Hellmant
'WHY STOP NOW': Four Stars (Out of Five)Jesse Eisenberg, Melissa Leo and Tracy Morgan star in this comedy-drama film about family love and addiction. It was written and directed by freshman feature filmmakers Phil Dorling and Ron Nyswaner and is adapted from their 2008 short film 'PREDISPOSED' (which also featured Melissa Leo in the same role). It tells the story of a piano prodigy trying to get his drug dependant mother the help she needs and move on with his life. He ends up at odds with her former drug dealer who he also ends up helping. The film is well written and acted and is a surprisingly good time (despite it's lack of promotion). Eisenberg plays Eli Bloom, a very talented piano prodigy who works as a supermarket clerk and lives with his drug addicted mother, Penny (Leo), and kid sister Nicole (Emma Rayne Lyle). Eli has been helping his mom out with Nicole and not pursued his own ambitions so when an audition to get into a well respected music conservatory comes up he jumps at the opportunity to take it and move on with his life. First he wants to get his mother the help she needs though and schedules her an appointment at a local rehab for drug abuse. Eli has a weekend drinking problem himself (which is something I can relate to) and gets trashed the night before his audition, embarrassing himself in front of the girl he likes (Sarah Ramos). His mother is rejected from the rehab center as well due to the fact that she pisses clean and has no insurance. A nurse (Jayce Bartok) informs her if she gets high and pisses dirty he can admit her so Eli and Penny go to Penny's drug dealer 'Sprinkles' (Morgan) for drugs and Eli ends up helping him translate with his supplier (Paul Calderon) in order to get the drugs they need.The film had a limited theatrical run last August before being dumped on video with little to no publicity. Having seen the film now I have a hard time understanding why. I was expecting a poorly executed dumb comedy but instead found it extremely enjoyable. Eisenberg is one of my favorite actors and he doesn't disappoint here. He's relatable, funny and gives the film the right amount of heart that it needs. Melissa Leo is always good as well and makes a likable yet flawed mother once again here. I'm not a fan of Tracy Morgan at all and was expecting him to ruin this film but he's likable as well. In the right role, when he's not overacting, he's actually pretty good and he's funny and likable here for a change. For me the movie was nicely directed and just hit all the right notes. I probably enjoyed it more because I had such low expectations but it is a good film.Watch our movie review show 'MOVIE TALK' at: http://www.youtube.com/watch?v=OcoZRlVFMzA
Rodrigo Amaro
Funny little comedy with some meaningful dramatic moments and some self-help ideas incorporated, "Why Stop Now" has Jesse Eisenberg playing Eli, a piano prodigy who's struggling to enter into a great music school (which he can get it by performing at an audition) and many problems to solve at home, one them is to take his mother (Melissa Leo) to a rehabilitation clinic to cure her drug addiction. However, when she's rejected there due to her results came back negative from drug use, Eli will find a way to put her in there even if it takes to meet her messy drug suppliers (Tracy Morgan and Isiah Whitlock Jr.) and join them in a bizarre journey and a very unlikely friendship between everyone involved. Kind of a funny story yet a very strange proposition the directors and writers are making to us. The whole thing involving Eli trying to put his mom in the hospital in such a hurried and problematic way would work better in a dramatic piece; in here, it almost gets controversial, not comical and it slows the film a little. But it manages to stay positive and be positive, anyway. It's more about being just a barrel of laughters, it has a purpose. It's a story about taking chances, doing some changes in the game and be focused in what you really want. The characters are all driven to those things, into rebuilding the moment in which they are to become better individuals. Sounds corny but it doesn't look all that, and there's plenty of humored moments to fill in the middle of those helpful parts. I think this could be said of this film: it's a group therapy located out of a rehabilitation center and with plenty of craziness in the between "sessions". Worths giving a try more because of the stars in it than the plot itself (this story made a few years ago would be great; now it's almost too much clichéd). Morgan makes almost his usual routine in terms of comedy except he has some good dramatic scenes; Whitlock was good, given a few good lines here and there, nothing like his priceless character in "Cedar Rapids"; and the best in the show are Leo and Eisenberg, mostly Jesse, who not only is the funniest on scene (thankfully to a lot of cussing moments and his fast delivery speech which always works nicely) but also he seems to be quite a skillful piano player, executing marvelous pieces.Not amusing as it could and should be, or greatly bright in its serious issues, "Why Stop Now" is a fun picture, very handy these days when all you see is special effects thrown at you and no character development whatsoever. There's life in this. 8/10
Chris_Pandolfi
