War of the Worlds the True Story

2012 "There was a war between Earth and Mars. The last survivor's eyewitness account."
6.1| 1h37m| NA| en| More Info
Released: 14 June 2012 Released
Producted By: Pendragon Pictures
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Budget: 0
Revenue: 0
Official Website: http://www.waroftheworldsthetruestory.com/
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What if the Earth/Mars battle from H.G. Wells' classic novel The War of the Worlds wasn't fiction but actually fact? Like the famous 1938 Orson Welles radio broadcast that caused Americans to believe an actual invasion was in progress, the movie assumes an Earth/Mars War in 1900 actually occurred and is presented as the first hand memoir of journalist Bertie Wells, the last living survivor as he struggles to find his wife amidst the destruction of humankind at the hands of terrifying alien invaders.

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Director

Timothy Hines

Production Companies

Pendragon Pictures

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War of the Worlds the True Story Audience Reviews

CrawlerChunky In truth, there is barely enough story here to make a film.
Frances Chung Through painfully honest and emotional moments, the movie becomes irresistibly relatable
Guillelmina The film's masterful storytelling did its job. The message was clear. No need to overdo.
Kimball Exactly the movie you think it is, but not the movie you want it to be.
daniele-iannarelli What a travesty!!!I looked forward to watching this, only to find that my valuable relaxation time was wasted!It was a nice idea, badly - soooo badly - executed!A mismatch, hotchpotch, in fact *mess* of old stock footage cuts, old movies depicting the turn of the century (I actually saw Olivia De Havilland at one point!), and awful editing with terrible filters... all clumsily and amateurishly put together.Except for one actress (Darlene Sellers) the acting was terrible, with the *MOST PHONEY British accents I've EVER heard on film*!The lead 'actor' (the old guy with *dubious* Bell's Palsy) really irritated me no end! He was obviously American, trying to put on a British accent... *and* failing miserably with his underlying twang!Overall, an absolute exercise in bad production, bad direction, bad editing and even worse acting!I'd realistically award this somewhere between a 2-2.5. However, the phoney accents and the old guy with the phoney Bell's Palsy... reduced this, for me, to a 1/10.
killb-94 Before starting this review, I have one thing to say... STOP BASHING Steven Spielberg's 2005 adaptation!!! It is not a bad movie! It's good! Sure, the way the aliens come to Earth is odd and the two kids are annoying, but the acting is good, especially Tom Cruise and Tim Robbins' performances, and it does more justice to the book than the old one does! It has actually as many flaws as the 1953 has, flaws I'm shocked some people never notice, like the strings that hold the war machines, the characters being undeveloped (in the 2005 film Ray goes through a character development unlike them) and the "explaination" of why the martians wanted to invade Earth is flawed compared to the one in the book which made a lot more sense! Bottomline, quit hating the 2005 movie, it's not a bad film or a bad adaptation! Just STOP....And now that we got that elephant out of the room, let's talk about this film. Now THIS is how Timothy Hines should have done his adaptation from the beginning! Something that does justice to the book and it's original on it's own.The way they played like if the War of the Worlds really happened with fictional documents and pictures while being obvious at times at how they made the effect, has a such old-school charm. That's what this movie is: charming. Well, probably to all the fans of the book like myself, but even so I think everyone can enjoy this little gem of a fictional documentary. I also believe it's a VERY good introduction to someone who knows nothing about the source material. The Tripods look really good and I loved how the martians were haunting creatures that are shown rarely, it really sets a good tone. Everything is so fresh, the idea is genuine and never done before... I probably like it more than others because this is the adaptation I would have done if I was a filmmaker. Just with a bigger budget. And this is where we come to the negatives...For the negatives... This movie carries some of the campy nature and stiff performances that Hines has shown in his previous adaptation. The dramatic scenes, filmed in sepia tones to blend in with the historical footage, are clumsily staged and acted, you know, just like in that film. But again, what saves the movie it's its conception and charm.And so I must give this movie a 7/10 It's not perfect, it's not the ultimate adaptation of WOTW, but it's a damn close one in my opinion. Go see it.
KlingonAmbassadorPortlan Forget Tim's 2005 fiasco. This was a complete vindication. The story is told from the POV of the last living survivor, Bertie Wells, in a 1965 interview. Once you accept that premise, settle in for a fast moving pastiche of stock footage images blended with re-creations, ala the History Channel, with images of the Martian machines woven, fairly believably, into the ancient film. The SFX are very well done; not standing out like a sore thumb especially as the Martian machines make their march burning everything in their path. The dialog of "Bertie" are the exact words written by Wells in his novel and the actor brings a sense of authority and gravitas to his role. Yes, there are some niggling little things that history buffs and film nerds will be quick to latch onto (I saw Shirley Temple in one scene). But, that can be a source of fun when the Blue-Ray comes out. If you love the source material as much as I do, WotW:TTS is an excellent tribute to H.G. Wells' novel and I recommend that it be seen when it gets to your town. - Jim Corvill, Portland Science Fiction Society
Davian Dent ...that at the 4th attempt, this film does nothing to raise Mr Hines from the level of a modern day Ed Wood. This is not a character assassination (although the actors do a good job themselves) of Mr Hines, this is my opinion after having purchased and watched all four versions of this film: the original three hour debacle, the director's cut, the 'classic' version and this, the 'True Story'.Plus marks do need to be given for the idea of making an eye witness documentary, for it was a good idea. Unfortunately, as with the previous efforts, the execution of said idea is very poor indeed.Despite claims previously made to the contrary, there is a large amount of footage form the previous films used. Not a massive problem but when (as previously stated) this was supposed to be a new, fresh, properly done version coupled with the fact that a lot of the old scenes seem to have been given the sort of filter effects that one could perform with basic video editing software, one such as I who has loyally bought all versions is left feeling rather robbed.Even the documentary/interview sections seem to have been processed with some dreadful and unnecessary effects in post.There is new CGI, a lot of which barely improves on the previous attempts, but the reason I have raised this from a 2 out of 10 to a 3 is that some time and effort has clearly been made on a new 'tripod' design. It does look very good, in a 'steam punk' kind of way.Perhaps if I was not a previously loyal (if demonstrably misguided) customer I would have marked this higher. Perhaps if I was a newbie and bought this film with no real expectations of greatness that had been promised I wouldn't feel so disappointed. Alas, I do, and I will not be spending any of my hard earned money on any future endeavours by Tim Hines. Still, it was nice to see that he included a bit of footage from his long forgotten film-that-was-never-made 'Chrome' as a video ident at the beginning.Actually, the music was pretty good, but alas whoever was in charge of final production appears to have the aural and mixing dexterity of a deaf baboon.So, what next for the half Ed Wood, half Walter Mitty? Frankly, I am not in the least bit interested anymore.Actually, I am raising this to a 4 out of 10, because after all it is better than the woeful Tom Cruise version and especially the dreadful version by Asylum.