VividSimon Simply Perfect

Catangro After playing with our expectations, this turns out to be a very different sort of film.

Geraldine The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

Kimball Exactly the movie you think it is, but not the movie you want it to be.

maifeibu This is the story of a very troubled man who, on his way out of prison is asked to kill someone for a decent amount of money. He meets a sweet beautiful girl who "takes him in", no questions asked; trust at first sight. Yet this story revolves around the job he has at hand, the baggage that he's been carrying around making him sour, pissy, and defensive all the time, the girl who keeps trying to calm him down, relax him, cheer him up, and get him into bed with her, to no avail.This movie is very slow, somewhat confusing at times, and very, very dull. I had nothing, I mean, Nothing better to do when I started watching it, yet I could not stay through to the end, and I have seen my share of bad movies in my time. I did not want to believe the 3.7 rating it has considering the actors, but now I understand it. "Tomorrow You're Gone"... I was gone less than an hour into it.

tiberiuscarey This film is driven by many things, but certainly not by plot. This is clearly intentional. The title itself is a spoiler. This movie is another one of those "The Guy" and "The Girl" movies, but it works, more or less. The girl is Flo, and the guy is Sam/Charlie, and that's about as much as we ever know about them, assuming even those names are real. I have never seen a sexy woman throw herself at a man so extremely to no effect. I found myself yelling out loud several times, "Just do it with her!" (I am married, and my wife was watching too, and I don't eat hot pockets nor live in Mom's basement.) This was very frustrating, and that alone made this movie unique. Charlie was very, very brooding and that most sexy thing of all, vulnerable, and Flo moves in on him with the intensity of a cruise missile. They hook up, and when she's not trying to have kinky sex with him, often involving her feet, she does this "Hannibal Lector" thing on him from out of The Silence of the Lambs. She's in his head, she gets vague responses from her bizarre psychoanalytical probes, and then tries to get it on with him, repeatedly. Charlie is so tormented that he doesn't even notice her sexually. This is a redemption movie, and yes, as in many movies of this type, "The Guy" dies at the end, although I found the ending to be the aspect of the move that made the most sense. There are other things in the mix, including a bare-bones plot that was actually irrelevant.I liked this movie and as others have said, it's not for everyone. It's a psychological non-thriller, so to speak. The interplay between Flo and Charlie is, in it's slow paced, quirky way, quite intense. Much of the dialogue is of the New Age variety, both from The Buddha, Charlie's criminal mentor, and Flo herself. It's all pretty obscure. So, I hope I've helped you decide on this movie. I could condense my review to be: "WTF? But I liked it." This movie is why we use Redbox religiously.

gavin6942 Charlie Rankin (Stephen Dorff), recently released from prison, seeks vengeance for his jail-house mentor William "The Buddha" Pettigrew (Willem Dafoe). Along the way, he meets the ethereal, yet streetwise, Florence Jane. They embark on a unlikely road trip, careening towards an unlikely redemption and uncertain resolution.Although this film had many good moments (such as the home invasion) and it is possibly Dorff's final acting to date (he has really blossomed in this role) it overall just seems too uneven and did not resonate well with me.The primary problem I had was with Florence. She was not someone I felt the audience could understand or appreciate. Why did Rankin like her? Their whole relationship is built on nothing. And yes, I understand this is a whimsical road trip without commitment... but she was just the wrong character for such a thing.And if there was a deeper message, I missed it. All that occurred to me is that Charlie Rankin has the same name as the Nazi in Orson Welles' "The Stranger". I sincerely doubt this was intentional, because trying to draw parallels is far too difficult -- Welles' Rankin is a false identity hiding from his criminal past. Rankin is this film uses the alias Samson and he, too, has a criminal past he cannot overcome. But that is it (and only works in the most vague way).The novel probably clears things up, but after seeing the film I have little motivation to seek it out.

Atdheu90 Tomorrow You're Gone a.k.a. Boot Tracks is a Thriller that centers on Charlie Rankin (Stephen Dorff), who prior of getting released from prison gets a message from his "mentor" - "The Buddha" (Willem Dafoe) to kill somebody... But the murder goes wrong and Charlie gets seriously effected by it... meanwhile Charlie begins to have some serious hallucinations because of his past and because of what he's doing... On a way he meets these mysterious girl Florence Jane (Michelle Monaghan) who reminds him of someone he used to know and together they embark on a mysterious journey...Tomorrow You're Gone is a typical B-class movie, directed by the director of "Down in The Valley", David Jacobson and starring Stephen Dorff, who does his usual thing, Michelle Monaghan and Willem Dafoe in a small but efficient part as he gives the movie more class...I wouldn't recommend this movie to everybody, but as long as you're a fan of any member of the cast or if you like these kind of movies...then go for it, if not just "forget about it" cuz it's not worth it.PS: it's only 88 minutes long..