The 39 Steps

2008
6.3| 1h30m| NA| en| More Info
Released: 28 December 2008 Released
Producted By: BBC
Country: United Kingdom
Budget: 0
Revenue: 0
Official Website:
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Richard Hannay, a mining engineer on holiday from the African colonies, finds London socialite life terribly dull. Yet it's more than he bargained for when a secret agent bursts into his room and entrusts him with a coded notebook, concerning the impending start of World War I. In no time both German agents and the British law are chasing him, ruthlessly coveting the Roman numerals code, which Hannay believes he must personally crack.

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Director

James Hawes

Production Companies

BBC

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The 39 Steps Audience Reviews

Hellen I like the storyline of this show,it attract me so much
SnoReptilePlenty Memorable, crazy movie
Hayden Kane There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes
Rosie Searle It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.
colepteran The film was very entertaining (loved the homage to Hitchcock) and great to watch. I not going to write a synopsis but it was enjoyable. I've purchased a DVD and have watched it 5 times. Each time I've watched it, there is something new I saw: for instance, the heroine, who was driving, left the car running when they ran up the stairs to go back to the castle to search for the 39 Steps :)Masterpiece Theatre has great stories to offer. Each time the Masterpiece comes on, I have to watch in case it's something really interesting that catches my "fancy". This one did! The setting is in England first, but moves to Scotland - home of my great grandparents. The scenery is beautiful and looks VERY cold since some of the exterior shots show their breath as the actors talk. I loved the train scenes - especially the ventriloquist and "dummy" who helped the Hero escape the police. All in all, it's a great trip of story line to whisk a person away from daily trials and mean people.
blanche-2 It was known that Alfred Hitchcock would buy a book or a story and then use as little as a sentence of it and create a whole new scenario for his film. This version of "The 39 Steps" is based on the book, not the Hitchcock movie; therefore, it's different. The stars are Rupert Perry-Jones, Lydia Leonard, Patrick Malahide, and Eddie Marsan.Having seen the Hitchcock film and the play which uses the Hitchcock film, this 39 Steps is interesting but ultimately a downer. Hitchcock made this story his own, and anything else is going to be a disappointment.The acting is good. Rupert Perry-Jones is an attractive lead, but he's not called upon to do very much. He's not Robert Donat, after all. Lydia Leonard is the suffragette Victoria. She's fun but she's not Madeline Carroll. There's not much, if any, suspense to be had - no being handcuffed together, no music hall scene, just a lot of chases through nice scenery.It's worth watching to compare to Hitchcock and appreciate him all the more, but that's about it. I'd call this pleasant rather than exciting or suspenseful. There was one big surprise in a beginning apartment scene - if the film had continued like that, it would have had something.
dianarama After reading some of these reviews, I feel quite lucky that I had neither the Hitchcock film (which I couldn't remember) nor the original book (which I never read) by Buchan against which to compare it. Because taken on its own merit, without these other versions looming in the mind, I found this to be completely enjoyable, stylish and fun. The lead guy, (Robert Penry-Jones) is GORGEOUS and I think all the reviews in which his performance and charm were attacked had to have been written by (straight) men! I found him to perfectly embody that slightly stiff repressed sexuality of the old-fashioned English gentleman, who has a simmering core beneath his mastery of social niceties. The gal (Lydia Leonard) was great too and as a woman, I really appreciated that her personality and intelligence were highlighted over her looks, so the film also had a clever and delightful reversal of typical gender roles that gave me a big chuckle. There were many humorous touches to the film such as a nice nod to Hitchcock by paying homage to a famous scene from a different film, "North by Northwest", by including a chase scene featuring a bi-plane bearing down on our hero as he dashes about trying to dodge bullets from above. This was a really cute addition to "The 39 Steps" because of course "North by Northwest" has a similar plot; it is also a tale of a man being mixed up with/mistaken for a government agent and has numerous exciting pursuit sequences with incredible scenery. In fact, I