The Apple

1980 "The Power of Rock... In 1994"
4.3| 1h32m| PG| en| More Info
Released: 21 November 1980 Released
Producted By: The Cannon Group
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
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In the glitzy, glittering futuristic world of 1994, music is king -- and the man who controls it is all-powerful malicious mogul Mr. Boogalow. Now he has his eye on two fresh-faced young singers, Alphie and Bibi, who score a hit at his WorldVision Song Festival and fall under the irresistible spell of fame, money, and temptation.

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Director

Menahem Golan

Production Companies

The Cannon Group

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The Apple Audience Reviews

Reptileenbu Did you people see the same film I saw?
CommentsXp Best movie ever!
Bergorks If you like to be scared, if you like to laugh, and if you like to learn a thing or two at the movies, this absolutely cannot be missed.
Ariella Broughton It is neither dumb nor smart enough to be fun, and spends way too much time with its boring human characters.
soulexpress Set in the Dystopian future of 1994, this musical about the record business--and the Satan-like man who controls it--pays homage to "Hair," "The Rocky Horror Picture Show," "Grease," and even "Xanadu" and "Can't Stop the Music." The first hour is kind of fun, but it gets tedious during the final 30 minutes. And the deus ex machina that ends the film is just a cop-out.
jehaccess6 This truly horrid film is loaded with entertainment value! I have watched it several times and always find new and inventive aspects to offend and amaze me. Obviously the screenplay liberally steals themes from countless bad films and mixes them with themes from scripture. Who else would consider having surgeons break into a dance number in the middle of an operation?I enjoyed the musical efforts from Catherine Mary Stewart. I was all set to praise her singing talent until I read some external reviews that reveal she merely lip synced her songs. Why am I surprised at that? She does have a fabulous figure here. Those legs are to die for!The scene where Bibi is tempted to sign the contract with Mr. Boogaloo to enjoy the results of show business success made me consider that Catherine Mary Stewart took a bite of the apple in real life to appear in this movie. I doubt that she wishes anyone to remember this film she made in the early stages of her career.I was impressed by the linguistic abilities of Vladek Sheybal. He was obviously fluent in at least four languages. He had a sly expression of delight as he portrayed his over-the-top character, Mr. Boogaloo. I remembered him portraying the heavy in 'Shogun' and 'Red Dawn'. I had no idea he was capable of so much more.I am glad I recently came across this gem from the dark days of Disco. It was truly worth the price of the DVD to see such an appalling piece of crap that nevertheless makes you want to enjoy the guilty pleasure again and again.
lcri-1 I've read terrible things about this movie. I rented it on the understanding it was the worst musical ever made, possibly the worst movie of the 80s. I'm a connoisseur of sorts of B-Movies. Uwe Boll? I'm there! Crappy old monster movie? Sure! But it took me a LONG time to finally get around to seeing this...And you know what? It blew me away. Is it a bad movie? Hell yes. Are some of the songs ear-bleedingly terrible? Check. But still, it has an absurd charm, a ridiculous, unbelievable air. It left me breathless at the end, and I felt I'd just spent 90 minutes of my life very well.This is the story of two simple Canadian musicians trying to make it in America. The biggest music corporation in America is Bim, run by a nefarious Mr. Boogalow. He is the most powerful agent/manager in the industry, filling the world with soulless pop and rock. He sets his eyes on the Canadian couple, Alfie and Bibi, and tries to get them to sign a contract. While Bibi is happy to, Alfie has a vision of Mr. Boogalow as the devil himself, the contract the apple from the Garden of Eden, and refuses. But with Bibi being pulled into the corrupt world of sex, drugs, and rock n' roll, and Alfie struggling to make it on his own as a love song writer in a world without love, how can they go on? Did I mention it's set in the far flung future of 1994 as envisioned in 1980? A lot of the songs are catchy - "Speed" was stuck in my head for a week after watching it, "Cry For Me" is a fine example of the long distance love duet, "Where Has Love Gone", while a bit whiny, sounds nice, and "I've Found Me" and "Child of Love" are just pretty. Plus the title song... I'm not going to forget that for a LONG time.Of course, the opening number, "Bim's On the Way", is absolutely terrible. But I think that was a part of the message - look at the pop culture our world is worshiping. This isn't art! Also focusing too much on the message and sounding horrible because of it is "Life is Nothing but Show Business in 1994", sung by a mish-mash of performers waiting to meet Mr. Boogalow.The rest of the songs are rather unremarkable... except for a catchy but horridly written song made entirely of innuendo, "Coming". But the less said about that, the better.The acting is largely mediocre or below average, but it works with the cheesiness of the movie. Also, the movie has a VERY fast pace, cramming 14 songs into its 90 minutes.Many of the dances, primarily "Bim's On the Way" (First and Reprise), "Life is Nothing but Show Business in 1994", "The Apple", and "Speed" are gloriously over-produced, with elaborate mass choreography, sprawling sets, and lots of rayon and spandex and inventive lighting.Plus, it has the BEST LINE EVER. You'll know it when you hear it.Overall, you NEED to see this film. Trust me, it's going to blow your mind, one way or the other.
geekzapoppin Words cannot express the joy I get whenever I sit down to see THE APPLE. I first experienced it in the best way possible, at an all-night movie marathon with a group of film fanatics. Everything about this film is so grossly over-the-top and gaudy that you just have to marvel that it was ever produced, much less released. I don't want to give anything away, but it is best described as Faust covered in glitter. The music is bad, the acting is worse and the direction is out the window. It's glorious! The lyrics to the songs, though earnest, are so clichéd that they illicit unintentional giggles with every line. The leading man is supposedly from Moosejaw, Canada but mysteriously sports a German accent. The height of future transportation is apparently a station wagon with extra lights attached. You can tell that Golan/Globus (yes, them) thought they were making a sincere statement about the power of love to conquer evil, as there was seemingly a decent budget on the film. Most of the musical numbers are large, crowded affairs and dancers don't come cheap. In summary, any film that features God coming down from the sky in a Heavenly Cadillac is okay by me!