Faithful in My Fashion

1946 "They found a new way to "kiss and make up""
5.9| 1h21m| NR| en| More Info
Released: 21 August 1946 Released
Producted By: Metro-Goldwyn-Mayer
Country:
Budget: 0
Revenue: 0
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A U.S. Army sergeant is home on leave to reconnect with his girlfriend he hopes to marry. However, in the years he's been away, she's gotten a huge promotion where they used to work together - and has become engaged to another man.

Genre

Comedy, Romance

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Director

Sidney Salkow

Production Companies

Metro-Goldwyn-Mayer

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Faithful in My Fashion Audience Reviews

Ceticultsot Beautiful, moving film.
Tayloriona Although I seem to have had higher expectations than I thought, the movie is super entertaining.
Ava-Grace Willis Story: It's very simple but honestly that is fine.
Juana what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.
edwagreen Donna Reed and Tom Drake are a perfect pair in this 1946 light film about a returning soldier who doesn't know that the love of his life has been promoted in the place they both work in and as has a new love life interest.Margaret Hamilton reminded me of Lily Tomlin with the way her hair was set for this film.The wonderful supporting cast tries to keep the news from Drake for the two weeks that he is in before he'll officially be discharged from the army.Invariably, Drake finds out the truth and the group sets upon an idea to bring the two back to each other. How they compare it to selling shoes is funny.Sig Ruman is great as the Russian music teacher who is occupying the apartment that Reed left when she was promoted.Light fanfare with Harry Davenport good as the great-grandfather to Drake, who hopes to see him marry Reed.
gkeith_1 My observations: Postwar hilarity. Tom Drake and Grandpa from "Meet Me in St. Louis" two years later (the year I was born). Donna Reed charming and pretty. Margaret Hamilton good as always; smaller part than in "Wizard of Oz". Spring Byington way prettier, also with the prerequisite perky small nose lacked by Hamilton. Tent scene at end with former boy next door was hilarious. As a two year veteran of Army tents, he looked pretty youthful and inexperienced when I looked into his eyes.I used to work in a department store, and it was just as elegant as this one. Sadly, it has disappeared and faded into obscurity. We were famous for those great show windows that were used to lure passersby into the store, to get them to buy all of that wonderful merchandise.10/10
Angela Briganti I loved this movie!!! The characters were people that you could feel for. The young man back from the service still in love with the girl he left behind. Tom Drake is always perfect in the romantic lead as well as Donna Reed as the love of his life. The looks he gives her as if he has been starved for the sight of her as well as her hesitation and confusion as too her feelings for him were played very well. The rest of the quirky characters at the store were perfect as they tried to bring them together. The most touching scene however, was the young couple at his great grandfather's house. I laughed in parts, cried in some and thoroughly enjoyed watching this movie. In fact I've re-watched it about 5 times. A definite must see for total romantics.
valinis On the surface, this is an above-average post-war romantic comedy. Beneath the veneer, it is MGM character actor stunt-casting at its funniest.The leads are straightforward, but all the secondaries are cast much against type. Margaret Hamilton (aka Wicked Witch of the West), Edward Everett Horton (professional obsessive-compulsive fussbudget), and Sig Ruman (the Marx Brothers' nemesis in _Night In Casablanca_ and the always-wonderful _Night At The Opera_), playing a well-intentioned gang trying to bring the two leads together, instead of driving them apart as their "usual" characters would do.It also pokes fun at many romantic-comedy conventions, which is another indication that this could be not so much a "straight" romantic comedy, as it is a wry send-up of the many post-war romantic comedies & their 2-dimensional, stock characters.I've seen it only once, with interruptions, so I can't be positive, but this movie may be one of those that worked better in the context of the time at which it was made, but is less successful now that viewers "see" these secondary characters through a completely different lens. I'm assuming this is the case when I give it 9 stars. I thought it was hysterical.