would argue that "North by Northwest" was probably more of the inspiration for the style of this remake, although the plot details were adapted from "The 39 Steps". I find that the filmmakers therefore made a very interesting choice that is surprisingly post-modern. It exemplifies "inter-textuality" or the shaping of texts meanings by other texts, done in film. The only mainstream filmmaker I can think of who is really doing this is Charlie Kaufman ("Adaptation" "Synechdoche") and his films aren't necessarily always that enjoyable (though I loved "Being John Malkovich"). So I think this was a great success because it was highly enjoyable and didn't push such intellectual ideas; rather it playfully evoked key moments in film history, challenged male/female stereotypes, had a believable and sparky love story with attractive leads, beautiful production values, outdoor scenery, period clothes/cars etcetera (like only the BBC can do), all plugged in to well-known historical events (the Suffragette movement, the murder of Ferdinand), that gave the story authenticity. Real shame about the end therefore. Although the critical comments on this site about the plausibility are mere quibble (for example: "the dead German who couldn't shoot straight when he was conscious" who "kills" Victoria was obviously a double-double agent who was only pretending to be dead and was shooting blanks in a carefully choreographed routine in order to send Victoria back deep under cover and not get distracted by romance.Duh!), such critiques being taken care of I still thought it was just a shitty choice to make because emotional betrayal on that level - I mean letting your exciting new lover (did I mention he is GORGEOUS?) with whom you've just survived a life or death challenge, in no small part thanks to him, swim around in a freezing cold lake in tears for hours looking for your dead body when you are actually safely in the secure underwater secret service pod (or whatever; this was never explained which I also found sloppy) drinking cocoa and brandy - is NOT something easily forgiven, I would think. No matter how patriotic someone is! It would have been way better if, when the cold-hearted bitch turns up to smile enigmatically at him from the doorway of the train station FOUR MONTHS LATER, he had simply flipped her the bird and then walked off in another direction where we see him being joined by some sex-on-legs redhead with a figure like Jessica Rabbit, one of which lower appendages she curls around Hannay's calf, her stiletto dangling off her heel as they lip-lock in a crushing embrace during which he winks at Victoria. Pan to Victoria's crumpled face in the doorway seconds before it's obscured by a passing train. THE END. But apart from the absence of my fantasy ending, it was still a jolly good show! Just did a bit of research and found out the filmmaker was a woman which perhaps explains why she turned some conventions regarding "the hero" on their head. I say well done to Lizzie Mickery.
gradyharp THE 39 STEPS is one classy movie! There are few who can pull off this mixture of humor, suspense, intrigue, and subterfuge the way the best of the British films can. Lizzie Mickery's screenplay adaptation of John Buchan's novel tosses in a few unexpected ingredients and makes this early 1900s story blossom with suspense, hilarity, derring-do, and wonderful one-liners. Director James Hawes paces the film so that there is never a dull moment in this chase toward staving off Germany's entry into England in 1914. The acting is first rate and the cinematography (abetted by the beauty of Scotland) is sumptuous. The story is both simple and complex - simple in that it is a case of British gentleman Richard Hannay (Rupert Penry-Jones) falling upon an intruder (a spy who is murdered after passing a secret booklet containing codes regarding German information about meetings and proposed invasions in Richard's hands) who begins his moments of chase and intrigue as he attempts to save Britain from war. Complex as along the way he encounters a suffragette Victoria Sinclair (Lydia Leonard) and her brother Hellory (Patrick Kennedy) and uncle Sir George (David Haig) all of whom play an integral part in the caper of the story. The entire cast of German spies and British counterparts is excellent and the story moves along with sufficient twists and turns (and a touch of romance) until a rather surprise ending. Part of the joy of these British whodunnits is the elegance of the language and the manner in which the story unfolds - with just enough escapes and frightful incidents balanced by smart dialogue. Rupert Penry-Jones is a first class actor whose reputation should be assured with this film. Highly Recommended for those rainy nights at home...Grady Harp