A Wife Confesses

1961
7.5| 1h31m| NA| en| More Info
Released: 29 October 1961 Released
Producted By: Daiei Film
Country: Japan
Budget: 0
Revenue: 0
Official Website:
Info

Tied to a mountain between her brutalizing spouse and her secret lover, disaster strikes; the authorities accuse her of murder and prompt a confession.

Genre

Drama, Mystery

Watch Online

A Wife Confesses (1961) is currently not available on any services.

Director

Yasuzō Masumura

Production Companies

Daiei Film

AD
AD

Watch Free for 30 Days

All Prime Video Movies and TV Shows. Cancel anytime.
Watch Now
A Wife Confesses Videos and Images
View All

A Wife Confesses Audience Reviews

Unlimitedia Sick Product of a Sick System
Protraph Lack of good storyline.
AutCuddly Great movie! If you want to be entertained and have a few good laughs, see this movie. The music is also very good,
Darin One of the film's great tricks is that, for a time, you think it will go down a rabbit hole of unrealistic glorification.
mevmijaumau A Wife Confesses is a 1961 crime/courtroom drama film based on Masaya Maruyama's novel, directed by Yasuzo Masumura, a prominent New Wave director who was interested in portraying the lives and needs of individual citizens as opposed to focusing on the Japanese society in general. This movie remains one of his more famous works, and certainly one of his most serious ones, as his career spans from sleazy violence to yakuza and pinku films.Ayako Wakao, one of the best Japanese actresses of that period, stars as a wife accused of murdering her husband during a mountain climbing trip. She broke the taboo of cutting the rope while both of them were hanging from the stone and the fact that her other lover was present complicates things further. The film poses the question of whether or not following your own survival instincts on the behalf of someone else's life is acceptable or not. This is a very morally ambiguous film and it doesn't judge any of the characters (except for the husband, who's a royal d*ck), so the viewer's input is pretty much obligatory. I guess you can also read it as an early feminist film.The narrative is interrupted by sudden flashbacks and scenes from outside the courtroom, while the visuals are inspired half by American courtroom dramas, half by film noir aesthetics, with characteristic Japanese framing thrown in for good measure. I like how during the courtroom scenes, Ayako and the witnesses are closely surrounded by other characters in the foreground of the frame, while the rest of the film frames her usually isolated, on the screen's corners. I also like the visual analogy of the doomed marriage shown as the couple hanging from the same rope. That being said, the movie has a very slow pace and it threw me off a bit because of that, and I also didn't care much for some scenes. It's a good movie, but I expected something more, I guess.