Dynamixor The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

ChanFamous I wanted to like it more than I actually did... But much of the humor totally escaped me and I walked out only mildly impressed.

Humaira Grant It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.

Bob This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

Python Hyena Charlie Zone (2011): Dir: Michael Melski / Cast: Glen Gould, Amanda Crew, Pasha Ebrahimi, Mpho Koaho, Cindy Sampson: Low budget gritty action thriller about the further descend into danger. Glen Gould plays ex-boxer Avery who is reduced to bare knuckle fighting in back allies for extra cash. Central plot has him contacted and sent on a quest to find a drugged up teenage girl who is in a dangerous crowd and bring her home. He quest takes him to a drug house run by a gang for which the girl he is seeking is involved with the leader. After invading the house he chooses to abduct her. Here is where one of the flaws sets in. He takes her to a garage where he speaks to a third party. Any normal person would make noise in the trunk but she just obeys when ordered to be quiet. A normal person would have thought ahead and had her bound and gagged just in case she squeaked. Director Michael Melski scored a more interesting premise with Growing Op but here he still presents a life where the glory days are a distant memory. The violence is brutal particularly when a motorcycle gang gets involved but the two leads are a strong focus. Glen Gould plays off a guy who was once a big player but now scraping the bottom of the barrel. He senses that something is not right with this quest and learns some hard facts. Amanda Crew plays the girl he is set to kidnap for her family. She reveals facts that come to a close during a melodramatic climax. Other roles serve mainly as punching bags or objects to beat up otherwise Melski's film gives its hero a second chance to descend to greatness where it matters. Score: 6 / 10

SnoopyStyle Avery Paul (Glen Gould) is a street fighter and an ex-con. One day, he's approach by Ava. She hires him to abduct drug-addicted Jan (Amanda Crew) for $20k from her criminal gang and deliver her back to her family. When he takes her, he demands more money but then there is more to her story.This is definitely a small Canadian indie with the prerequisite lack of budget. That's not that big of a deal. It actually works well with the gritty drug scene. Glen Gould is not a notable name nor does he have a big screen presence. However he does have a little bit of Bronson in him, and this has a bit of that grimy low-life Death Wish vibe. Then the movie gets more violent after the turn. That's when a more experienced director could get better looking shots. Michael Melski doesn't have the skills yet or the style. However there is an edginess to this low budget indie.

LeonLouisRicci This is a deep, gritty, richly realized Film that is a Low-Budget Story that is a surprising survey of Street Life and Street Characters that explores Addiction, Child Trafficking, Family, and Redemption in more dimensions than is usually expected in this type of thing.As it unfolds layer upon layer of Personalities and situations that are realistically portrayed as the Director restrains from the usual Cinema Flares and shows this stuff unfettered. The Acting is superb all around and it is an uncompromising look at a Zone that must seem like Twilight to theses Folks who are all on the verge of entering the Darkness.This unknown and unseen Movie is worth checking out for Neo-Noir Fans and even those who like no-holds-barred Crime Films. it is authentic, compelling and somewhat Original. A Mini-Sleeper that should gain more of an Audience as word gets out.

wings19 I saw Charlie Zone last night and was very impressed. It was well written and fast paced, and the acting was fabulous. I've lived in Halifax, so it was fun to see the city -- albeit its violent, seedier side -- as the backdrop of a major film. The movie was very well received at the 2011 Atlantic Fim Festival (winning four awards) and is finally enjoying a deserved limited release in Canadian theatres. I hope it does well enough to merit more screenings across the country. Get out and see this movie if you get the chance! Nova Scotian writer Joseph LeClair and writer/director Michael Melski have a great future ahead of them.