Karry Best movie of this year hands down!

Ceticultsot Beautiful, moving film.

Brenda The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

Dana An old-fashioned movie made with new-fashioned finesse.

Horst in Translation (filmreviews@web.de) "Bells from the Deep" is a one-hour movie by famous German director Werner Herzog and it's really difficult for me to put this experience of a film into cold dead words. You just have to watch it. It is as spiritual as a movie could be and I totally enjoyed the watch. Occasionally, it reminded me of "Fata Morgana", another Herzog film I truly love. And even if this one here has no Leonard Cohen music, is set in an entirely different corner of the world and was made by an older Herzog (around 50), it is just as magical. There are probably not many filmmakers who can turn a bunch of people creeping on the ground into a beautiful piece of art. But the background stories, the music and just the whole atmosphere were something truly special in here. As I wrote earlier, you have to watch it yourself. If you have seen some other works of the director (admittedly this one here is not among his most famous) and have gotten to like his style, I am positive that you will enjoy this one here as much as I did. My favorite part was maybe when the old woman tells the story about her pig. It was somewhat tragic, but equally funny and just something truly special. As is this entire film. Very much recommended and Herzog's beautiful voice is a joy to listen to as always.

trupodur Sorry but as a Russian I can't perceive this seriously. With all my respect to Herzog it's NOT a true depiction of Russian faith and superstitions but rather a Borat-like comedy disguised as a highly objective and free from personal opinions documentary report.If this movie has made you think that people like notorious exorcist Wisard Vasilyev, self-declared messiah Vissarion etc. are of any importance for the general Russian public then, well, you ought to consider imaginary movie called e.g. "Faith and superstitions in US" shot with a camera which thoughtfully dwells on ceremonies by Rev. Sun Myung Moon and Charles Manson.Extremely tendentious and pretentious "Bells from Deep" can't be recommended to anybody except Russians: in their eyes it definitely deserves 10/10 for campiness (and BTW poses a question about relevance of other Herzog's ethnographic movies).

Michael_Elliott Bells from the Deep (1995) *** (out of 4) Documentary that takes a look at religious beliefs and superstitions in Siberia and Russia. When you do a documentary on religion often times you find a director who wants to throw out their opinions or thoughts on the religion in question but thankfully Herzog doesn't do that here. I'm sure some might find what we see here to be old fashioned or rather strange but Herzog treats the people and their religion with respect and just observes them without throwing in his personal thoughts. The camera beautifully moves from one subject to the next, quietly listening in to what's going on. There are many strange sequences and segments including an exorcism but Herzog just stays quiet on the matter. Herzog does the narration with that great voice of his and really tries to capture the soul and feeling of those people he's interviewing. As with many Herzog documentaries, this one here doesn't contain too much interview footage or narration but instead Herzog just shines the camera on these people and lets the viewer take away their own feelings.

outlawtorn313 Bells From The Deep is a fabulous look at the faith and superstitions of human beings living in Russia and Siberia. Herzog quietly observes his subjects and never appears obtrusive. The camera of Jorg Schmit-Reitwen (Heart of Glass, Kaspur Hauser) captures many incredible moments as Herzog and crew move from one subject to another with grace and wonder. Herzog never questions or dissects his subjects rituals or beliefs, rather observes and embraces them for all they are. As with all of his documentaries and features, Herzog peers into the soul of the most complex and simplistic elements of the human condition to discover an often surreal and beautiful inner dynamic. Elements of this film recall themes within Heart of Glass and many of his other works. Once again, the great Werner Herzog introduces us to a world unseen. A world of warm, unique, and strangely beautiful individuals and gives them a medium in which to share their personal existences, experiences, and dreams to the world.