Scanialara You won't be disappointed!

Cebalord Very best movie i ever watch

filippaberry84 I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

Usamah Harvey The film's masterful storytelling did its job. The message was clear. No need to overdo.

TheExpatriate700 This literary, in many respects experimental film examines the parallels between the art world and the business world, through the relationship between an actress and a stockbroker who meet in the Vermeer Room of the Metropolitan Museum of Art.The film is much more interesting for its cinematography and narrative style than its plot. In keeping with its subject matter, the photography tries to emulate Vermeer's paintings, with some shots of Emmanuelle Chaulet being particularly successful. Furthermore, rather than having a linear plot, the narrative takes the form of a mosaic linking the different characters, bringing to mind a minimalist short story.This is not to say the film is for all tastes. Some scenes, such as where Anna and the stockbroker first meet, drag on for too long. Furthermore, some of the dialogue, particularly Stephen Lack's, comes across as overly metaphorical and stilted, though this should not be a surprise given that it was supposedly improvised.On the whole, a film worth seeing for a look at when the art house film scene really was arty, before the indie film boom led to the scene being co-opted by corporations.

busker-kevin Jon jost is an independent film-maker flying under the mainstream radar,quietly turning out masterpieces like this film.The plot is very simple, but this is really a film that is meant to be felt rather than thought about.The images are often breathtakingly beautiful-the camera's dance around the pillars is one of the most amazing sequences I've ever seen in any film-Jost can turn the mundane into poetry.And that's the point,Jost is a poet-not a craftsman.Like Lynch and Kubrick his films have a dream logic and work on a subconscious gut level.Turn off your mind relax and let this gorgeous,undiscovered gem of a film wash over you.A disturbing journey at times but always truthful and always beautiful.

Karen Green (klg19) Oh my GOD. This may just be the worst film I've ever seen. That it won awards anywhere seems to be a tribute to the "Emperor's New Clothes" school of film criticism. What a dreadful, film-school quality piece of junk. Endless shots of polished floors, marble-columned office-building lobbies, jet trails cutting across the clouds, all for nothing. NOTHING. And accompanied by a shatteringly harsh soundtrack.If anyone can tell me the point of the scene where the artist with the gambling problem tries to get an advance from a gallery owner, you will get a prize.Run, don't walk. Away, away, away!!

MovieFan If you are a fan of independent and innovative filmmaking, this movie is for you. It's visuals are tremendous in their composition, movement, colors, etc. It's sense of editing and story progression is involving and thought provoking. This is the kind of movie that makes you forget traditional narrative expectations of "what will happen next?" or questions like "what is going on?" and instead prompts you to just experience, perceive, and feel the film. A must-see for anyone interested in non-traditional filmmaking and for anyone interested in a beautiful movie.