Silk

2011

Seasons & Episodes

  • 3
  • 2
  • 1
8| TV-14| en| More Info
Released: 22 February 2011 Ended
Producted By: BBC
Country: United Kingdom
Budget: 0
Revenue: 0
Official Website: http://www.bbc.co.uk/programmes/b01hzsch
Info

Silk is a British television drama series produced by the BBC and first shown in 2011. Written by Peter Moffat, the series follows a set of barristers, and what they do to attain the rank of Queen's Counsel, known as "taking silk."

Genre

Drama

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Silk (2011) is now streaming with subscription on Prime Video

Director

Production Companies

BBC

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Silk Audience Reviews

Sarentrol Masterful Cinema
WiseRatFlames An unexpected masterpiece
MusicChat It's complicated... I really like the directing, acting and writing but, there are issues with the way it's shot that I just can't deny. As much as I love the storytelling and the fantastic performance but, there are also certain scenes that didn't need to exist.
Kamila Bell This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.
aurasbob Great acting, legal stories, mystery & reality. A great Binge Series, would have liked 3 more seasons!
celsound-35321 I had to stop watching after Martha got release for a man who was obviously going to be tortured and murdered by some evil people for revealing their activities in court. No one sought protection for this defendant and within a few days he was tortured and murdered by the evil gang. I saw this coming from a thousand miles away and Martha should have too. It was just plain stupid and that was it for me.This happened in the first episode of the second season. The first season was very enjoyable.
SaraNijeVo The show is very entertaining, the acting, production, sound, etc. are all top. This show, however, is let down by the outdated episodic/procedural format that TV is moving away from.The problem is that every episode becomes a formula, a case introduced, slight intertwining of case with personal life, twist and ending. Rinse and repeat.This formula was fine for Law and Order back in the 90's, but it gets boring very quickly. That's why many shows are moving away from that. Luther started with episodic and then went on to do to season-long cases (you guys call it series-long). Over in France, Engrenages (Spiral) is a season-long case. Denmark the same with the Killing, The Bridge and Follow the Money. Line of Duty is season-long cases. Justified also moved from episodic to season-long. Over in the law world, Suits also moved from procedural to season-long arcs and cases. A more serious show, The Night Of, also is a season-long story. Same with Better Call Saul.Procedurals have short stories of short threads that always end by the end of the episode. There's no suspense, no reason to tune in week-in week-out or to binge. You watch one, enjoy it and then you don't care anymore. Procedurals are now left behind for sitcoms or other weak dramas. Procedurals let you cover more cases, but you get less of them. You get flashes of a courtroom, quick decisions, it's like watching speed chess.There is no reason why this show couldn't do a major case every 3 - 4 episodes. Season 1 could've had 2 major cases, and have the multitude of small cases intertwine with the bigger ones, being a distraction or a chance to discover something.I've watched a few episodes now but the formulaic nature got me bored. I write this in hope that producers making shows stop with procedurals.
The_late_Buddy_Ryan Rumpole fans already know the drill—solicitors (though we don't see much of them) deal with the clients and prepare a brief, barristers plead the case in court, either for the defense or the prosecution, and a small platoon of clerks take care of the business side. Experienced barristers who make the right moves can hope to "take silk," or be appointed to the privileged caste of Queen's Counsel (more prestigious cases, better money, even a bigger wig). Maxine Peake is refreshingly unglamorous, with her crunchy Northern accent, and projects a wonderful intensity as one such barrister; Rupert Penry-Jones is well matched as a cynical, corner-cutting rival. This series does office politics extremely well; the first time we watched, I was blown away by a couple of brilliant scenes in which Neil Stuke, as Billy, the hard-nosed senior clerk, fights off a coup attempt and turns one of his big earners who's trying to defect. Apart from the climactic murder trial, court cases are a lot less flashy than you'd find in a show like "The Good Wife," but story lines are brisk, engaging, sometime surprising (Colombian drug mule explains why she's better off in prison); interesting that in the UK it's a criminal offense to own (or be) a pitbull. Supporting honors go to GoT's Natalie Dormer as a "spoony" (born with a silver one in her mouth, i.e.) pupil, Tom Hughes as a not-so-spoony pupil and Nina Sosanya as a mutinous junior barrister. Here's hoping that the next few seasons will turn up before long on PBS and eventually on Netflix.