Karry Best movie of this year hands down!

Kaelan Mccaffrey Like the great film, it's made with a great deal of visible affection both in front of and behind the camera.

Darin One of the film's great tricks is that, for a time, you think it will go down a rabbit hole of unrealistic glorification.

Billy Ollie Through painfully honest and emotional moments, the movie becomes irresistibly relatable

Tweekums Zhu Yanzhi is a girl but disguises herself young man so she can enter the Soul Ease Clan and be trained in martial arts. Only the clan's herbalist knows her true identity. She is put under the supervision of Liang; she isn't particularly proficient but the two grow close and eventually he discovers her secret. During her time there she paints a pair of butterflies on his sword as a symbol of their love. One day she returns home and learns that it has been arranged for her to marry her childhood friend Ma. She refuses and he chains her up! Liang determines to rescue her but Ma threatens Yanzhi's parents so she tells Liang that she doesn't love him. This isn't the end though; the herbalist has a plan that will help her escape Ma's clutches and save her parents… unfortunately he hasn't told anybody else about the plan and he is caught as he tries to leave.As others have stated the English title 'The Assassin's Blade' along with the DVD box art is likely to make one think this is going to be full of martial arts action. There is some action but for the most part this is a romance with a fair amount of comedy, at least early on. Once I started watching I wasn't too surprised by the comedy elements; Charlene Choi, who plays Yanzhi, is a beautiful woman and when she dresses as a man she still looks and sounds like a beautiful young woman. This didn't bother me as she was a delightful presence; likable and naturally funny. Chun Wu and Ge Hu were solid as Liang and Ma although the latter's 'pop-star' haircut seemed a little incongruous. As one would expect from this sort of film everything looks beautiful and is filmed very stylishly. I don't know if it was because I'd read some fairly negative reviews here but I found myself enjoying this a lot more that I'd expected. I would recommend this just don't be fooled into expecting full-on action.

webmaster-3017 Tagline: Jingle Ma is unable to revoke the success of the Tsui Hark's 1994 classic… Review by Neo: As mentioned in the review of Playboy Cops (2008), Jingle Ma is an up and down director. Surely his films have a certain glossy look on it, but Butterfly Lovers simply does not work on a number of levels. Charlene Choi is too cute to be playing roles in ancient costumes and Fahrenheit's Wu Chun looks far too modern than ancient. With the casting already borderline leaning towards unconvincing, it is little doubt that the film fails to convince and the result is a film that is rather blend and uninspiring. Looking back at Tsui Hark now classic 1994 version, starring the likes of Charlie Young and Nicky Wu, this one pales in comparison by quite a long mile.The story is the age-old tale of a girl pretending to be a guy so she can study in a martial arts school. Logically, a girl will be weaker than guys in martial arts training and therefore, with the kind hearted help from one of the guy student, the two become closer and closer. As per expectation, the guy fall for the girl and the girl fall for the guy, but the girl already have another pre-planned marriage. Basically, you probably already know how it will end and yes, there will become butterflies as love is in the air and so on.Charlene Choi is not a bad actress and no matter how crap a movie is, Choi will still be able to shine through with her likable cuteness. Think, My Wife is 18 and Twins Effect just to name a few. It is not really a bad thing for Choi to reunite with director Jingle Ma. After all, it produced one of Choi's best performances to date back in 1999 with Funeral March. But the same cannot be said for Butterfly Lovers, while Choi still is able to maintain her cute image, she is unsuitably mis-casted and at the end of the day creating a string of unconvincing thoughts within the audience mind. Basically, it is a case of wasting the talents of Choi and also not allowing a more suitable actress, perhaps Fan Bing Bing or Zhou Xun the opportunity of delivering something truly special.Likewise, Wu Chun is too raw and his acting is far too unrefined. Still, this is not the biggest problem as Nicky Wu is not Tony Leung Chiu Wai either. The difference is that Wu looks nothing like a martial artist in Ancient China and his modern good looks seem to be hampering his presence and the actual progress of the movie. Other supporting acts provides an interesting divergence, especially with the appearances of former kung fu heroes in the likes of Ti Lung, Xiong Xin-Xin and Louis Fan Siu Wong.Unfortunately, the blame cannot be falling entirely on the casting, as it is ultimately the director choice as to how he wanted to approach the movie. Director Ma seems far too uncertain in many parts of the film, for instance, one moment Ma seems to be focusing on comedy and cuteness and then it goes serious with some slow motion crying sequences. Ma is confusing the audience and notwithstanding, he is losing the audience actual patience. It is these kind of movies that ultimately turns the Hong Kong cinema audience away from watching movies in the cinemas. There are no longer the same level of excitement as the early 90s, rehashing a film is not exactly sparkling originality, but if it comes up worst than its inspiration, then the film is not really doing a world of good.All in all, Butterfly Lovers is really a pure commercial disappointment. Director Ma, who previously directed the brilliant emotional endings in films like Fly Me to Polaris and Funeral March is unable to reproduce the aforementioned form and quality. This flick is a dud in nearly all aspect of film-making. From the miscasting of Charlene Choi and Wu Chun, to the dislocated sound track and some unconvincing action directing from Ching Siu Tung and of course who can forget to put the blame on Ma's shoulders as well. As unforgiving as I am, and notwithstanding the fact that I used to be a big fan of the Twins duo (back in the 2002's), it is safe to pronounce that an astounding "NO" will be decerned from me. Not even Charlene's cuteness can change the fact that this is a commercial failure and a critical failure of actual film-making … (Neo 2009) I rate it 3/10www.thehkneo.com

