The Best Man

1999 "The flower arrangements have been ordered. The sleeping arrangements are still being worked out."
6.7| 2h0m| R| en| More Info
Released: 22 October 1999 Released
Producted By: Universal Pictures
Country: United States of America
Budget: 0
Revenue: 0
Official Website: http://www.universalpictures.com/bestman/
Info

After writing a soon-to-be bestselling novel, writer and committed bachelor Harper attempts to hide the fact that his saucy new book is loosely based on the lives and loves of his tight-knit group of friends. Harper is set to be best man at his friend Lance's wedding, and all his friends will be in attendance. When an advance copy of the book makes its way into the hands of his ex-flame, Jordan, Harper attempts to keep it under wraps.

Genre

Drama, Comedy

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Director

Malcolm D. Lee

Production Companies

Universal Pictures

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The Best Man Audience Reviews

Intcatinfo A Masterpiece!
ThedevilChoose When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.
Hadrina The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful
Deanna There are moments in this movie where the great movie it could've been peek out... They're fleeting, here, but they're worth savoring, and they happen often enough to make it worth your while.
Film Fan Perspective "The Best Man" is the closest thing to Raymond Carver's work that I've seen on film, and that's a great compliment to pay. Coincidence or not, the main character of Harper Stewart (Taye Diggs) is a writer as well, and references to Hughes and Wright are in the film. Harper has just had his first novel published, has a beautiful girlfriend (Saana Lathan), and seems to have it all together. He's nervous about commitment and the reaction to his book, which serves as a fictional interpretation of his young adult life. Harper is certainly justified in his worry, as he doesn't pull any punches, and once the real versions of his characters read what he's written about them, he has to face his mistakes and be, literally, the best man he can be.The film centers around one whirlwind weekend that has the four main characters reminiscing in advance of Lance Sullivan's (Morris Chestnut) wedding. Lance is a pro footballer, engaged to Mia (Monica Calhoun), who has stood by him despite his egregious lack of fidelity. My guess is that Mia doesn't even know the half of it. Lance is a classic alpha male- he's so strong in body and belief, but cannot make the connection between his steadfast conviction and keeping it in his pants. So, like many men, he's a 'dog'. Harper is a 'dog' in a different way- he's sneaky in his selfishness, and takes those that love him for granted. Quentin (Terrence Howard) is a knowing, world-weary 'dog'- he's been around the block, has known his share of disappointments, and brings balance to this group of friends. Howard's turn here (the first I was exposed to him) lends gravity to the film- he's the one who knows what's going to go down once the dirty laundry is aired, because he's already gone through the maturation process that the other three haven't. Murch (Harold Perrineau from 'Lost') is the spineless 'dog'. He clearly lacks the confidence to stand up for himself, and therefore doesn't have what he really wants.As I mentioned before, Carver's influence is present, intentional or not. It's never more evident than the poker game our main group shares, and the way the characters interact. What is said during this particular scene provides deep insights into gender roles, relationships, sex, religion, honesty, and loyalty- all within a 10 minute scene. The men may talk crudely, but the truths are clear. These men are good, caring people, but have done selfish things. No amount of aggression can keep the powerful truths from coming out, truths that Harper's book give away. It says something for a film that might be seen as a traditional rom-com that instead says something about really becoming a man.Without giving away everything, let's just say that eventually it hits the fan. By then, we're so invested in the characters that the reactions from all involved seem justified. Lance must face the music in the most powerful way- in the moment that should be his greatest, he's finally humbled for his indiscretions. Perhaps it's Morris Chesnut's performance, or maybe the script is that good, but in that moment I felt both a satisfaction and a sadness for his character's punishment. Quentin is finally rewarded by the film for being the 'cool, level-headed' one that leads the characters towards the truth, Murch grows a pair and gracefully moves on from his overbearing, confidence-sucking girl, and Harper? He's forced to be self- reflective, to recognize the good in his life, the need versus the want, and to not take things for granted. All of the character arcs, including the females, make sense in their conclusions. It's something that can only happen when a filmmaker cares enough about the characters. Most adults have been through similar life events and the emotions that go with them; this movie respects its audience enough to challenge them with specific thoughts about manhood, relationships, change, and the like. It's rare for that to happen, but it's what Carver's book did, and what this film does as well.Sure, there are some problems with the film. For whatever reason, the script requires these characters to have the most bombastic and presidential names, insisting that they say those full names over and over for the first quarter of the film. It's overtly obvious that Malcolm Lee thought it necessary to establish these people as successful, professional, driven individuals to distance this film from others released in the same vein. Unfortunately it comes across as awkward; they're the kind of names little girls give to tea party guests. Harper Stewart. Jordan Armstrong. Lance Sullivan. Julian Murch. Shelby. Robyn. Mia Morgan. Candace. There's something…off about that. As well, the perfunctory and impromptu proposal by our lead seems oddly misplaced, especially considering his apparent understanding of the situation; I'm not sure that a humbled character like Harper should be leaping back into the fire he just escaped.Obviously I forgive the film that minor slip. It's important to note that this cost 9 million to make in 1999. Considering that many of the cast members have continued working since then, many successfully, and considering this film's appeal why not revisit the characters? It's a good opportunity when it normally wouldn't exist for a romantic comedy, and I'm looking forward to seeing how these characters have progressed 15 years later when "The Best Man Holiday" comes out.
Realness97 I loved the feel-good factor this movie extolled. I love the blend of comedic situations with the 'yes it happens..' drama. I give special props to the role of Perrineau, for his character mirrors my innermost fears which are smoke-screened by spineless bravado. I want a drop dead gorgeous lady in my life to infinity, and would give all I have to get her! I'm so impressed with Terence Howard's successes since this release, and in hindsight admit, he'd be my chosen alter-ego.My final thought is for Sanaa; Reality would never demean your personal qualities to 'hoping' you make the cut from any man's proverbial wish- list, so your in-character presenting was very very good. Well Done Mr Producer. You nailed it. Now get the Corp big wigs to release this worldwide.
tbselah ****MAY CONTAIN SPOILERS**** This movie was great. I never get tired of seeing it. I really like Quentin's character. He stole every scene he was in. I kind of wish they had made a spin off with his character because he was really interesting. I would have liked to have seen the relationship he had with his father because from the way him and Harper talked it seemed his father was always on him about choosing a career and the last thing he needed was for Harper to be doing that to him. Like he didn't need another father figure who didn't approve of his lifestyle. With the way the movie ended I think it would have been good to develop a story between him and Shelby. See where that would go. Also show him in his playing ways and also show him playing the guitar a lot more like he was working on putting together a record, the way he played was tight. But if they were to make a movie on just his character only Terrence Howard could play him and only Malcolm Lee would be able to pull off a great job directing it.
Tony This is disgustingly misogynist. The only women who end up happy in the end are the stripper, the woman who accepts her fiance's infidelity even though he expects her to be a virgin and the woman who has to win her boyfriend (the best man) back from a strong, independent woman by helping him to save the aforementioned ill-conceived marriage, and by being a fantastic cook. Any woman who dares to think of herself as equal is doomed to misery.