Beanbioca As Good As It Gets

Beystiman It's fun, it's light, [but] it has a hard time when its tries to get heavy.

Kaydan Christian A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

Aryana Easily the biggest piece of Right wing non sense propaganda I ever saw.

JLRMovieReviews Fred Astaire, Judy Garland, Peter Lawford and Ann Miller star in this grand movie musical about a dancing team (Fred and Ann) who break up when Ann Miller decides she has bigger aspirations and leaves the act. Fred then in turn in emotional haste states that she is replaceable and that he can teach anyone to dance as well as she does. Enter Judy Garland. I can't believe I haven't reviewed this film before now, and I don't know if I can contain myself enough to write one. This is absolutely one of my top five musicals of all time, OF ALL TIME! How could I possibly be unbiased! There is not one moment, scene, song or feeling that feels false or weak. Much has been said about the "A Couple of Swells" number in this movie, but every single musical number is great, with "Steppin' Out with My Baby" arguably being the highlight. But even the slow songs that Judy Garland sings are great. There are lots of great crooners and/or vocalists in American music history, but Judy Garland had her distinctive way of reaching her listeners and making you feel in in her place. See the "Better Luck Next Time" number. It goes without saying that Fred is excellent here, and Ann Miller has always been my favorite dancer, who held a record at one time with the most taps in one minute. See her "Shakin' the Blues Away." And, Peter Lawford sings! How can you not like this film! I say it every Easter that this film is too good to only watch once a year. See it right now! See it next month! Watch it for July 4th! See for yourself why this is a great example of MGM movie musicals at their best!!

Charles Herold (cherold) Easter Parade is less a story than it is a roughly sketched premise filled out with musical numbers. Astaire loses his dance partner and decides he can turn anyone into a new partner, then conveniently stumbles upon Garland. He's demanding and rather sour, so of course she falls for him. Meanwhile, Peter Lawford floats through the movie to no real purpose, and Anne Miller is unsympathetic but really knows how to tap.The movie shouldn't really work as well as it does. Astaire is much too old for Garland (the part was originally set for Gene Kelly, who was injured) and she's not as comfortable a fit for him as previous partners like Ginger Rogers. She's also no more than serviceable as a dancer. And once again, Lawford is an entirely extraneous character whose only purpose seems to be to make clear that no one cares about the story.And yet, Astaire has his usual debonair charm and his dancing, shown off particularly well in a solo dance near the beginning, and Garland is all vulnerability and amazing singing.Even the weak chemistry works, because the whole idea is Garland is random, not someone Astaire would choose, making their mismatch a feature rather than a bug (until the inevitable romance, which seems forced). It's a weird movie, in that almost everything about it is problematic and yet it completely works. It's a classic that shouldn't be, and you should watch it.

khoury_alison What a classic film. We have a tradition of watching Easter films over the long weekend in Australia and this is always a top pick! Fun, bubbly movie featuring two great talents. Enjoyable little musical, even if the musical numbers aren't the most memorable. The movie makes a huge mistake though; near the end it gives the (supposedly) 2nd string Ann Miller the better musical numbers, and give Garland and Astaire only one musical number together, "A couple of swells." A terrible number to portray Astaire and Garland's couple dance chemistry. And Garland's character falls totally in love with Astaire though their dancing. There's no questioning their individual talent, and together Garland and Astaire are a great all-time dance couple. Ann Miller surprisingly gets the best dance numbers, and the music is very memorable. Easter Parade is probably the best of the musicals I've watched; but I think I can watch anything with either Astaire or Garland in it. Their personalities are able to elevate the material that's given to them, in Easter Parade and also pretty much in every movie of theirs that I've seen.

Alex da Silva The story sees Don (Fred Astaire) make Hannah (Judy Garland) his new stage partner after he has been dumped by Nadine (Ann Miller) so that she can pursue a solo career. Don bets womanizing pal Jonathan (Peter Lawford) that he can make any chorus girl into the next star and picks Hannah at random. They sing some songs, do some routines and fall in love and the finale is the singing of the title song as they promenade along 5th Avenue with all the other posers who undertake this ritual every Easter.The cast are good in this film with Judy Garland winning the honours as she provides many humorous moments (watch how she scene steals from Fred Astaire in the rather hammy and drab routine that is "A Couple Of Swells"). Most of the musical numbers are good if forgettable. My favourite routines include Judy Garland singing "I Want To Go Back To Michigan", her duet with Peter Lawford "A Fella With An Umbrella", Ann Miller singing and dancing "Shakin' The Blues Away", the sequence of song and dance duets that Judy Garland and Fred Astaire have together including "When The Midnight Choo Choo Leaves For Alabam", and Fred Astaire's number "Steppin' Out With My Baby" despite the unnecessary gimmick of having him dance in slow motion which cheapens the routine.Unfortunately, the film crams in too many songs and the viewer may lose interest in the musical offerings, especially towards the end, as none of them are particularly good or memorable unless there is dancing involved. The film is also a little unbelievable in the way Judy Garland falls in love with Fred Astaire. Peter Lawford is the obvious romance for her, but the film seems to be driven by the following love formula - Judy Garland loves Fred Astaire (unbelievable) who loves Ann Miller (but she's a complete bitch so it's unlikely) who loves Peter Lawford who loves Judy Garland. It doesn't work.A final criticism must be made of the ending. At the beginning of the film, Don tells Hannah that come the next Easter Parade, photographers will be lining up to take her picture instead of Nadine's and we have an amusing sequence of Nadine promenading with a dog in a completely ghastly and posey manner as photographers take her picture. At the end of the film, the audience does not get the satisfaction of seeing this come true. We are left with Don and Hannah (wearing long pink rubber kitchen gloves) walking along the parade together but that's it. I assume we are meant to deduce that Hannah has arrived and is now on an equal billing with Nadine. Incidentally, we are not shown what happens with Nadine and Jonathan. I assume that they get together as they are both comfortable with having a showy lifestyle. Nothing is clearly resolved.The cast are good, the colour is great, the costumes are great particularly one green velvet dress that Judy Garland wears, and some of the routines are good but there are better musicals than this.