TrueHello Fun premise, good actors, bad writing. This film seemed to have potential at the beginning but it quickly devolves into a trite action film. Ultimately it's very boring.

Jenna Walter The film may be flawed, but its message is not.

Maleeha Vincent It's funny, it's tense, it features two great performances from two actors and the director expertly creates a web of odd tension where you actually don't know what is happening for the majority of the run time.

Jenni Devyn Worth seeing just to witness how winsome it is.

tavm On YouTube, I got to see three versions of this unique Warner Bros. Looney Tunes cartoon. One was the original with the voices of Stan Freberg and the music of Shorty Rogers. That one is pure classic. Another one had an Italian-dubbed soundtrack that was another nice twist on the cartoon. And then there was one I saw linked from the Misce-Looney-ous blog. That one had a live version of the music and the other voices as performed at the Blackstump Festival at Australia in 1993 by the Belvedere Blues Band. That was fine too except for the slightly changed ending when it's mentioned that the wolf went to the pearly gates when he's still seen playing in "the other place" and one of the pigs says, "You've got to be SAVED to play it cool" instead of saying HOT. While this cartoon was not hilarious, there was one line that I was highly amused by when, after Freberg mentions Liberace, one of those pigs says, "I wish my brother George was here." On that note, I highly recommend all three versions of Three Little Bops that are uploaded on YouTube still as I'm writing this... Original version:**********, Italian-dubbed version: **********, Belvedere Blues version: *********.

ccthemovieman-1 Jazz, 1950s style, takes precedence in this cartoon of the "The Three Little Pigs" who are jazz musicians. They're good, too, on sax, drums, piano with a bass handy, if needed. The whole cartoon is told in song, with Stan Freberg doing his best to sound jazzy as he sings the story. It actually sounds more like very early rock 'n roll.The story is basically a hip-dressed wolf who enters the club, hears the pigs and wants to join in with his trumpet. The pigs are nice guys and can't say "no" but when the wolf starts blowing his horn, well, it ain't' good. As Fregerg sings, "The three little pigs were really gassed; they never heard such a corny blast."The pigs tell the wolf, "We've played in the West; we've played in the East, we've heard 'the most,' but you're 'the least!' They escort the wolf out. He winds up blowing the house of straw down!This happens in several places as the pigs entertain elsewhere, each time the wolf coming in and getting thrown out for his horrible playing until the pigs finally build a place made out of bricks ("made in 1776" - each line is rhyme in this cartoon.)It's this kind of dialog and singing (along with the dress-ware of the musicians) that makes this cartoon just a huge hoot to watch and hear. I loved it! It was different from anything else I've seen on these Looney Tunes collections. I felt like I was in a jazz club back in the '50s or at a Bill Haley rock 'n roll concert. This is one cartoon I will play over and over.

Lee Eisenberg Through many of the Looney Tunes cartoons, I've derived that the creators probably had a way with jazz, and it plays out in "Three Little Bops", as a trio of jazz-playing pigs perform in clubs, but a square wolf keeps interrupting and blowing the clubs down. But then, they find a place built out of bricks.Not only is this a jazz-centric cartoon, but I notice that the narration sounds like "Rock Around the Clock". But that shouldn't be any surprise; after all, rock 'n' roll was pretty much based in jazz and blues. All in all, this is a very fine cartoon. I can say with certainty that Stan Freberg was as great a voice artist as Mel Blanc was.

bob the moo The three little pigs are a city jazz combo who play to adoring crowds. When they are joined by a trumpet player by the name of `big bag wolf'. However the wolf is not a very good player and he threatens to spoil the career of the pigs. However when they kick the wolf out of the band, he blows down their gig at the Straw House. Despite their insistence that he is rubbish, he follows them to the Wood Club to try and get in again.I have seen other Warner twists on the Three Little Pigs story, some of which have also been set to music but this one is a lot different as it totally changes the story. Sadly it is interesting enough to only watch once and then it will have lost it's novelty value and will expose it's many flaws too readily. The film is set to a constant jazzy/bebop style song and basically sees the wolf trying to play with the pigs and then taking revenge in the time honoured fashion when he is rebuffed. The material is not very funny and relies too much on the juxtaposition of the music and action. In this regard it is worth seeing once as it is a clever idea, albeit it one that needed better delivery.The singer is not all that he could have been and doesn't sound like he is someone who sung that type of music for a living - I may be wrong but it sounded like the emphasis was on clear pronunciation of the words rather than an authentic feel to the music. On top of that the animation was too broad and colourful for me - lacking it's own feel. The characters also struggle over this and they feel too basic and blocky. Once the basic humour of the music and the action has gone the film has nothing left and didn't endear itself to me after this point.For all it's flaws it is worth seeing once for it is a clever idea and is cool and jazzy enough to keep you happy for several minutes. However repeat viewings will not have this novelty value and you'll be left with nothing much else to replace it. Clever idea but needed better delivery.