Jesse Eisenberg's performance in "Why Stop Now" is a compromise between his roles in "The Social Network" and "30 Minutes or Less." In the former, he played a dramatized version of Mark Zuckerberg, a young man whose focus was so narrow and intense that Asperger's was certainly within the realm of possibility. In the latter, he played a panicked pizza delivery man forced into robbing a bank with a bomb strapped to his chest. His character in "Why Stop Now" is a piano prodigy who, in the course of one day, is faced with sending his mother to rehab, getting roped into being a drug dealer's personal translator, dealing with his little sister's habit of talking through a sock puppet, and mentally preparing himself for an audition that may get him into a prestigious music academy. He also realizes that he's in love with one of his classmates, and so he must work up to courage to admit it to her.On the surface, this sounds like the recipe for a zany slapstick comedy. There are indeed some very funny moments, many of them physical in nature, and yet never once does the humor overshadow the story's innate humanity. We see a great deal of it in Eisenberg's performance; his character, named Eli Bloom, is clearly under a lot of stress, and there are times when he loses his temper in sheer frustration, but he still manages to work through each situation. He does this even when he believes he isn't capable, and more importantly, when he has convinced himself that he has messed things up beyond repair. This isn't to suggest that he isn't flawed or in danger of falling into the same traps his mother fell into. His first major scene shows him getting drunk at a party he wasn't invited to; we eventually learn that this has been a weekend habit of his for quite some time.The story proper begins the morning Eli drives his mother, a drug addict named Penny (Melissa Leo), to rehab. Despite being a user, the urine sample she provides is clean; that, coupled with the fact that she doesn't have medical insurance, prevents her from being admitted, a turn of events Eli wasn't prepared for and is clearly not happy with. He's scheduled to give a piano recital in a matter of hours, and if all goes well, it may pave the way for his future in music. The only way Penny can commit herself, according to a discrete nurse, is for her to arrive under the influence. Panicked but determined to get his mother the help she so desperately needs, he agrees to meet with her dealer and get her a stash of cocaine. This is obviously something that happens more in the movies than in real life, but you've got to give writers/directors Phil Dorling and Ron Nyswaner credit for their understanding of irony.In due time, Eli meets the crippled, tough-talking Sprinkle (Tracy Morgan) and his partner in crime, Black (Isiah Whitlock, Jr.), both of whom live with Sprinkle's elderly mother. When Eli inadvertently reveals that he's fluent in Spanish, an initially straightforward transaction becomes complicated; Sprinkle needs a translator in order to conduct business with his supplier, who either doesn't know a word of English or refuses to communicate in it. This is something of a plot hole, given the fact that Sprinkle appears to have thus far conducted business just fine without the aid of a translator. Or perhaps this Spanish-speaking supplier is new. The details are sketchy at best. Whatever the case, a brief confrontation at the supplier's restaurant results in Eli getting his hand injured, seriously jeopardizing his chances of doing well at the recital – assuming he can make it there on time.As the leads wait for the supplier to deliver the cocaine, other mishaps threaten to derail Eli. He will, for one thing, get loopy on Oxycontin. Not much later, he has to contend with his baby sister, Nicole (Emma Rayne Lyle), who's having behavior problems in school; not only is she too emotionally reliant on a sock puppet, she uses it as an excuse to say mean things to people. Later still, he must work to find some middle ground for Penny and her sister, Trish (Stephanie March) to stand on. Although they have chosen different life paths, the two are surprisingly similar as far as temperament and stubbornness are concerned. Whereas Penny is known for her lying, manipulation, and false promises, Trish is pretentious, judgmental, and self-righteous. And yet, we're made to see the decency in both women, especially in Penny, who may not have her act together but truly does want the best for her children.There's a subplot involving Eli's love interest, a young woman named Chloe (Sarah Ramos), who's part of a Revolutionary War reenactment society. Although the scenes between Eisenberg and Ramos are competently written and performed, they're by far the most unnecessary and manufactured of the film. I also found myself questioning the ending, the structure of which indicates a lack of consensus on the part of the directors. It starts off rather tidy, perhaps too much so, only to finish on an unsatisfying note of ambiguity. "Why Stop Now" is a flawed film, but its examination of the Eisenberg character is fascinating, and I found myself drawn on some level to most of the other characters, who aren't as clear cut as they appear to be. Even the trash-talking Sprinkle isn't beyond all hope. How would you feel if you had a future in running, only to injure your leg and spend the rest of your life walking with a cane?-- Chris Pandolfi (www.atatheaternearyou.net)
