Voxitype Good films always raise compelling questions, whether the format is fiction or documentary fact.

StyleSk8r At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.

Donald Seymour This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

Kaydan Christian A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

Hitchcoc Mickey Mouse is a tailor in a fairy tale town that has been ravaged by a giant. One day he kills seven flies, all at once. His bragging is mistaken for a claim to have killed seven giants with one blow. He is charged with the task of killing the aforementioned ogre. He is promised great wealth and the princess (Minnie) if he can do the job. He struggles to avoid the task but is soon out there in no man's land. Of course, the giant appears and it is his job to use his skills to accomplish things. The town is wonderfully colorful and the animation excellent. It never ceases to amaze me how brilliant the animation is in something produced in 1938. Very good job.

Julia Arsenault (ja_kitty_71) This is one of the best (and well-known) Mickey cartoons of all time. And it's also another cartoon where Mickey goes against a giant like in the 1933 short "Giantland" and "Mickey and The Beanstalk" for the 1947 film "Fun and Fancy Free". Also this cartoon is a favorite of mine. The short is based on the fairy-tale by The Grimm Brothers with Mickey as the tailor who killed seven flies "with one blow!" Of course, everyone mistook the flies for seven giants and they thought Mickey is a giant-killer. The short was nominated for an Academy Award for Best Short Subject; but the award went to the short "Ferdinand The Bull." I love the main title theme music. Also I love the scene where everyone spreads the story of Mickey killing seven giants. And the rumor then reaches the ears of the king and his daughter Princess Minnie.

Shawn Watson This time Mickey is starring all on his own, with no back-up. And for a change he's actually got a good story instead of the usual 'disaster' plots. In this cartoon, he plays a tailor who, through a series of misunderstandings, is sent on a mission by the king to take out a giant who is about to pound on their village. Princess Minnie is his reward so obviously he's going to oblige no matter how impossible that mission may be.Shock horror, there are actually some laughs and Mickey manages to hold our attention instead of making us drift away. The gimmicks and imagination are very good and the ending in which the villagers use the sleeping giant as a power source is very clever.Definitely one of the best Mickey shorts.

Ron Oliver A Walt Disney MICKEY MOUSE Cartoon.A BRAVE LITTLE TAILOR, mistakenly acclaimed as a great champion, is sent to stop the depredations of a fearsome giant who is terrifying a tiny kingdom.This is one of the truly classic color Mouse films, featuring excellent animation, sly humor & some genuine thrills. This vivid, fast-moving reinterpretation of the Brothers Grimm tale gave Mickey one of his grandest adventures and he obviously relishes his return, albeit briefly, to the top of the Disney heap. Without Donald, Goofy or Pluto to steal the limelight, Mickey proves to be a most dashing hero. Miss Minnie's involvement in the cartoon is mainly to add encouragement to Mickey's resolve and provide a reward for his heroics. Walt Disney supplies Mickey's squeaky voice.Walt Disney (1901-1966) was always intrigued by pictures & drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew comic figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a blizzard of doomsayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Dumbo, Bambi & Peter Pan. Walt never forgot that his fortunes were all started by a mouse, or that childlike simplicity of message and lots of hard work will always pay off.