The Reckoning

2004 "The truth shall come to light"
6.4| 1h52m| NA| en| More Info
Released: 05 March 2004 Released
Producted By: Renaissance Films
Country: United Kingdom
Budget: 0
Revenue: 0
Official Website:
Info

In 14th Century England, this tale of murder and mystery follows a fugitive priest who falls in with a troupe of actors. As they arrive in a small town, the actors encounter a woman being sentenced to death for practicing witchcraft and murder. Discarding the expected bible stories, the actors now stage a performance based on the crime. Through the performance of the play, they discover a mystery.

Genre

Drama, Crime, Mystery

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Director

Paul McGuigan

Production Companies

Renaissance Films

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The Reckoning Audience Reviews

Exoticalot People are voting emotionally.
SnoReptilePlenty Memorable, crazy movie
AnhartLinkin This story has more twists and turns than a second-rate soap opera.
Invaderbank The film creates a perfect balance between action and depth of basic needs, in the midst of an infertile atmosphere.
Raymond I'm a huge fan of The Name of the Rose and I try to catch all medieval movies I can. I ran into this by chance, but read from here that it should be a good looking movie in the style of TNOTR. It wasn't at all, I was hugely disappointed.The story is a murder mystery, yes. The setting is medieval with castles and all, yes. That's about it, I can't think of other similarities. But let's start with the good things.The acting is pretty good as far as Bettany and a few others go. I've never been a huge fan of any of these actors, but especially Bettany played his role very well, it's not often that you see a role played so richly yet it doesn't go into theatrical over acting. The story is also interesting and the production design and locations are gorgeous. The biggest problem I had with the movie is that it feels more like a stage play rather than a movie. While there are few nice and creative shots and - I'll mention again - the sets look great, the cinematography and lighting varies from OK to plain awful most of the time. It's very confusing. Lot's of hand held camera and there appears to be zero post processing or color correction. It felt sort of improvised, more like a theatrical act captured on video rather than a movie where you actually care about the aesthetics of the shots.It's kind of annoying that such great sets and locations are ruined by this directorial decision. I'm guessing many didn't mind this as there are very good reviews, but to me it matters a lot how the film looks and feels. While the atmosphere is kind of medieval, it's not "movie medieval", it's like you'd be visiting the village today and they were performing this as a summer theater act. At night the castle was lit like a tourist attraction.I was kind of surprised of all this as some on the boards mentioned McGuigan being a visual director with lackluster stories. I find this the exact opposite. The story is so much better than the visuals that ended up on screen.
PoppyTransfusion The film pairs the director Paul McGuigan with lead actor Paul Bettany once more; Bettany was the star, though not the lead name, of McGuigan's 2000 film 'Gangster No 1', Bettany's breakthrough role.Set in medieval/feudal times the film's plot pits the poor people, the serfs, against the noble elite, the lords. The conviction of a woman, set to be hanged, for the murder of a boy is the backdrop to a travelling group of actors of the Royal Court arriving in the hamlet to stage their uninspired morality plays based on scenes from the Bible. In their midst is a priest (Bettany), who is on the run for a crime of his own. Inspired by the murder the actors decide to stage a play of their own creation. Their enactment leads to the discovery that the condemned woman is not guilty of the murder. What follows is a series of reckonings in which there is an ultimate reckoning for the priest.The film cast is an eclectic one (American, British and Spanish) with many well known and fine actors. Not all are well employed though Bettany, Dafoe (dodgy regional English accent aside) and Elvira Minguez (who plays the wrongfully convicted mute Martha) give strong performances. Bettany and Minguez are especially good, playing their respective roles with passion and emotion. For any Bettany fan this is highly recommended as he does what he does best - look beautiful whilst combining cynicism with earnestness.The mood and feeling of the medieval period, sometimes described as the dark ages, is really well captured and there is a strong sense of austerity, chilliness and mystery/menace throughout. The director uses lighting well: an early scene, illustrative of this, shows Bettany cutting his hair to rid him of the emblematic hairstyle of a priest. A blue filter is used conveying ice and water metaphors for the cold existence of a priest now cast out. Moments like this make the film quite compelling viewing.The film is rather ambitious trying to show religious collusion with corrupt politics, man's struggle with God, injustice, the lot and politics of being an actor in this era as well as ordinary moral torments. It possibly would have been more effective if the director had focused on just one of these themes.I can imagine this gaining cult status in time not least for the scenes in which Dafoe practises Ashtanga Yoga poses.
Barbara Gershenson I don't know what to mention first, the acting, music score, the costumes, the pace, the dialogue, direction, the plot, the cinematography. I am in awe. I can only imagine how it must have felt to have been involved in the making of this true work of art. It's a privilege to watch it. Every beat, every glimpse and especially the Orchestral background music which enhances and potentiates the other artistic elements. This is a play to be considered a classic and one to study for many, many years to come. From the 1300's the evolution of the play from Bible stories to drama which depict or portray real life and human characteristics and foibles, this is not only a morality play but a portrait of the evolution and art of drama. This play also demonstrates the power of the people of a place to change the status quo. The power in the end lies not with evil but in Truth. And, by the way while I'm on the subject? I'm totally flabbergasted and ashamed of the designation of R rating for this true work of art. This huge mistake just shows that as a people, we, in the USA feel that it's better to have our children watch violence and bloodshed, but true human portrayals which may include some minor sex is off limits. This masterpiece which contains true Good, Christian and other Religious Good Values we have rated "R". Good job.
ayn5242 I really like Paul Bettany and Dafoe is either wonderful or awful depending on the role, but always worth watching. I also think Barry Unsworth, author of the book on which this film was based, is a superb writer. So when I came across this movie, I was anxious to see it, and in some ways it did not disappoint.It was well acted. Paul and Dafoe were both good, and the supporting players were convincing. The script was weak, however. The villain was so heinous he was almost a cartoon and the motives of our hero (Bettany's character) we muddled at best. And although the villagers certainly looked like I would imagine 14th century serfs would look, they seemed to have enough leisure time to worry about social injustice and working together for a better life (when they were not searching for roots and twigs, no doubt).It would have been a far more interesting movie if it had concerned itself with the trials and travails of the traveling players instead of trying to be an action/suspense film.