The Magnificent One

1973
7.1| 1h35m| NA| en| More Info
Released: 23 November 1973 Released
Producted By: Rizzoli Film
Country: Italy
Budget: 0
Revenue: 0
Official Website:
Info

A writer of pulp fiction imagines himself as the dashing hero and his English neighbor as his love interest.

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Director

Philippe de Broca

Production Companies

Rizzoli Film

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The Magnificent One Audience Reviews

Stometer Save your money for something good and enjoyable
ThrillMessage There are better movies of two hours length. I loved the actress'performance.
Jonah Abbott There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.
Rosie Searle It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.
radiobirdma The first half of "Le Magnifique" is postmodern tongue-in-cheek genius, a wild, ludicrous and in every department excellent mixture of James Bond spoof, splatter effects, slapstick, intertextual verve and romantic comedy clearly exceeding the ten stars limit, plus a downright irresistible Jacqueline Bisset (and I'm not even into brunettes). The second half, hmm, doesn't really come as a letdown, but sticks more to conventional vaudeville formulas and simply can't live up to the absurd roller-coaster folly already established, a few bitter tones possibly due to Francis Veber, a prolific and superb, but sometimes uneven writer who also worked on the script. The Canal Plus DVD features the French original as well as the English and German dub. As for comic dramas of the 70s, unorthodox and essential viewing.
kurciasbezdalas Ussualy spy comedies are boring to me. James Bond was spoofed so many times, that it's not funny anymore (Get Smart (tv series) and Austin Powers is an exception). This movie would be also just another spy comedy, but some things make this movie different from other and even original. The plot is not usual to spy comedies. Actually there were two stories told in this movie - one about a poor writer, another is about a spy, who is a main character of the poor writers book. Both of them are played by Jean-Paul Belmondo, who was just brilliant in this movie. I liked his mimics of the face when he played Bob Saint-Clair (a spy). He played Bob Saint-Clair with some sort of irony and it was hilarious. Most of the jokes in this movie were slap-stick jokes, it looked weird sometimes, but that's probably what made this movie so funny.
Rob Williams There are some cornball aspects to this film, but it also incredibly inspired in many ways. It is best not to read a bunch of summaries of the plot, just watch it and revel in the imagery which is fantastic in many parts. Belmondo is fantastic as is Jacqueline Bisset. If you already found sixties spy/agent films campy, this film will be a wonderful release, but also a haunting pastiche of dark humor on the whole genre. The jokes are layered very thick, not all of them hit, but compared to the campy schtick done in hollywood, this is shakespearean.
cinezonker-1 Seriously underappreciated comedy with one of the finest and funniest opening "twists" this filmgoer has ever seen. Belmondo is at his comic and athletic best and Bissett is gorgeous and perfectly cast as a student doing a research paper on pulp-fiction authors (Belmondo). To say much more would spoil the imaginative twists and turns in this film. If you can find it, watch it!If you like Belmondo in this you might also enjoy "Up to His Ears" (1965) The CineZonk