Alicia I love this movie so much

Artivels Undescribable Perfection

Odelecol Pretty good movie overall. First half was nothing special but it got better as it went along.

Kidskycom It's funny watching the elements come together in this complicated scam. On one hand, the set-up isn't quite as complex as it seems, but there's an easy sense of fun in every exchange.

ravsten428 This cartoon had a very negative view on how I felt about cellulite. As a child, I struggled when I heard the word fat, feeling like there was nothing good about it.From the age of 5 till about 10, I had seen quite a few things about weight portrayed in a horrible light. This cartoon did not help that image.There were several scenes from this short that stuck with me. Goofy deflating the car tires, grounding the elevator, and his stomach growling like a dog. He tightens his belt to suppress his hunger, only to watch in horror as it busts lose, his gut now whimpering like a frightened pup.The harshest thing about this was the fact that Goofy's reflection talked negatively to him instead of giving him encouragement. I believe this may well be Goofy's conscious telling him to improve his lifestyle. However, it doesn't seem to work very well and at the end of the cartoon. Goofy's reflection has now eaten all the food. So if this is indeed Goof's conscious, he has taken a turn for the worse and will continue his gluttonous ways.This cartoon would probably be more funny to me now than a while back. Some of the scenes are just overblown. I will come back later to clean up my review and give a final score for this.

bugssponge Goofy opens up the cartoon by eating a whole table of food in a few seconds. His reflection tells him he's too fat and he gets new clothes. When he gets in the taxi, the tires deflate, the elevator won't go up, and he falls off his chair. His reflection tells him not to eat, but he reads a book with food, tempting to eat even more. The EAT, EAT, EAT, repeatedly is pretty scary at first. Goofy goes to bed but he wakes up wanting to eat, but his reflection ate all the food in the fridge.I only like Goofy shorts from Disney, I never watch Mickey or his other friends, they just aren't that funny as the Warner Bros. characters.10/10

TheLittleSongbird Disney have some classic shorts under their belt, and some feature Goofy, to date still one of their funniest and most likable characters. Goofy still is his appealing everyman and loveably clumsy self, and does it so naturally, though while this is a fun scenario and done remarkably well it isn't the best one to show Goofy at his very best(where he is clumsy and lovable for it, or making situations harder than they actually are that isn't obvious to him but is to the audience). Tomorrow We Diet! is still a hoot though, the gags are clever and genuinely funny and we are also taught things in a way that's fun and not in a way that we are talked down to. Especially seeing as weight and dieting are sensitive issues and are still relevant today. The animation is colourful and vibrantly shaded, with a lot of attention to detail and beautiful drawing too. The visuals of the food and the contents of the cook book are done in such a way that they are too good to eat or give you the urge to do so. The music sounds great with catchy themes and jaunty orchestration, it has bags of energy and does well with enhancing the action. All in all, colourful and entertaining, not Goofy at his very best but relevant and difficult to resist. 9/10 Bethany Cox

Ron Oliver A Walt Disney GOOFY Cartoon.The difficulties with weight gain and dieting are humorously depicted.Millions of viewers will sympathize with the Goof as he attempts to remove several pounds of avoirdupois and refrain from eating the goodies in the refrigerator. Clever usage is made of eight actual pages - not animated - from a Betty Crocker-like cookbook from the era.Walt Disney (1901-1966) was always intrigued by pictures & drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew comic figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a blizzard of doomsayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Dumbo, Bambi & Peter Pan. Walt never forgot that his fortunes were all started by a mouse, or that childlike simplicity of message and lots of hard work always pay off.