Zardoz

1974 "Beyond 1984, Beyond 2001, Beyond Love, Beyond Death."
5.8| 1h45m| R| en| More Info
Released: 06 February 1974 Released
Producted By: 20th Century Fox
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Info

In the far future, a savage trained only to kill finds a way into the community of bored immortals that alone preserves humanity's achievements.

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Director

John Boorman

Production Companies

20th Century Fox

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Zardoz Audience Reviews

AnhartLinkin This story has more twists and turns than a second-rate soap opera.
Humaira Grant It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.
Bluebell Alcock Ok... Let's be honest. It cannot be the best movie but is quite enjoyable. The movie has the potential to develop a great plot for future movies
Billy Ollie Through painfully honest and emotional moments, the movie becomes irresistibly relatable
verytea244 Pauline Kael referred to this film as a "lushly photographed piece of twaddle," and, of course, she was right about everything.
jaymnhhngbfs This movie simply has to be seen to believe. According to the trivia section here, the intro was designed to help the audience understand the plot of the movie better, but it seems to just muddy things up worse. A giant floating head is a self-admitted false god who claims that guns are good and penii are evil. There are two groups of people in this dystopian future, the Eternals and the Brutals. Even if the Eternals manage to "die," they are almost instantaneously reborn into an identical body. They also have no idea how erections happen. Long story short, Sean Connery's character, a Brutal named Zed, travels to the world of the Eternals and winds up showing one of the female Eternals how and why erections are used. It's just bizarre. Most of the movie's budget went towards Sean Connery and presumably a metric ton of cocaine. The wardrobe for most characters is little more than thin sheets, and Sean Connery wears his favorite kink-suit throughout the film. Despite all the strangeness going on in the movie, it is well shot and well acted. It's truly a bizarre movie that everyone who enjoys "so bad it's good" films must see at least once before they perish. It may change your life!
Prismark10 Director John Boorman made a trippy, hippy film that is preposterously 1970s. It is some kind of pseudo intellectual futuristic allegory about society and religion.This really is an cultish, obscure film. Everyone knows about the silly costumes in the film but it is so rarely shown, very few people have actually seen it.Zardoz stars Sean Connery wearing some kind of mankini, at least he had the physique for it. He is a pony tailed barbarian who kills and slaughters in order to keep the population under control. They obey a giant stone head who regularly appears to collect the harvest from the slave population and spews out guns so the barbarians can launch a killing spree.Connery gets inside the head and into a vortex where he finds a race of Immortals who cannot die but they can age as punishment into senility unless they are born again. It looks like death would be welcomed by this people. There is a joker in the pack who pushes Connery to read and realises that Zardoz is pointing him to a yellow brick road.The Emerald isle stands for this futuristic Emerald city, having a real man about causes some eroticism amongst the women inside the vortex but the film is so loosely structured with some bizarre 1970s fashion, oh my John Alderton and his golden locks, please sir, just put it away.The film is rather impenetrable, bizarre and yet wondrous. Despite some not very good effects and not being such a good film it is an important part of British/Irish sci fi.
Scott LeBrun Filmmaker John Boormans' follow-up to "Deliverance" is admittedly not to all tastes. Boorman, who also produced and wrote the film, gives us a one of a kind experience that, ultimately, is better seen than described. Words like "weird" and "provocative" come to mind when viewing it, because it's full of ideas.It depicts a world of the future (the year 2293, to be exact) where a sly master intelligence, Zardoz, has contrived a way to keep unruly lower classes in line. One of the lower class people is an "exterminator", Zed (Sean Connery), whose job is to kill, period. One day Zed decides to seek truth, and hitches a ride in a great stone head, where he's transported to a "vortex", or environment, where the bored upper class, a group of immortal intellectuals, don't know what to make of him. He shakes up their world as much as they shake up his.The most striking element of "Zardoz" is the visual approach. Filmed on location in Ireland, it takes us from one surreal set piece to another, with deliberately stylized dialogue. The cast plays the material with very straight faces. Connery looks fairly embarrassed, and considering the fact that his costume partly consists of a red diaper, one can hardly blame him. (He wasn't too happy about having to wear a wedding dress, either.) Charlotte Rampling, Sara Kestelman, John Alderton, Sally Anne Newton, and Niall Buggy co-star; of this group of actors, Buggy does manage to inject some humour into the proceedings.This is sedately paced and short on action, but it's compelling in its own offbeat way, provided one is able to stick with the story. While it's not likely to be very appealing to a mainstream audience, it's not something easily forgotten for devotees of cult cinema.Seven out of 10.