Demonlover

2003 "Treason is the key to power"
5.9| 2h1m| NR| en| More Info
Released: 19 September 2003 Released
Producted By: PROCIREP
Country: Mexico
Budget: 0
Revenue: 0
Official Website:
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A French corporation goes head-to-head with an American web media company for the rights to a 3-D manga pornography studio, resulting in a power struggle that culminates in violence and espionage.

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Director

Olivier Assayas

Production Companies

PROCIREP

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Demonlover Audience Reviews

Steineded How sad is this?
Kidskycom It's funny watching the elements come together in this complicated scam. On one hand, the set-up isn't quite as complex as it seems, but there's an easy sense of fun in every exchange.
KnotStronger This is a must-see and one of the best documentaries - and films - of this year.
Murphy Howard I enjoyed watching this film and would recommend other to give it a try , (as I am) but this movie, although enjoyable to watch due to the better than average acting fails to add anything new to its storyline that is all too familiar to these types of movies.
runamokprods Compare this with 'Summer Hours' or 'Les Destinees' and you'll see that Olivier Assayas has as wide a range of styles as any current filmmaker I can think of. That said, this surreal, intentionally obtuse story of corporate intrigue centering around world domination of anime porn, makes less and less sense, climaxing with an 'ironic twist' you can see coming from several miles off, and leaving one with the feeling that the film is slightly less intelligent than one might have hoped. On the other hand, It did improve on a second viewing. While the ending still bugged me, the odd, slightly irrational middle felt more in control and intentional, more a comment on it's main character than I caught the first time around.One of those films that can be enjoyed as a high-end, visceral, well made ride, as long as you don't demand perfection or high art.
julian kennedy Demonlover: 4 out of 10: Wow what an overlong train wreck of a movie. Before I begin to scratch the surface of the ineptitude of this film let me explain the few things Demonlover does right.Demonlover does some things very well. It has individual scenes that work on their own either as erotic vignettes; (Chloe Sevigny playing videogames in the nude , an Asian girl seducing a French man at a club after his lover leaves.) or plot actions (dosing a bottled water with Halcion) before the film ventures down the rabbit hole twenty odd minutes in.The general plot of Demonlover is a French conglomerate is looking to buy an adult anime company. Because of this, a rival Adult anime distributor has sent a corporate spy to put a kibosh on the proceedings. That is the story, there is some silliness about a for-pay torture and bondage site but ther story in a nutshell is an Anime buyout scheme.So how can a thriller dealing with bondage and Hentai and starring Chloë Sevigny, Gina Gershon, and the hot redhead from Devil’s Advocate, Connie Nielsen, possibly go wrong? Well for one thing, there are cloistered nuns that know more about marketing animated porn online than writer/director Olivier Assayas does. I often complain about movies where the writers and director have clearly never worked in an office (13 Going on 30 for example) but this is over the top. The French, as an example, are worried about a secret website that makes lots of money. If the website makes lots of money… wait for it… it probably is not a secret. Moreover, I am sure that cornering the online Hentai traffic is an unattainable goal. After all, how hard is it to draw new tentacle porn? In addition, I doubt many corporate spies scale the sides of buildings or poison colleagues. Moreover, with the silliest script this side of The Core you cannot depend on the ever confusing and contrived plot.I know I praised the sex scenes above but with this cast, I was expecting more, a lot more. Also I often did not know where the movie was taking place. (are they in Tokyo or France is a popular game you can play.) Then there is the car chase, at the end, that looks like an outtake from Vanishing Point. (As Tom Servo would have said “Meanwhile in another decade”)The film is overlong, very confusing, somewhat boring and the characters IQ’s seem to drop every scene. After the fifteenth fade to black transition, I actually screamed “end already” at the screen.In reality, this seems to be a badly done remake of Videodrome. Olivier Assayas is clearly no David Cronenberg. He cannot even tell a simple story in a believable and entertaining manner. Or take advantage of three of the hottest actresses in the business.
mysteryb I read dozens of reviews about how this film didn't make any sense and was horrible - and I have to say I am more confused by the reviews than by the film. The narrative was continuous, and I had no trouble following the story line at all.---This is the spoiler part--- The real issue, for some people at least, behind corporate power, torture and sex, is control; they don't actually enjoy any of those activities per se. The plot followed Diane from the point where she thought she was in control (aka "puppet master"), to where she suspected she might not be, to where she lost it and someone else had to take control, to where she had to voluntarily give up limited control, then gave up a lot of control, and finally, involuntarily gave up all control. At first, in control, she is an "ice-queen," and she becomes more and more emotional as she slowly discovers the truth, leading up to the heartbreaking final shot of her face, trapped and condemning.There was no "rape," both characters are both so burned by porn that their understanding of sex was necessarily kinky and based in fantasy. First the rape fantasy, and then the fantasy of having sex with somebody who was asleep. I think she shot him as an unconscious reaction because her psyche correlated the sex act with a murderous act, as evidenced by her fascination with hellfire and the earlier 3-D porn meets "zombie" kill for all shown earlier on.Overall I thought it was a fine effort, and I enjoyed it far more than anticipated.
mmcewen-1 Possibly the worst movie I've ever seen in 60 years, and I've seen thousands. Seemingly huge budget, way too much unnecessarily violent action, increasingly incoherent plot, totally (all) despicable characters. It starts out with possibilities, continues through increasing implausibilities, and ends with absurd non-sense. The actors did their jobs as well as they could given the immensely flawed script; the director and editor were obviously on serious drugs, or were trying far too desperately to make a film that was uncommon enough to stand out from any crowd. But the real question is: why did anyone bother making this film? Why bother watching it? Don't bother. It's disgusting and grotesque, and ultimately confusing and boring. I hated it. Don't waste your time or money, unless you're a wannabee screenwriter studying the world's worst films, and wish to learn what not to do.