged firmly inside a story that acts as an homage to the corny, ultra-low- budget science-fiction films from the thirties, forties, and fifties. I admire the courage and the subversiveness completely but, in the end, I sigh at the result. Teenage Caveman will forever be etched in Clark's filmography, replacing another film potentially having a great amount of insight and braver filmmaking.Starring: Richard Hillman, Tiffany Limos, Andrew Keegan, Tara Subkoff, and Stephen Jasso. Directed by: Larry Clark.
terrencepatrix I'm going to make this review short. Why? Well, this film deserves a short and to the point review. To be honest I'm only writing this because the reviews were so horrible...and I felt it should be represented a little better.Firstly, this film is definitely low budget. Regardless I did happen to find the scenery quite...well...nice. For what they were working with I felt they did a nice job. The kids are pretty, well most of them, and the special effects were limited to what they could do with the budget they had. At least there's no cheesy effects is what I'm saying.Secondly, I felt the plot was a fun exciting idea. Post-apocalyptic world where tribes of men live together in caves, teens wondering what used to be, wanting something else. Complete teen angst, we can all identify. It's fun. These "caveteens" that get away from the tribe and find technology, drugs, alcohol, sex...the things we love and take for granted.Thirdly, the way these teens react is just hilarious. Hideously overacted, yes, but I don't think this film is taking itself too seriously in the first place. Lots of taut young female bodies, and (even though I'm not a fan) some hot young male sexy time.Fourthly (fourthly? i don't think that's a word...) This turned out not to be so short. They bring in a subject that is indeed a valid subject in the real world. Genetic research! In a world destroyed by technology it is technologies child that lives. They have created a race of people that live forever, are stronger, faster, smarter, and all around a better person. Granted they're completely insane but still...it's a scientists wet dream.In summation I thought this film was extremely fun, and I watch it whenever I get the chance. Have I run out and purchased said DVD...well no...but still, if you just accept the silly acting and concept...it's really an amusing and fun film. It has aspects of suspense, horror, comedy, and all around teenage tomfoolery! I'd say watch it and just enjoy it. Don't take yourself more serious than the film.
Curtis G. So I was flipping channels one night before bedtime and happened into the middle of some crazy party scene with half-naked girls. Good enough for me. I set the VCR and went to bed, but I was back in front of the TV 10 minutes later. There was just something about this movie that was oddly appealing. And not just Tiffany Limos. Or Andrew Keegan's samurai hair and drag queen outfit with big shoulder pads and peekaboo belly button. Despite the low production values, lack of plot and gaping holes of logic, little gems of brilliance were scattered here and there. Too bad they were too few and too far between.Having done some reading about "Teenage Caveman" and its director, Larry Clark, I'm reminded of something Ben Stein wrote in his series of articles, "The Diary of a Mad Screenwriter," about a producer friend whose every project could be summed up as: "Teenage girls discovering their bodies as they come of age..." Maybe he was writing about Clark. I certainly can't fault the guy for, as another reviewer suggested, using movies as an excuse to see naked young girls. My only gripe is the buzzkill: When the exotically delicious Tiffany Limos gets naked and then the other half-naked girl EXPLODES...well, that's not the sort of climax I was hoping for. Kind of like in the worthless-except-for-topless-Jeannie- Millar "Starquest II," where instead of getting some more nakedness, we're treated to a rubber head getting a rubber monster finger through its rubber eye. Yeesh. And speaking of that flick, who doesn't notice the amazing similarities between the two movies?Kudos to Richard Hillman, who was a heck of a lot of fun to watch, even with the sound off. Although not in the same way that Limos was, of course. Please note that I never said that "Teenage Caveman" is actually good. But it was intriguing enough to make me write a review, which says something. There's definitely a rental in my near future. Heck, I might even add this one to my DVD collection. Thanks, Larry!(I actually did purchase this. Then I traded it away. No regrets.)
jamyskis Larry Clark is a genius. He's probably the only director I have ever seen who can create a frank and understanding portrayal of modern teenage promiscuity and the issues of youth today without turning his films into a porn orgy. Kids was a commendable effort, and Bully was a superb film. Which led me to pick this up, having never heard of it, for the cheap rate of 5€. Clark had, until now, focused on teenage melodrama, and this little foray into sci-fi/horror looked interesting.At least it was until I realised what had happened. The concept itself is interesting - Clark, fond of examining the behaviour of teenagers without the rule of law, has attempted to create a society that forms an ideal background to test the behaviour of a number of teenagers who live in a society where there is literally are no laws. And for the first half an hour, it looks promising.Even the ensuing bathtub and sofa orgies didn't reduce my curiosity. These scenes are lifeless and directionless, and seem to serve no purpose than to allow the actors to show as much bare flesh as possible. But I was hoping that this was going to take us somewhere. Teenagers from a society where sex is banned, launched into one where sex is free.Sadly, after around half an hour, you realise that in fact, it isn't going anywhere. The film turns into a pointless gore and fleshfest which revels in killing off characters in the most disgusting and tasteless ways possible, interspersed with sex scenes that are only vaguely explained away in the plot. None of the characters are developed into anything worth considering.The film feels like Larry Clark's work for the first half an hour or so, before the gorefest begins and you don't recognise it anymore - perhaps a case of studio interference. In any case, it's a blemish on Clark's record that won't be easy to remove.