Cleopatra's Daughter

1960
4.8| 1h49m| NA| en| More Info
Released: 16 February 1963 Released
Producted By: Explorer Film '58
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Budget: 0
Revenue: 0
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The beautiful young Sushila is forced into a political marriage with young Pharaoh Nemorat in order to consolidate power. However, the young Pharaoh is beset with mental illness and the marriage becomes dangerous, all the while the chief advisor Kefren and his scheming mistress plot to destroy the unstable pair.

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Director

Fernando Cerchio

Production Companies

Explorer Film '58

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Cleopatra's Daughter Audience Reviews

UnowPriceless hyped garbage
PiraBit if their story seems completely bonkers, almost like a feverish work of fiction, you ain't heard nothing yet.
InformationRap This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.
Griff Lees Very good movie overall, highly recommended. Most of the negative reviews don't have any merit and are all pollitically based. Give this movie a chance at least, and it might give you a different perspective.
Steve Nyland (Squonkamatic) Meanwhile back at the sarcophagus, Italian filmmakers go to great lengths to create an effectively atmospheric Peplum set during the time of the Ancient Egyptian empires. Or there abouts, depends on which language version you encounter. The sets are elegant, the costumes right out of a high school textbook and the film delivers the goods if you like talky period-type drama mixed in with your Swords & Sandals. Lots of intrigue involving royal courts, family lineage, duplicitous religious leaders, and Debra Paget decked out in a Pharaonic babe-getup that is very easy on the eyes. She can lounge around eating grapes over at my place anytime and the dialog is surprisingly fluid for Italian translated to English.All of which is routine. The film will stand out in my mind as the one where the threat of having one's tongue cut out is repeated sufficient times to prove curious. The first time was cool. The second time was odd. The third time had me wondering if the dubbing was on right, and the fourth time made me laugh. Maybe there's a drinking game to be had here. Nothing else about the film's story made much of an impression though I do not regret the time invested (wasted?), no, consumed by watching it. A mummy subplot could have been cool, or maybe more slave chicks. At least a giant cyclops or something, Guys.Which is perhaps why having a female lead with a respectable pedigree in such a production will ultimately work against the film's appeal beyond the boundaries of genre viewers. Since Ms. Paget is the intended focus of our ardor the fate of random half naked slave chicks hurled to their doom for the entertainment of some slavering despot becomes less pressing to the needs of the plot, and sadly the filmmakers took the easy way out. Court intrigue or giant a cyclops devouring centurions? If choosing the former, bingo.
Leofwine_draca By all rights I wasn't expecting to enjoy this stodgy historical drama at all: devoid of much action, it seemed talky and dull, like HEROD THE GREAT or HEAD OF A TYRANT. The obvious paucity of the budget meant that, aside from a dodgy superimposed building in the background of a scene at the beginning of the film, we aren't in for any real Egyptian locations: even though pyramids are present in the plot, we never get to see any of them. In addition, the acting is nothing to write home about: Debra Paget (THE HAUNTED PALACE) is nothing more than wooden in the titular role, and the various plotters at the court are never evil enough to make much of an impact (where's Edmund Purdom when you need him?). In fact, aside from reliable character actor Ettore Manni in a good turn as the heroic court physician and the chap playing the beleaguered architect – who I think is Robert Alda, Alan's dad, nobody in the cast really stands out. I was looking out for Rosalba Neri in a minor part but couldn't spot her.However, about halfway through the film, things pick up and start getting interesting. There's a poisoning plot straight out of Shakespeare and some murky goings-on in sinister tombs replete with bodies and sarcophagi, and a brilliant fight scene in which Manni fends off a crazed knife-wielding embalmer. Then Paget gets buried alive (shades of THE FALL OF THE HOUSE OF USHER here) and suddenly the film gets quite good. We join a band of grave-robbers as they break into the tomb, only to encounter all manner of deadly traps and double-crosses in the sweaty confines. We get a decently-done cave-in and then a classic (and surprisingly bloody) death for the villain, who's shot to death with about a dozen arrows. Sure, this film can never be watched more than once, even by history buffs, but it's short and, for once, has more adventure than stodge. And that is a definite plus.
ma-cortes The film talks about Keops , alias Nemorat . Keops was the second pharaoh of four dynasty from ancient Egyptian empire , and he made the great pyramid of Gyze that bears his name . He is succeeded by Kefren who built the sphinx Gyze and the pyramid of the same name . After goes on pharaoh Micerinos. Three pharaohs have pyramids on Gyze : Keops, Kefren and Micerinos.The movie centers upon scheming Kefren ( Erno Crisa ) and his dark schemes to inherit Egyptian empire . Nemorat ( Conrado Pani )is poisoned , and his wife ( Debra Paget ) is doomed to die with him into the pyramid . Her lover ( Ettore Manni ) designs a plot to free her by means of a potion. Before he will have to face a lot of dangers and risks until obtain his objective . The film blends drama , adventures , love and hokey historical events . Direction by Fernando Cerchio is professionally made , he directed many ¨ sword and sandals¨ and epic films . Cinematography is well realized and Giovanni Fusco's musical score is good . Set design and Egyptian time production design are spectacular . Debra Paget is wonderful , support cast is nice , there are American actors as Robert Alda ,though mostly are Italian players as Andrea Bosic , Rosalba Neri..among others . Rating: 5,5/10 average but entertaining .
ccmiller1492 The beautiful young Sushila (Debra Paget) is forced into a political marriage with young Pharaoh Nemorat in order to consolidate power. However, the young Pharaoh is beset with mental illness and the marriage becomes dangerous, all the while the chief advisor Kefren (a menacing Erno Crisa) and his scheming mistress plot to destroy the unstable pair. The girl is framed for an attempt on the vulnerable king's life and sentenced to death. Meanwhile, her sympathetic would-be lover, the handsome physician Resi (Ettore Manni in one of his best roles)concocts a scheme to save her by drugging her to appear dead and reviving her later when they can escape. However, she is sealed into her former young husband's tomb with the air supply rapidly running out. The action plot proceeds at a brisk pace and holds viewers interest which is increased by well-acted parts with attractive players, great costumes and sets.