Under Milk Wood

2015 "Now behind the eyes and secrets of the dreamers in the streets rocked to sleep by the sea…"
6| 1h23m| NA| en| More Info
Released: 20 June 2015 Released
Producted By: Sianel 4 Cymru (S4C)
Country:
Budget: 0
Revenue: 0
Official Website: http://www.undermilkwoodthefilm.co.uk/
Info

Two versions of Dylan Thomas' classic play "Under Milk Wood" were shot, with the same cast, one in Welsh, "Dan y Wenallt", and one in English. Directed by Kevin Allen, narrated by and starring Rhys Ifans, the films were shot largely in the Pembrokeshire village of Solfa during the summer of 2014. This surreal and erotic interpretation of Dylan Thomas' work is the first theatrical production of the brilliant, haunting radio play since Elizabeth Taylor and Richard Burton's 1972 film. Certain to astonish and excite in equal measures, this production reunites director Kevin Allen with actor Rhys Ifans over 15 years after the release of their cult classic "Twin Town". An ensemble Welsh speaking cast of familiar faces is led by Ifans as First Voice and Captain Cat, with Charlotte Church as Polly Garter.

Genre

Drama

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Director

Kevin Allen

Production Companies

Sianel 4 Cymru (S4C)

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Under Milk Wood Audience Reviews

Jeanskynebu the audience applauded
Stometer Save your money for something good and enjoyable
CommentsXp Best movie ever!
Plustown A lot of perfectly good film show their cards early, establish a unique premise and let the audience explore a topic at a leisurely pace, without much in terms of surprise. this film is not one of those films.
jokatebeattie Cannot recommend highly enough. A must-see. Such a gorgeous film – breathtaking and beautiful in every way and as moving as anything I have seen of late. Rich, sensual, dark, witty, charming, poignant and utterly mesmerising. Stunning cinematography, an exquisite score and the most captivating performances from Rhys Ifans, Charlotte Church and the rest of the cast. The production team have done such a beautiful job of portraying the text so truthfully and authentically whilst daring to be true to their bold and brilliant creative vision. I wish more filmmakers had the courage to do this. Because the result of not compromising is ending up with a piece of art that is as close to perfection as you can get - it gave me goosebumps and chills and I cannot WAIT to see it again.
MarkyBoy-3 THE GUARDIAN **** With its energy and attack this is an Under Milk Wood that is funny and entertaining. Rhys Ifans has stepped bravely up to the plate for this hyperactive adaptation directed by Kevin Allen. A highly coloured fever dream.THE TIMES ****Part Carry On film, part surreal fantasy. How rarely does the cinema reverberate with meaty poetry like this ? As a fresh interpretation, Allen's comic effort stands alone.THE INDEPENDENT ****Allen successfully brings out the perversity, ghoulishness, eroticism, and surrealistic side of Thomas' masterpiece. It has a beguiling dreamlike quality.MARK KERMODE UNCUT - BBC RADIOI like it very much. It's lusty, romping, bawdy, fleshy and incredibly engaging… a fabulous visualisation. I think it's a film, and I don't say this lightly, that shares something of the spirit of the great Ken Russell.
FlashCallahan There are lots of tell tale signs when one has an infection that can exacerbate to sepsis.Tachycardia, hyperthermia, hypertension, increased respirations, and of course, increased confusion. To say that Under Milk Wood cause at least two of these symptoms isn't an understatement, from my point of view, it's a matter of fact.Imagine one of the later, more smuttier Carry on movies, and those saucy postcards you find at the seaside. Give them Ken Russell to think about for about a year, and what you have is Allen's cinematic interpretation of Thomas' art.Now I'm not too familiar with the poets work, nor do I claim to be the most cultured man alive (although I used to tape The South Bank Show), but I love the medium of cinema, and what Allen has put on the screen, stimulates visually.It's as if he's been subjected to the source material in A Clockwork Orange type way, and these are his subliminal thoughts of the source, poured on to the screen like the milk being poured into the stream.But it's an aural ordeal in some respects, the staggering amount of characters who appear to have been infected by other characters personalities and traits is pretty astounding.But when you boil it down to the nitty gritty of it all, it's all about having a bit of Rumpy Pumpy. Longing for days of old, and wanting to touch the untouchable, and it gets saucier and saucier as the film goes on. Some scenes even appear to have the spirit of Kenny Everett mess about with the mise en scene.So forgive me if I sound ignorant to the source, but as a film, it's pretty messy. Beautiful to look at, sometimes hilarious, sometimes down right scary, but it left me a little empty.Under the influence of some sort of chemical though,this could probably be the greatest piece of cinema ever made..........
andydavis I wouldn't say I was into blockbusters. I would consider myself quite an arty and cultured movie watcher. However, I really could not see the point of this poetry-fuelled romp through a post-war Welsh village. If I had to compliment anything, it would be the cinematography. But that cannot make up for the fact that the film is borderline unwatchable and thoroughly tedious. Though it seems well crafted, and clearly a lot of work has gone into making the film look pretty, I felt that all that had been achieved was a gilding of the jerry-pot.In the end, this film will prove of great value to scientists looking to explore the effects of narcolepsy and are short of subjects. I found it to be turgid, frustrating, unfathomable, pretentious and distinctly soporific.