Best movie ever!
All that we are seeing on the screen is happening with real people, real action sequences in the background, forcing the eye to watch as if we were there.
I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.
All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.
@ 36th Hong Kong International Film Festival"Love Letter: Dearest, Do you know how much in love with you I am? Did I trip? Did I stumble – lose my balance, graze my knee, graze my heart? I know I'm in love when I see you. I know when I long to see you, I'm on fire. Not a muscle has moved. Leaves hang unruffled by any breeze. The air is still. I have fallen in love without taking a step. You are all wrong for me and I know it, but I can no longer care for my thoughts unless they are thoughts of you. When I am close to you, I feel your hair brush my cheek when it does not. I look away from you sometimes, then I look back. When I tie my shoes, when I peel an orange, when I drive my car, when I lie down each night without you, I remain, Yours"Peter Chan's first venture into Hollywood was a massive cultural barrier. Not unlike, Wong Kar Wai's poorly executed, but well meaning "My Blueberry Night", the premise seems very much Korean and the idea of a love letter creating multiple opportunities of love is more corny and cheesy than believable. Seriously if you see an untitled love letter randomly on a table at someone's else home, it is very likely that you will take it seriously to heart and take it as a piece of salt instead. The answer is clear and the whole idea is flawed from the beginning. Here is how Chan works his magic on the audience and trick us to believe and takes us along the ride in a somewhat light hearted and slightly heart-warming view of nothing else than love.In one of Kate Capshaw's final on-screen display, she is ably casted as a single middle aged woman trying to find love again despite the odds. In fact the film would not have been watchable if not for Capshaw's performance and Chan's persistent style of direction. I have always called Chan a romantic director as he goes for the depth of characters and their stories in unprecedented details. Unfortunately, in this film, Chan is clearly lost in translation and its a definite shame.All in all, like most Asian directors cutting it out in the golden mountain of Hollywood, Chan is unable to replicate his best works. No matter how you see this film from whatever angle, for a Hollywood movie it is just too corny to connect with the Western audience and for the Asian audience we have seen too many Comrades, Alan and Eric and countless better cinematic experience. Still, Chan did not fully fail as some fun can still be had, except by his standards, this is an epic fail by all proportions
.Neo rates it 5.5/10www.thehkneo.com
a great little flick.Just watched it on TV, would be better on video. I give it an 7.8 stars .Don't mind my spelling, it Suki.need 10 lines need ten lines to post need ten lines to post need ten lines to post ho-hum....need ten lines to post. why must there be ten lines of text? I am able to say all that I want in three. Must be some software thing to prevent who knows what. Watch the movie, it's not bad. Tom looks so young. And when what's her name cuts her hair, she looks so sexy. Still hot ready for submission? Come on , give me a break. Getting tired of trying to reach the minimum requirements to post a response review.
Helen (Kate Capshaw) owns a bookstore in the sleepy, coastal town of Loblolly by the Sea. Divorced, Helen has a young daughter who is going to camp for the summer, giving mother a bit more freedom. Working at Helen's store are the manager, Janet (Ellen DeGeneres), a man-crazy village-gossip girl who has eyes for the handsome fireman, George (Tom Selleck), and two young college students, Jennifer (Julianne Nicholson) and Johnny (Tom Everett Scott). One day, Helen stumbles across a romantic, tender love letter and she suspects that Johnny has written it for her. Throwing caution to the wind, Helen and Johnny begin a small-time "thing". But, the letter subsequently lands in others' hands, including Janet's, who thinks George has sent it to her, and Johnny's, who imagines Helen has penned it for him. And, on and on the letter goes. But, in truth, George possibly has eyes for Helen and Jennifer has fallen hard for Johnny. The town's museum curator, too, may have a secret love. Will tangled affairs like these ever straighten themselves out? This is a cute movie with a gorgeous setting and capable stars. Each of the main actors gives a pleasing performance, including the addition of Blythe Danner and Gloria Stuart to those mentioned previously. Then, too, the coastal scenery is most lovely, the costumes quite well-chosen, and the photography very nice indeed. There are a few surprises, including a subtle gay plot development, which may not please all viewers. But, for those who love romantic comedies, this one should be included on any list of good choices for the genre.
So well done. The photography, sound, music and the performances were the best. It's also an amusing story line that brings a smile to your face with each scene--I loved it and I'm a 60 year old heterosexual guy. Each character seemed to fit their part to a tee. It's the best performance that I've seen from Ms. Capshaw--she's been in more movies than I thought, but this was a wonderful achievement. I suppose it's a plus to have Spielberg money behind you allowing for a fat budget and all the best that money can buy technically. Two of the cast have successful T.V. shows of their own now--it's easy to see why. Tom Selleck does his usual good job.