Hottoceame The Age of Commercialism

GazerRise Fantastic!

BallWubba Wow! What a bizarre film! Unfortunately the few funny moments there were were quite overshadowed by it's completely weird and random vibe throughout.

Megamind To all those who have watched it: I hope you enjoyed it as much as I do.

GwydionMW Set in 1999, post-APartheid South African, this film begins with an elderly white brickworks manager who has a strong interest in long-distance running.He has been training some of his employees for a ultra-long-distance race, the Comrades Marathon. Deprived of this, he finds himself at a loose end.He then notices Christine, a young Blakc African woman who regularly runs long distances and has never had any training. She is an illegal immigrant, who faced hostility from some of the local Black Africans. When she is arrested, he gets her released and invites her to live with him. He has no sexual interest in her - she later describes it as being viewed like a racehorse.Christing several times asserts herself. The film culminates in her taking part in the actual race.I found that there was rather too much about the dull relationship between coach and runner. A better film would have shown flashbacks to the past of the race, not always open to blacks or women, and to the coach's own past as a runner. Still, it gave an authentic-seeming view of South Africa and the running culture.

Wizard-8 This independent production was picked up by Universal Pictures, but it doesn't seem that they gave it much of a theatrical release apart from a brief showing in Seattle. Seeing the movie, it soon becomes clear why Universal didn't have confidence in it. It's not a terrible movie, having some positive attributes. The South African locations, which are well photographed, give this a non-Hollywood look that's quite refreshing. The acting by everyone is pretty good as well. However, the actors aren't able to do anything with a script that doesn't give much depth to the characters. The main characters of Berry and Christine never have one real conversation of significant depth. Quite often they do things without explanation. There are a few scenes where it seems something personal might come out, but then there's an abrupt edit to the next scene, suggesting that a lot was cut out in the editing room. (Despite this, the movie at 113 minutes still feels too long.) And the climatic race is directed in a surprisingly bland fashion, not letting us feel the sweat and pain the runners are going through. Still, as I said earlier, this is not a terrible movie... but you'll still feel underwhelmed by it long before the end credits start rolling.

cableaddict It's hard to make a bad movie with the "underdog finally succeeds" sport theme, but this movie succeeds admirably. My mind boggles at how pointless and boring this film is.I guess the director couldn't decide whether this was about the runner or the coach. It ends up being about neither. Ultimately, who cares? Neither character has a likable personality. There is nothing in the movie to make you care about anyone. Even the "bad guy" isn't really bad. (I think he's in two scenes, and seemingly is on some kind of barbituate. ) I think he asks her, once and politely, to leave the coach and train with him. Then later he kinda' sorta' asks her to move in with him. that's it. Conflict! Tension! What will she do? !!-And what's with the depiction of running? Has the director ever SEEN an actual marathon? Christine's form is so incorrect it's absurd, as is the form of the supposed "champion" she competes with (A character with no lines. -Maybe they could have hired, you know, an actual RUNNER?)-And the speed the run at is beyond comprehension. Were they running or speed walking? It's actually laughable. I can literally walk backwards faster then they were running in the big race. Maybe it was too hard to move the cameras at real speed?Another absurdity: (spoiler, I guess) At one point in the big race, the two women in the lead inexplicably fall, at the same time. What they fell on is a mystery. Maybe they both just got exhausted and fell down? -And then they get up, but don't start running again for maybe 30 seconds. Oh yeah, very realistic. This ridiculous event doesn't even add any tension, since the other runners are not close, and besides at this point you have been numbed into a state of catatonia.-I especially enjoyed how all four of her male teammates, highly trained athletes all, drop out of the big race due to charlie-horses, or pulled tendons, or something just as improbable. But who cares? This movie has almost no tension, no resolution, nothing. Some woman runner with absolutely no personality is discovered by an old, boring coach with some past failure that is barely hinted at. They train a lot. She is not happy. They train some more. She wins da big race. Woopie. My description is actually more interesting than the actual movie. I just saved you 90 minutes. Avoid this one like the plague.

TimeForLime I rate this a "seven" because the film brings together several treatments which combine nicely.The best treatment is the study of Barry, played by ARMIN MUELLER-STAHL, an Old-Man-and-the Sea type, a monomaniac, misfit sports coach with a questioned past, slipping into oblivion. He clings to just one race as his reason for being: a tough 90 kilo run, hence The Long Run. This character study alone ranks the film as a watcher.The second treatment is the quiet and serene, still-waters-run-deep dignity of the African runner. This treatment is not enough to support the whole film. She is from Pretoria, and is an ideal-type, too-good-to-be-true. Character development is missing except in the one important sense that is key to the film. In the face of hardships both historical and current, and harboring some doubts as to what she is capable of, she grows in strength and breadth from the hardships of race preparation.The third treatment is fairly formulaic: the David-beats-Goliath sports film. From Hong Kong martial arts film to G-rated knock-offs, the combination of stalwart heart plus beloved underdog is successful again. In this film, other issues obscure the routine set-up, thus providing a slight sense of 'maturity'.The fourth and final treatment is Africa itself. Once or twice each decade,we are treated to a major Hollywood film bringing us the sights and sounds and smells of this most enchanting and provocative continent. THE LONG RUN was shot in South Africa. What we see in the background could just was well be viewed in several of the surrounding countries as well. Alas, the film's creators give us only meager examples of this land and life : a brick factory, some runners, and a taste of scenery. Much more could have been included.Propaganda angles surrounding any such film could damage it. It has not the robustness of, for example, HOTEL RWANDA. I was caught up in the beauty and the story. That was enough for me ,,, and I hope, for you.