Appointment in London

1953
6.4| 1h36m| NA| en| More Info
Released: 17 February 1953 Released
Producted By: Mayflower Productions
Country: United Kingdom
Budget: 0
Revenue: 0
Official Website:
Info

Wing-commander Tim Mason leads a squadron of Lancaster bombers on almost nightly raids from England. Having flown eighty-seven missions he will shortly be retiring from flying, but the strain is showing. He tries to make sure his men concentrate only on their job and so keeps women away from the base, but then he himself meets naval officer Eve Canyon.

Genre

Drama, War

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Director

Philip Leacock

Production Companies

Mayflower Productions

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Appointment in London Audience Reviews

Actuakers One of my all time favorites.
LouHomey From my favorite movies..
Arianna Moses Let me be very fair here, this is not the best movie in my opinion. But, this movie is fun, it has purpose and is very enjoyable to watch.
Erica Derrick By the time the dramatic fireworks start popping off, each one feels earned.
Brucey D Appointment in London: It is 1943, and a Wing Commander of Bomber Command is fighting his personal demons whilst edging towards his 90th (and final) operation over Germany, flying Avro Lancaster bombers.To put this film into context it was made in 1952, from a story written by a WWII veteran who had himself survived over 100 operations. Most of the film's outdoor sequences were shot at RAF Upwood (http://www.rafupwood.co.uk/) which was at that time home to a squadron of soon-to-be obsolete Avro Lincoln bombers. These appear in the background and (at a distance) pass well enough as Lancasters, a few of which were of course used for the closer shots.Britain in 1952 was still suffering the after-effects of WWII; petrol had not long come off the ration, but rationing was to remain on many basic foodstuffs for another two years to come. Most folk didn't have two beans to rub together, yet the country faced the prospect of the developing Cold War, which could have turned hot at any time.Despite near bankruptcy, the UK was in the midst of developing it's V bomber force (the iconic 'Vulcan' had just made its maiden flight) and the nuclear weapons that they would carry; a product of the 'freedom at any cost' mentality which must have prevailed during WWII.Bomber Command's role in WWII is today in some danger of being overlooked. It should not be forgotten that for several years they were the sole means of striking back at the enemy, and that they arguably waged what remains the most costly air war ever fought; whilst the US Eighth Air Force suffered appalling aircrew losses (~26000 casualties), Bomber Command lost over twice as many, but from a smaller complement. Their losses averaged over 44%, and their daily losses were on occasion almost inconceivable, in some instances exceeding (say) the total losses of Fighter Command during the whole Battle of Britain.The effect of this air campaign will be debated for decades to come, but in round numbers -even without allowing for the bombing damage itself- it is estimated that at any one time it cost the Germans the use of about 1000 operational fighter aircraft, several hundred thousand men, about 10000 of the lethal 88mm gun (which was also one of the most devastating anti-tank weapons of WWII), millions of shells, and all the manufacturing facilities and infrastructure to support them.However Albert Speer (Germany's armaments minister during WWII) was in no doubt about the significance of the air war against Germany. Years after the war he is quoted as saying that "... No one has yet seen that this was the greatest lost battle on the German side".This is one of the few films that makes any real attempt to show what the bulk of Bomber Command's operations would have been like in 1943; night ops over Germany, with a high loss rate. The final operation in the film is portrayed as a mission against a secret weapon facility in Germany; this is quite realistic, echoing the real 'Operation Hydra' of August 1943, in which the V2 development facility at Peenemunde was bombed, causing significant delays to the missile programme.It is all played in a rather understated fashion in this film, and it perhaps lacks the drama of some other WWII films. (And of course there are a few goofs; e.g. the final scenes 'wartime London' show cars without blackout gear and a few 1950's unibody models...) Yet it is a very good, and rather significant film that is sadly underrated. Without films of this sort, important parts of our history may soon be forgotten.Near to me, there are still the remains of dozens of WWII airfields. In most cases they are just crumbling back into the landscape, home to little more than old ghosts and fading memories. I can't imagine what it would have been like over 70 years ago, but films like this can give you some idea.Definitely worth watching.
