The Moorside

2017

Seasons & Episodes

  • 1
7.2| NA| en| More Info
Released: 07 February 2017 Ended
Producted By: BBC
Country: United Kingdom
Budget: 0
Revenue: 0
Official Website: http://www.bbc.co.uk/programmes/b08dxvc0
Info

A two-part drama about the search in 2008 for missing Yorkshire schoolgirl Shannon Matthews.

Genre

Drama

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The Moorside (2017) is now streaming with subscription on Britbox

Director

Paul Whittington

Production Companies

BBC

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The Moorside Audience Reviews

AniInterview Sorry, this movie sucks
SunnyHello Nice effects though.
AutCuddly Great movie! If you want to be entertained and have a few good laughs, see this movie. The music is also very good,
Lachlan Coulson This is a gorgeous movie made by a gorgeous spirit.
asimov-5 I won't go into any details because you should watch it and make up your mind.The acting is brilliant, you would hardly believe that Gemma Whelan was the same person that played Yara Greyjoy in "Game of Thrones".The story was basically play by numbers, you didn't really learn anything new if you saw this on the news.I do think this could have been a three parter. We didn't really see the aftermath other than a few shouty bits at the end. I really wanted to see the impact it had on the town at the end, but it seemed to end rather suddenly.It would have been nice to see what happened when she came out of prison, but we saw nothing of this.I will repeat however that the acting was top notch, but I was left a little disappointed with the story.
davideo-2 STAR RATING: ***** Saturday Night **** Friday Night *** Friday Morning ** Sunday Night * Monday Morning A dramatisation of the real life tale of Shannon Matthews, a nine year old girl from the Dewsbury area of Yorkshire, who went missing for a short while in early 2008, and sparked a nationwide appeal for her safe return (but received substantially less coverage than Madeleine McCann, from a more affluent background...but who's never been found.) Julie Bushby (Sheridan Smith), a close friend of Shannon's wayward mother Karen (Gemma Whelan), spearheaded the local community into action, and all the local residents turned out to look for Shannon in a unified show of solidarity, while Karen's behaviour was just disinterested and odd. Eventually, in what appeared to be a rare happy ending for this type of case, Shannon was found...but the truth, in it's own way, was as earth shattering as if she hadn't, when it was discovered Shannon had been abducted by her own mother and her friend Michael Donavan (Sam Chapman), while her current partner Craig Meehan (Tom Hansen) was arrested for possessing child pornography.There are many who subscribe to the mediums of film and television, strictly as a means of escapism, to retreat into a world of fantasy, with limitless possibilities and an almost certainly predetermined happy ending. There is not much interest, from these people, in seeing re-enactments of tales constrained by the boundaries of real life, even happy tales, played out with all the grubby, unavoidable trappings of reality. A tale set somewhere like Dewsbury Moor, a place that perfectly encapsulates the gritty, unglamorous surroundings/way of life that are probably the norm for a no doubt many unidentified number among us. In bringing this dramatisation to the screen. director Paul Whittington has shoved this bleak landscape straight in our face and left us to witness the car crash that proceeded.In what appears to be the most meagre common ground with a fantasy film as opposed to the hard, brutal depiction of reality that it is, the lead character is the good guy, or certainly the person with the most noble intentions, even at the expense of not really being the main antagonist of the story. In this role, as the bright, bubbly spark of flickering decency in a sea of relentlessly, depressingly immoral, grubby people, Sheridan Smith truly exemplifies what a terrific actress she is, demonstrating her ability to transform and really immerse herself into any role she's doing, and really bringing the character of Julie Bushby to life like no other. The supporting performers are also strikingly accurate, but it is truly her who steals the show.The dichotomy of Matthews is simply as a figure who took dysfunctional to a whole new level, who skipped her appearance on The Jeremy Kyle Show and gained public notoriety in a different, far more shocking way. The Daily Mail/Tory Party would probably have you believe she's symptomatic of hundreds of others across the country, and while that's most likely very debatable, this is still a well made and hauntingly accurate portrayal, spread out over two series, of a case that'll probably never be forgotten. *****
Prismark10 The Moorside tells the story of the staged abduction of Shannon Matthews from the viewpoint of Julie Bushby, the person who led the community effort to find the 9 year old Dewsbury schoolgirl. As she tells the press: 'When chips are down and one of us has a problem, we are all there to help, we stand shoulder to shoulder with one another, we will never give up hope'The rallying cry felt hollow in this docudrama as we knew Shannon's mother was involved in this bizarre abduction. Even when Shannon went missing, there was an outcry that people living in council estates did not merit the sensitive media attention that the parents of Madeline McCann had got a year earlier.The first episode focuses on Karen Matthews and her dysfunctional family. She had children from several men, her present partner seems to be more interested in surfing the internet. Some of the other relatives crave the media attention. Karen herself comes across as dimwitted and maybe even manipulative as well. Suspicions are aroused early when she starts dancing to a ringtone of a mobile phone.By the end of the first episode, Shannon is found under the bed of Karen's boyfriend's uncle. A cack-handed stunt to get money from the media it seems.In the second episode the police now turn their attention towards Karen. Her friends and neighbours who rallied for her now have doubts about her story. The community now vilify Karen Matthews but Julie Bushby saw her as weak, a symptom of a broken Britain where too many women from an early age were let down by men. In the drama Julie and one of Karen's neighbour talk about how both were sexually abused as youngsters.The drama was strongly acted by the leads, Gemma Whelan, Sian Brooke and Sheridan Smith but I felt it still lacked freshness, too much about it that delved on 'council house scum.' I can imagine that wounds are still raw in parts of Dewsbury and although we do not see the character of Shannon, I could not help thinking that this drama did not do her much good given she is now 18 years old.
ianlouisiana This sad episode is perhaps too recent to view objectively. The deeply flawed Karen Matthews was nobody's idea of a paragon of the maternal virtues but surely she could not have been as stupid as this production has portrayed her.Nor can her friends have been so sheep - like,just ready for someone - anyone - to tell them what to do. Obligingly along comes Miss S.Smith as a gobby advocate for the Moorside who sees the opportunity for what she sees as being helpful as well as seizing her 15 minutes at the same time as winding up the Old Bill and bullying her neighbours into doing her wishes without really thinking about the possibility that she might be harming the child's chance of being found alive. Puffy eyed and heavy of face,Miss Smith is a stranger to restraint as the single mother brow - beating and threatening her way to a TV spot as the hunt for the child grows wider. Only her friend Natalie(excellent Miss S.Brooke) is willing to stand up to her. As we all know the outcome of this incident there was no tension,merely a vague anxiety about what Miss Smith might do when she finds out that she(and all the others)has been played for a mug. Best performance by far is by Miss S.Finneran as this Detective who is unfortunate enough to be Family Liaison. The guy who plays Karen Matthews' partner looked so much like Radar O' Reilly that I giggled every time he came on screen.Presumably not the affect he was supposed to create. I understand the intention of "The Moorside" was to present a more positive image for the residents,but I'm afraid that in that it has not succeeded.