Daisy Kenyon

1947 ""I DON'T BELONG TO ANY MAN"!"
6.8| 1h39m| NA| en| More Info
Released: 25 December 1947 Released
Producted By: 20th Century Fox
Country:
Budget: 0
Revenue: 0
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Daisy Kenyon is a Manhattan commercial artist having an affair with an arrogant and overbearing but successful lawyer named Dan O'Mara. O'Mara is married and has children. Daisy meets a single man, a war veteran named Peter Lapham, and after a brief and hesitant courtship decides to marry him, although she is still in love with Dan.

Genre

Drama, Romance

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Director

Otto Preminger

Production Companies

20th Century Fox

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Daisy Kenyon Audience Reviews

Jeanskynebu the audience applauded
WasAnnon Slow pace in the most part of the movie.
Stometer Save your money for something good and enjoyable
BelSports This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.
mauricebarringer I wanted to respond to a few comments about this wonderful film (which was a strong and highly effective character study). Dana Andrews received billing over Henry Fonda because Andrews was at the peak of his career with A WALK IN THE SUN, LAURA, THE FALLEN ANGEL AND THE BEST FILM OF 1946, THE BEST YEARS OF OUR LIFE. He was a superstar at that time and held on to stardom until the early 1960s but in films of lesser quality as the years went by. He was an excellent and underrated actor.Henry Fonda, whose first starring role was in 1935, was in the middle of his long career, not in the early stages as one writer said. Fonda, after serving 3 full years in WWII, had a difficult time maintaining his stardom, was never a strong box office star but was an outstanding actor. Fonda did not make any films after 1948 until MR. ROBERTS in 1955, his comeback. He constantly did fine and critically acclaimed stage work. Peter, his son, said he was gray-listed because of his liberal political views also. Fonda worked in major films with lead roles in films and on television until his death in 1982.Fonda was under contract and was forced to perform in this film by his studio. Andrews liked working with Otto Preminger and did so 4 times. Andrews was easy to work with and the autocratic Preminger liked Andrews because of his professionalism, easy going personality and outstanding acting ability.I was surprised that something more was not said or done about Dana Andrews' child torturing wife. Andrew shed a tear but did not report this beast to the authorities. (She yanked on her child's ear until the ear bled and the child had a significant ear ache.) That, even in the dark ages, should have been enough to have the child removed from her care, wouldn't it?
mplsrain As another poster mentioned, what happened to Tubby the dog? Tubby was a sheltie - I recognized it right away because I'm a sheltie owner myself. These dogs are hopelessly devoted to their owners and hate to be left alone. They live for the moment when their owner comes home, and follow them from room to room. These dogs will choose to sleep on a cold hard floor, as opposed to a nice soft couch if it means being nearer to their owners. It was somewhat disturbing to me to see that Daisy and Peter moved to the Cape without explaining what happened to Tubby. Perhaps that footage was edited out due to time constraints?Regarding the men in this movie, they are trying to win the love of Daisy and in retrospect it was in fact a chess game. One player (Dan) used his best moves and the other player (Peter) used his as well. Kudos to Peter for being cool, wise and astute restraining his emotions and remaining levelheaded in order to win his wife back. It was just killing him to pretend that he didn't care, but he knew that due to human nature being what it is, it was the best way to play this game. He won in the end and showed us all what he was made of.
edwagreen Benign affair with Joan Crawford really being unable to make up her mind who the man for her actually is. Should it be married, successful lawyer Dana Andrews or the rather dull widower Henry Fonda? Crawford chooses the latter, but a phone conversation with Andrews where he professes his love for her,is heard by his vicious wife and some fireworks start but never become blazing.Ruth Warrick is excellent as the wife of Andrews. The daughter of a wealthy man who is Andrews' law partner, she is an embittered woman who leashes her fury out on her younger daughter. I really thought there would be a tragedy there and I was glad that I'm wrong.The ending is predictable because that's the way the film should have ended. Missing here is an excitable Joan Crawford capable of anything. To disagree with other writers, this is certainly not one of Andrews' best films. To me, he will always be endearing as that soldier returning home in "The Best Years of Our Lives."
calvinnme This film is a great vehicle for Joan Crawford, and one of my favorites from the middle portion of Joan's career . In fact, I can't imagine any other actress in the lead. Daisy Kenyon (Joan Crawford) plays a commercial artist who is the strong independent type. She has fallen in love with a married man of means (Dana Andrews) who has a clingy and emotionally unstable wife (Ruth Warrick) and a couple of daughters that he knows he will lose access to if he gets a divorce. In other words, he is permanently married and he and Daisy's relationship is going nowhere. Enter Peter Lapham (Henry Fonda), a widower recently back from World War II. Both men love Daisy, but only one can "do right" by her - Peter. Unfortunately, he is not the man she loves.The resulting love triangle, the idea of any of this being particularly scandalous even to someone aiming for public life, and in particular the then quite backwards divorce laws of the state of New York might seem quaint to a modern audience, but the private situations and emotions of the characters still ring true. Who does Daisy choose in the end? The man willing to give her up. I'll let you watch the film and find out which of the two men that is.