Gatorman9 I am surprised I haven't run across this one before discovering it recently on-line. What most of the other reviews have said is true. The bombing sequence at the end of the movie has a documentary quality to it readily evoking MEMPHIS BELLE -- not the disappointing 1990 movie, but the 1944, William-Wyler-directed wartime documentary released by the United States Army Air Forces during the war itself. It is also a highly detailed treatment that illuminates the RAF's night-time area bombing tactics far beyond else ever dramatized. By the same token, the entire rest of the film tends to be a straightforward representation of what it was like for participants in that phase of the war, remarkable as a movie for its minimization of histrionics. It deserves at least a bare minimum of a 7 on IMDb.
ianlouisiana Unlike Fighter Command whose exploits were painted across the skies of Southern England during the endless summer of 1940,Bomber Command never caught the public imagination.These were not glamorous public school chaps with silk scarves and Brylcreemed hair downing a brace of Huns before tea,gleaming Spitfires and intrepid Hurricanes doing Victory Rolls whilst beating up the airfield as the Waafs waved out of the Control Tower.No,these were mainly working class grammar school boys sitting in freezing aluminium tubes, little more than lethal containers of H.E and volatile fuel,in the pitch dark 5 miles above Occupied Europe in skies full of white hot metal shards any one of which,at any second,could turn their aircraft into a fiery coffin.Some chewed the ends of pencils whilst calculating the target's co - ordinates on paper,some tracking the amount of fuel being used,others scanned the sky for enemy fighters.Some flew the plane which took considerable strength to keep on a straight and level course under ideal conditions,let alone being bounced around in a hazardous sky where your every instinct is to drop your bombs and race home ASAP.These men displayed dour,determined courage night after long night in a bitter war of attrition.A standard tour of operations consisted of 30 missions,their chance of survival a little over 30%. Wing Commander Mason (Mr D.Bogarde)has flown 87 missions,the equivalent of spitting in The Grim Reaper's face several times.He is determined to complete his third tour despite opposition from his Commanding Officer and the M.O."Appointment in London" tells the story of his fight to survive against all the odds. Superficially resembling the mighty "Twelve o' clock high",closer study reveals more differences than might be immediately apparent.Gregory Peck's character was imposed on a failing squadron whose popular C.O. suffered a breakdown,Mason has been on base for a long time and is well - liked and respected,Peck a martinet where Bogarde tolerates his pilots' horseplay,for instance.There is no doubt "Twelve o' clock high" is the superior movie,but that doesn't make "Appointment in London" a poor one. Much of the pleasure is in the supporting cast,Mr A.Shaw as "Smithy",the adjutant,a much older man,outwardly stuffy,a veteran of the Great War and a man who has seen too many airmen die to allow himself to become affected.Mr C.Victor as the village publican and confidant to aircrew,paternal and compassionate,a splendid bit of acting.Mr C.Singer in a customary senior NCO role as the Flight Sergeant in charge of the groundcrew who lend the planes to the fliers and hope they take good care of them and,last but not least Mr S.Kydd as the mechanic who finds his pilot's lucky charm and is confronted late at night by an angry Mr Bogarde.This is a key scene in the movie as Bogarde's anger(mainly against himself) manifests itself in an exchange that graduallly moves from aggression to awkwardness to genuine respect.It is beautifully played by these two fine actors. My only personal caveat with the film is the complete lack of anything resembling affection between Mr Bogarde and Miss D.Sheridan as the naval officer he falls in love with.I'm sorry I just didn't believe in them as a couple.No spark,no chemistry,no nothing.Maybe it's me. All round though,"Appointment in London" is a well - made,interesting and enjoyable film with lots of well - loved faces.I recommend that you watch it.
alfa-16 This is an unusual film. As others have commented it is well made, tautly scripted and has very good central performances. But that isn't what singles it out.It's commonly thought that night time area bombing by the RAF was a hit or miss affair, quite different from daylight precision bombing done by the USAAF. Whilst no one can argue that targets were easier to see during daylight hours, both the RAF and the Luftwaffe developed highly accurate methods of hitting their targets at night. In the fateful Dresden raid in February 1945, almost 95% of the RAF bombload fell within one mile of the markers placed with 50 metre accuracy by the Mosquito target illuminator aircraft. The following day, a quarter of the American daylight force sent to follow up bombed Prague, having mistaken one bend in the River Elbe for another. This film depicts, at length, the method of target marking the flight path using coloured airburst flares, eliminating 'creepback' by approaching the target along different vectors, air and ground marking the target and using a 'Master Bomber' to control the incoming streams and give bomb aimers feedback on accuracy.No medal was struck for Bomber Command and many of the crew themselves felt their contribution was best forgotten, so this film is one of the few accurate testaments to their courage.