Chung Mo I am not familiar with the actors in this film nor have I ever read the story nor do I normally watch romantic dramas so I guess I am not the intended audience for this film. Did it win me over? Not really.The tale of a teenage (?) girl dressed as a boy and sent to a martial arts academy where she falls in love with the top student (and he her) is well photographed and handsomely produced. Probably not her fault but, the lead actress isn't a very convincing boy at all and is directed to hammy, stage style acting. We see her get bound in cloth to hide her womanly assets but later on they are clearly visible while she is supposedly fooling everybody. She is also made-up with lip stick and shaped eyebrows so it's a leap to buy the premise. The male actors fare better but the film is centered on the female character. The film is well photographed and edited until the martial art scenes which are shaky and choppy.On the other hand if you are a fan of stories about ill-fated young lovers set in other cultures this is probably a good film for you. The plot turns when the woman is taken out of the academy to be forced into marriage to her childhood friend who has gone bad and become a sadistic general.I can't give this more than 5 stars but I'm sure there are people out there who can value this film more.

etudiantemo Several days after leaving Hangzhou, I went to see Butterfly Lovers, according to legendary record, which occurred in Hangzhou thousand years ago. The Butterfly Lovers or Liang Zhu is a Chinese legend about the tragic romance between two lovers, Liang Shanbo and Zhu Yingtai,which is equivalent to Romeo and Juliet in western world. Though the content of the film is different, but the theme remains unchanged. A girl disguised as a boy to learn martial arts in Mount XiaoYao with a large group boys. Suddenly or gradually ( it looks contradictory), she felt in love with a boy honest and indignant, while the boy has the same feeling. I still not able to find out a word equivalent to "yuan fen" in English, but I find out an excuse to explain my incompetence that it seems "yuan fen "exclusively belongs to Chinese. And thanks to God, I am a Chinese and able to read Chinese. The ending is the same, two lovers stay together in the same tomb and a couple of butterflies arise as incarnation.But the elite, touching scene inspired or evoked by affection seemingly arising from friendship, was missed in this film. Three-year classmate fellowship, 18-miles send-off on Mount Phoenix are no longer being seen in "modern films" featured by pop stars. It seems soul of traditional Chinese culture greatly lies in ambiguity or subtlety (of course not misunderstanding) especially in expression of any affection, sensation, emotion, sensibility etc; certainly in history it used to lead to unbelievable disaster as many literary men were accused of defaming emperor or ruling class by literal allusion. But Complex is complex, it means a lot to a person who indulges himself or herself in ancient myth or poetry. Anyway, I still can't help weeping silently for two lovers' struggle against malicious power and the incarnation of butterflies, though the latter seems a little bit pompous but mediocre at the same time. But perhaps it's the romance hiding in the depth of mind, could be waken up at any time. After all, I heard a news that China has attempted to list this folklore story as intangible world heritage and already accepted by UNESCO. Certainly, the story is engaging and memorable, but it's not easy for all of the world especially those who do not have much knowledge in Chinese culture to appreciate this story ostensibly old-fashioned but permeated by delicate feeling and poetical melancholy.