Don Juan or If Don Juan Were a Woman

1976
5| 1h25m| R| en| More Info
Released: 01 March 1976 Released
Producted By: Filmsonor
Country: Italy
Budget: 0
Revenue: 0
Official Website:
Info

Jeanne lives in Paris and believes she is the reincarnation of Don Juan. She visits a priest and tells him she has killed a man. He comes to her elegant flat - her father has died leaving her rich - and she tells the priest stories about men she has seduced. The seduction is easy, she tells him, it's destruction that takes planning. We watch her with an upright elected official, a wealthy boor, and a folk singer. She describes herself as a spider. Her friend Léporella tries to be Jeanne's conscience. What does Jeanne want?

Genre

Drama

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Director

Roger Vadim

Production Companies

Filmsonor

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Don Juan or If Don Juan Were a Woman Audience Reviews

KnotMissPriceless Why so much hype?
Spoonatects Am i the only one who thinks........Average?
Tayloriona Although I seem to have had higher expectations than I thought, the movie is super entertaining.
Deanna There are moments in this movie where the great movie it could've been peek out... They're fleeting, here, but they're worth savoring, and they happen often enough to make it worth your while.
Screenrights Some reviewers seem not to notice the golden irony that BB, who was ready to quit acting without needing a swansong, chose a vehicle, the value of which she could not fail to comprehend, in which men commit suicide after making love to BB. She is natural and resigned to the penultimate finale of her career. Maurice Ronet acquits himself perfectly as the torn antihero. He is the perfect foil to her underplayed and subtle excesses. This film didn't need any association with Don Juan to work more than adequately on several levels. Not only does it excel in irony but also in theatrical sarcasm with the 'God created woman' embroiled in a hellish inferno in a finale of post-modern design, her nemesis entombed in what might be an analogy for shifting sands. I feel that, in life, she was always lost, this belief reinforced when we exchanged pleasantries in Cannes in 1969.
MartinHafer Just after this film and a small part in one other, top screen star Brigitte Bardot retired from films at age 39. Perhaps she was just tired of the life, perhaps she was rich enough and more money held little attraction or perhaps appearing in crap like this film just took the joy out of the life of an actress. I suspect all three are quite likely reasons for this retirement--and you'd think an actress like her could have gotten roles better than this bilge! The film is, in many ways, like a porno film without much sex--with a plot that weak and silly. Bardot plays an impossible to believe and completely amoral woman who takes delight in sleeping around and eventually destroying men....or at least casting them aside and letting them destroy themselves. She goes from one conquest to another and there is absolutely no depth or story--just wigs, nice fashions and, occasionally, a boobie. All this is, supposedly, told to a priest to whom she is confessing--like the plot from a bad porno film!!! The dialog, story and acting are all crap and the film doesn't offer enough salacious content to justify wasting your time---even if you see it out of curiosity. Dull, stupid and a waste of a beautiful and very talented woman. I give this film a 1 because I cannot see how anyone could make sex or Bardot dull--but they did! Talk about a waste of talent!! By the way, one of the reviewers was particularly harsh towards director Vadim for this and many other travesties. Based on his films that I have seen (such as this, the 'remake' of "And God Created Woman", "Barbarella" and others), this attack seems entirely justified.
zensixties Brigitte Bardot stars here in her last film along with Jane Birkin, the other singer who recorded the Serge Gainesbourg hit, "Je t'aime". This film is worth seeing, as we see BB's and Vadim's evolution from "And God Created Woman" to this post-sixties over-the-top comedy-drama.We get some great nude scenes with Brigitte and Jane, and BB's character Jeanne is someone fed up with men, so she resorts to seduce and destroy tactics. As in "And God Created Woman" she's pretty much playing herself, but with an exaggerated storyline of driving men to ruin, murder, and suicide. The campy ironic humor is there in such scenarios as seducing a priest as well as setting up a fake menage-a-trois to madden a bete homme. Also a scene with Robert Walker Jr. (Charlie X in Star Trek TOS) where the price she asks for making love is no less than his life, which he takes seriously. The ending is a multiple meaning one as BB saves a man who makes her "pay for her sins" (though he's unappreciative). I think the end hits home for Brigitte in real life saying in effect, "look you male-dominated world, you've made my life hell". And it's the last scene she ever did on film. Worth seeing for it's erotic quality (but what BB film isn't), the submarine home, the early '70s fashions, and the camp.
alice liddell Much less exploitative than you would expect, DON JUAN is a generally sympathetic account of how a female Don Juan, a kind of author-figure, wreaks havoc on weak-willed masculinity, before burning in a man-made hell herself. The misogyny of this outcome is tempered if we see the film less about Don Juan (the sex/death routine is not altogether digested), than BB retiring from a generally unyielding film-career, and the private, male-driven hell that was its result, giving the film an appealing relish of revenge. Of course, it is, if I may say so under IMDb guidelines, atrociously made, and becomes tiresome after about five minutes.