Unlimitedia Sick Product of a Sick System

Phonearl Good start, but then it gets ruined

Beanbioca As Good As It Gets

SpunkySelfTwitter It’s an especially fun movie from a director and cast who are clearly having a good time allowing themselves to let loose.

gavin6942 The home movie footage that caught the assassination of the American President, John F. Kennedy.I had assumed that I had seen this film a dozen times, maybe one hundred times. But I guess I was seeing lower grade copies, and probably just clips, Seeing the complete film, with its 2012 remastering... wow. I had no idea the film was so nasty and gory. It may be one of the more disturbing things you will ever see, and definitely the most disturbing to be considered worth preserving by the Library of Congress.The version I saw also had commentary, which seemed a bit questionable, such as the crowd chasing the assassin up the grassy knoll. Was that Zapruder talking or added later? I presume the latter.

Panamint The most significant fact is that this film does not show anyone actually shooting. It only shows impacts of bullets after they are fired. So you only get half the story of the Kennedy assassination, if that much.In fact, there are no films or photographs of anyone in the act of firing a gun in Dealy Plaza that day.The Zapruder film also does not show any alleged shooters fleeing the area.Actually the Zapruder film completely misses one man getting shot there, a bystander named Tague. Neither shooter nor shot impact are shown on Zapruder film for Tague, who represents 1/3 of the total number of persons shot in Dealy Plaza.It also does not show an impact on a cement curb, which was chipped by a bullet according to police.The only gun shown is a large gun being lifted off the floor of the Secret Service car by an agent, who never used it. I think you get to see a brief glimpse of this one unused weapon, but that's all you get gun-wise.Immediately after the shooting, the police raced to the alleged room where the shooter was and found: nobody.

frannywentzel While the historic significance of this film is beyond critique, one should also give Herr Zapruder credit for his brilliant cinematography.First off he picked one of the best spots to get his shot. Given that he suffered from vertigo one should also credit his willingness to sacrifice his own personal well-being in the service of Art. While he wasn't able to get fully above the Stemmoms Freeway sign, one can only do so much with the set one is given.Second of note is his directorial decision to cut when he realised he'd filmed the motorcade too soon. This meant that virtually all of the assassination would be covered in the 30 second allotment covered by the spring wound camera drive mechanism.The fact that he was able to keep rolling as all Hell broke loose in Dealey Plaza even has he himself was reacting to the events should've gotten him a press photography award.It should be noted that Oswald was almost 3x as far away from Zapruder than any proposed second gunman - he was practically right on top of the so-called Grassy Knoll area and within steps of any plausible sniper lair. One would expect that upon hearing an unsuppressed gunshot from right behind and under him, Zapruder would've whipped around to get a shot. That he didn't should say something about the veracity of 'second gunman' claims.At any rate you can tell that the fatal bullet came from behind by a slight forward head movement in the same moment JFK loses the piano lessons - and I was using footage available at a pro-conspiracy site.

adam A piece of history that prooves that most film of historic events is quite often recorded by the general public.Also, that previous comment is a prime example of a conspiracy nut (one who blindly believes in the conpsiracy, instead of forming it for themselves) as they seem to ignore the fact that there were many people filming on that in different locations, which perfectly match the spreader film. (also, many of the so called mistakes can be atributed to the fact that it is an old camera that used photographic film that was on a spring based mechanism, which could easily have a speed that is not constant)