3 Women

1977 "1 Woman Became 2, 2 Women Became 3, 3 Women Became 1."
7.7| 2h4m| PG| en| More Info
Released: 10 April 1977 Released
Producted By: 20th Century Fox
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Info

Two co-workers, one a vain woman and the other an awkward teenager, share an increasingly bizarre relationship after becoming roommates.

Genre

Drama

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3 Women (1977) is currently not available on any services.

Director

Robert Altman

Production Companies

20th Century Fox

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3 Women Audience Reviews

ChanBot i must have seen a different film!!
CommentsXp Best movie ever!
InformationRap This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.
Logan By the time the dramatic fireworks start popping off, each one feels earned.
Ben Parker Millie is always walking behind people talking at them, and she thinks everyone likes her, but most people just ignore her or make fun of her behind her back. Pinky thinks she's just about the best person she's ever met. I thought I would just put this on for a minute to see what it was like, but I literally couldn't turn it off. People say this, but its hardly ever happened to me. This movie cast a spell over me.Altman is a fascinating filmmaker and this is probably my favourite movie of his so far. Its beautifully shot, with a dreamlike quality, and the characters Shelley and Cissy play are so adorable they just draw you in. Actors own their parts because of just how much free rein Altman gives them, and it happens to really gel with these actors. The film is ambiguous, and I'm not entirely sure what happened in the second half, but its not what I expected to happen. There is a sinister undercurrent to the film which is highlighted by the music, but doesn't manifest in the particular kind of plot developments you might guess. So its unpredictable and mysterious, which I loved, but your mileage may vary. 10/10
Larissa Pierry (tangietangerine) I'm still discovering Robert Altman's films, and after a few deceptions (not so much because those I watched were bad movies, but because I had high expectations), this one was a nice surprise. It's a movie that could only have been made in the 70's, it's one of a kind. From the few popular movies Shelley Duvall has been in, this is one of her finest. I couldn't help but smile when she says "What's the matter, haven't you ever seen twins?". Sissy Spacek is easier to catch on screen, she's also great in this.As of the amazing performances, we're introduced to a dreamy like California scenery, there's nothing unusual about those two words in the same sentence, but the atmosphere is almost ethereal, from the pastel colors to the apathetic people all around. I kept thinking if they did that just to spite Millie or because they simply wouldn't bother to listen to anyone. Millie's situation is so anguishing, it's really similar to one of those dreams where we talk and talk but people don't seem to notice, like we're ghosts. I know the character wasn't near being pleasant, but I felt sorry for her frustrated social efforts just the same.I had no idea what the film was actually about when I started watching it, and as Pinky's obsession with Millie developed, I figured it was going to be a very well plotted drama, or something like it. That it is, but it's something else, too. If we pay attention, from the start, there's a strange feeling lurking about, like something's not entirely right...or real. It's no coincidence that Pinky's real name is Mildred, which is also short for Millie (also, Willie...), and both women seem to enter some sort of fusion, there's something that ties them together. Besides, there's another woman, of enigmatic behavior, her importance is revealed further along. For now, all we know is that she paints those exotic printings inside the pool. As of Pinky's accident, which might as well be related to those paintings, she suffers a drastic change of heart, now she IS Millie.It's not revealed to us whether her accident caused her some kind of neurological damage or the beginning of some kind of mental illness...but I'm not so fond of these realistic explanations, not coming from a movie like this. Especially because it wouldn't explain that last scene, where the three women appear to have reached some sort of weird organization, featuring different generations...perhaps they're supposed to be one? I'm not sure of the meaning for the metaphor, all I know is that it's a very intriguing movie, giving us a lot to think about at the end, and it sure is an interesting story about what the experience of being a woman means.
mvanhoore Mildred 'Pinky' Rose is a (very) young girl from Texas who tries her luck in sunny California. She finds a job at a geriatric institution where she meets Millie Lammoreaux. Millie looks so confident that the heavy insecure Pinky soon sees her as a role model. This becomes creepy soon when Pinky tries to become Millie. In fact Millie is a lonely and insecure woman who hides her uncertainties behind constant babble. She becomes annoyed with Pinky and treats her very rude. So rude that Pinky tries to commit suicide. She is in a coma for a couple of days and when she wakes up she has taken over the personality of Millie including her rudeness.That's the main storyline of this movie but not the whole story. This movie is more about mood and atmosphere than it is about a plot. In fact Robert Altman worked out the film without a full script and he wasn't sure about how to end the story. The atmosphere is what makes this film a beautiful and sometimes creepy travel through the minds of the three women. There are long sequences of the paintings from Willie, the third woman. And there is a frightening dream sequence which shows a nightmare that Pinky experienced.In fact the three women are tied by a male: Edgar Hart, the husband of Willie who owns a saloon and the apartment where Millie and Pinky share a room. While his wife is pregnant he sleeps with Millie and when Pinky is transformed into Millie he easily switches his attentions. So the only male in this story with an important role is portrayed as an absolute cheater and loser. The film suffers under the fact that it isn't made with a worked-out script. While the title is 3 women the film is only centered on Millie and Pinky and the character of Willie doesn't come forward very clear. There is hardly any interaction between her and the two other women and it seems she only communicates with them through her paintings (especially with Pinky). Then there is the role of the twins who also work at the institution. They are mentioned a lot in the film and you see a lot of shots of them. You expect that they should play an important role but this part of the plot is never worked out.What about the two main characters? It's hard to identify with them. Millie is an irritant female who seems to never shut her mouth and bothers people who are not interested in her. The reason for this is that she is so lonely that she intrudes in other peoples lifes and as a consequence is ignored by them. Pinky seems to be a very shy girl without real knowledge of society but she has a hidden agenda. The way she tries to imitate Millie shows thoroughness. When her parents are shown you understand she comes from a rural background and was most probably withdrawn from all experiences young women have in their teens. Her head injuries after her suicide attempt transform her in a sexual loaded woman who knows all the tricks to seduce men. But when there are stressful moments she immediately becomes the shy country girl as portrayed in the first half of the film.I think 3 women could have been a masterpiece if Altman hadn't got this image of what this movie would become already in his head before he starts shooting. For the director the sequences are much more important than a worked-out plot and in the end the film suffers underneath his vision. But he managed very well to create this dreamlike and creepy atmosphere which makes this movie more than just a psychological drama. As a viewer you feel the tension when Pinky intrudes the life of Millie and as this movie seems to become a story about a stalker the roles are exchanged and you start to feel sorry for Millie who has an enormous guilt about what happened to Pinky. Then there is the dream sequence and the child-bearing of Willie which is filmed so intense that I was shivering watching this scene. Still I'm left with the feeling that so much more could have been made with this plot.
annuskavdpol 3 women is about identity theft. For example, one young girl arrives at the job on her first day, and meets a self-confident worker, who ends up having a room to rent in her apartment. The new employee is marvelled by the other and after she tries to commit suicide and recovers - inherently takes over the personality of the self-confident worker. It is done in such a crafty way, that the viewer has no real idea that it happened. Hence making this moving one of the best movies out there.I really like the character of the self-confident worker, because she was so strong that the indifference from the actual circumstances did not even put a dent in her self-confidence. She was so sure of herself, and at the same time it was so utter misplaced. For example, she would go to the doctors lounge on her lunch break, and sit next to doctors and keep on talking and none of the doctors would respond to her. She just sat there talking and talking away. They took no notice of her. When she got up, she would say, it was great talking to you, I've gotten go now, see you all tomorrow. And there would be little or no reaction from the doctors, still she would get up and walk towards the exit, being in seventh heaven.(It was a Criterion movie).