The Money Pit

1986 "For everyone who's ever been deeply in love or deeply in debt."
6.4| 1h31m| PG| en| More Info
Released: 26 March 1986 Released
Producted By: Universal Pictures
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
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After being evicted from their Manhattan apartment, a couple buy what looks like the home of their dreams—only to find themselves saddled with a bank-account-draining nightmare. Struggling to keep their relationship together as their rambling mansion falls to pieces around them, the two watch in hilarious horror as everything—including the kitchen sink—disappears into the Money Pit.

Genre

Comedy, Romance

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The Money Pit (1986) is now streaming with subscription on Starz

Director

Richard Benjamin

Production Companies

Universal Pictures

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The Money Pit Audience Reviews

Listonixio Fresh and Exciting
ShangLuda Admirable film.
Baseshment I like movies that are aware of what they are selling... without [any] greater aspirations than to make people laugh and that's it.
Candida It is neither dumb nor smart enough to be fun, and spends way too much time with its boring human characters.
calvinnme Some people call this Tom Hanks' worst film. Nope, it was just completely ridiculous to the point that the viewer is supposed to know this kind of thing could never happen on this scale and just laugh, because we've all had these kinds of things happen on a much smaller scale.Tom Hanks and Shelley Long play a couple who have recently fallen in love and have been living in her ex-husband's New York City apartment and not thinking ahead. But then one day the ex-husband, Max (Alexander Godunov), returns and they have to leave.In a hurry to find a place to live, they buy a house for a song that looks beautiful through a disreputable agent. Although they looked at the house - never had an actual inspection mind you - and everything looked okay, things begin to fall apart the day that they move in. The front door and its entire frame fall off its hinges, the bad step on the staircase ends up with the entire stairway crashing to the floor, the bathtub falls through the floor just by filling it with water, and so on. The problems and their cost mount to the point of being way past ridiculous, and as goes the house so goes the relationship between Hanks and Long. To make matters worse, Max really wants his ex-wife back and is taking advantage of her vulnerability and deteriorating mental state.The fact is, nobody in this film but Hanks and Long play remotely likable characters. Everybody else is at best selfish and vain or incompetent, at worse dishonest, including Hanks' dad who ran off and left with his law firm's money so he could marry a girl about one third his age, leaving Hanks' character holding the bag.How will this all work out? Watch and find out. This was the only pairing of Shelley Long with Tom Hanks, and it is rather bittersweet in a kind of "A Star is Born" way, looking back. Tom Hanks had not been able to break out of farce like comedy roles such as this yet will end up getting back to back Best Actor Oscars. Long thought that this role was a stepping stone to better things after she decided to leave Cheers the following year, but she never got anything that really rose above this kind of role and was pretty much out of the movies by 1992.Highlights of the film for me - Gudonov's monologue to Hanks on the perks of being shallow and self-centered, a mouse-trap like chain reaction joke of physical comedy involving Hanks that has to be seen to be believed, and Philip Bosco as the genial and useless supervisor of the construction crew who is all smiles and has only one answer to how long it will take to fix the house - "two weeks".
Scott LeBrun Top comedy stars Tom Hanks and Shelley Long play Walter and Anna, a music industry lawyer and classical musician respectively, who are due to be kicked out of the apartment they've been using. It belongs to her ex-husband Max (Alexander Godunov), an egocentric orchestra conductor. Now they are in desperate need of lodging, and think they've found their solution when Walters' friend Jack (Josh Mostel) tells them about a mansion that the owner (Maureen Stapleton) is willing to unload cheaply. They soon find out the obvious answer: it's because this house is in TERRIBLE shape, and Walter & Anna have a number of slapstick misadventures trying to repair and remodel the house."The Money Pit" benefits from very engaging lead characters & performances; Hanks and a radiant Long have good chemistry and therefore make a believable couple. It also has great supporting characters & performances, too, from a sleazy carpenter (Joe Mantegna, who walks away with his one big scene), a bratty young pop star (Billy Lombardo), Max (the late Godunov is extremely amusing), and a can-do contractor named Curly (Philip Bosco). Hanks figures in the most gut busting moments, and he does one of the most priceless insane laughs that this viewer has ever heard.The movie itself, written by co-executive producer David Giler, and directed by actor Richard Benjamin, does manage to be very funny for a while (with a memorable image of Hanks slowly sinking into the floor), until it all gets a little over the top. Predictably, there is a major bump in the road for the Walter / Anna relationship, giving the story a little bit of humanity.You've already gotten a taste of the character actor talent in this review, but I'll refrain from listing all of the familiar faces in supporting parts and bits so you can discover them for yourself.Impressive stunts and sight gags help to make this a decent diversion.Seven out of 10.
Predrag "The Money Pit" is an underrated, romantic, slapstick comedy. A young couple Tom Hanks and Shelley Long are very much in love with each other and want to buy the home of their dreams. They finally find a large house going cheap and move in; but it's not long before one hilarious disaster after another happens. The house is falling apart along with their bank account and they get deeper and deeper into debt and their relationship starts to fall apart. There are some really great, very colorful characters interspersed throughout, resulting in some great comedy. There's also a lot of slap-stick which even if it's not your usual cup-of-tea would be hard not to enjoy.In this movie, the script writer and set technicians are king. These professionals ought to have a showcase for their talents to be spotlighted from time to time, and they sure made the most of the opportunity with this one. The calamitous frailty of this ostensibly beautiful house renders so many brilliantly done scenes that this movie still makes me laugh out loud after seeing it several times. A joke loses all its power to amuse after the surprise of the punch-line is lost, but these sight-gags are so funny I can break out laughing while driving down a lonely highway just thinking about them. Some movies lose their effectiveness because the makers get confused and try to do too may things - the message gets muddled. The best movies exhibit no such confusion and tell their story with minimal distraction. This movie is about this house, and what these artists do with this prop is brilliantly and enduringly funny.Overall rating: 7 out of 10.
Sean Lamberger Every new homeowner's worst nightmare, as experienced by a pair of almost-average mid '80s DINKs. They sink a fortune into this place, a secluded estate that looks too good to be true and, of course, falls apart around them mere moments after key touches palm. Mid-lifers will find it easy to relate with this couple, played by Tom Hanks and Shelley Long, as they seem familiar and good-natured if a bit naive. Their ability to procure huge sums of money at the drop of a hat is a red flag, though, and the soapy complications of their personal lives actually serve to distance them from the audience. Hanks is a riot, especially when he descends into madness at the height of his misery, but Long may as well have been a wooden set piece. Try as he might, our leading man just can't draw a performance out of her and the duo's serious lack of chemistry is a problem. Funny in a Seinfeldian car crash, looking-through-our-fingers kind of way, the plot skips over the moment where its players' fates shift from disaster to redemption and the payoff, as a result, feels flat.