Feast III: The Happy Finish

2009 "They're Not Leaving Till They Get Dessert"
4.8| 1h19m| R| en| More Info
Released: 17 February 2009 Released
Producted By: Neo Art & Logic
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Info

The survivors are saved by the mysterious prophet Short Bus Gus, who seemingly has the ability to control the beasts. He leads them into the sewers as they travel to the big city. Along the way they get help from karate expert Jean-Claude Seagal and learn that the beasts originate from a place called The Hive. Armed with this knowledge, they decide to fight back and destroy the beasts.

Genre

Horror, Action, Comedy

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Director

John Gulager

Production Companies

Neo Art & Logic

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Feast III: The Happy Finish Audience Reviews

ChikPapa Very disappointed :(
GazerRise Fantastic!
Hayden Kane There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes
Guillelmina The film's masterful storytelling did its job. The message was clear. No need to overdo.
jlthornb51 The final entry in the Feast Trilogy is probably the finest of the three films and certainly the most satisfying in a cinematic sense. Director John Culager has produced an epic finish to his work and in the process made an outstanding stand alone motion picture as well. Here he has perfected his stylistic technique, influenced by the French New Wave Extremity Horror films. Sensitively observed and arrestingly impressionistic, the tension and suspense is at times overwhelming as Culager creates an sinister atmosphere of fear and dread. He certainly gets great work from his wonderful cast and Clu Culager, the director's iconic father, gives what's virtually the performance of a lifetime as the grizzled, heroic bartender. The closing scene will be talked about for many years as it's quite reminiscent of Reed's The Third Man and Antonioni's The Passenger. It is a brave artist indeed who allows the drama and suspense to build naturalistically with a static camera as an actor's expression alone tells us all the audience needs to know. Culager obviously trusts and respects both the script and his actors. Powerful, horrifying, and quite a deeply fascinating cinematic experience, especially for those familiar with French New Wave.
thesar-2 Without a $100 million budget and at least one explanation, Feast III: The Happy Finish is, in fact, finished before it began.Not that I had too much of a problem with this all-but unnecessary completion to the Feast trilogy, but it certainly overstayed its welcome in Texas.The biggest problem, without going into obvious finale spoilers or comparing it to the one movie I sorely want to as that would be a dead giveaway, was that the writers were so concerned with going the opposite way for the "surprise factor" (as seen in the first two installments) that myself or any viewers of the series knew exactly who was going to die and pretty much when. Even in part II, it was partially unclear who would live, be triumphant, prevail against the demons or last the longest at least. Here, since they failed to change anything up, bull's eyes were immediately placed. And that was marginally sad.HELL – after you finish part II and you merely see III's subtitle, you know what's coming.I digress; it's sad, because by this point in absolute chaos, desperation and continual disappointment for our antiheroes and their fates, you'd wish for just one break, one tiny amount of satisfaction in these people's plight. Sure, they're pretty much all scum – as the series proclaims all individuals on screen, with the exception of maybe one or two from the original, but you get to the point of: "Oh, come on…enough going the opposite way and show that it can't rain all the time."Part III didn't just start immediately following the tragic finale of Part II, it reversed a bit as if anyone who's made it this far forgot what happened before. The remaining survivors continue to fight the terrible creatures running amok in an instant ghost town in Texas. They continue to fight, scramble, make more enemies than friends, get eaten…you know, they feast-usual. But, this time, they're met with a Obi-Wan prophet of Doofus proportions who apparently can magically ward off the creatures.Will these lowlifes meet certain doom? Will the creature learn to speak and say "Why didn't anyone ever just come out and ask us: 'Hey, how did you guys come into existence?' We'd love to tell you our side of the story…" Will there actually be a HAPPY FINISH?The movie's below par and below the first two chapters…but, it's really not the worst horror movie I've seen. It's loyal to the "fan," it's more of the same for that "fan" to enjoy and if you did like the first two, you'll enjoy the newest chapter.Now, will there be a Part IV? Here's my take: They would literally need a $100 (or more) million budget and a finale's finale with full disclosure of the events of the films.So, I guess the answer is: hell no. Feast fans: just sit back and enjoy what will inevitably be the final chapter.
Tonci Pivac I was for sure the third film couldn't possibly be as painful as the second one, and boy was I wrong. Just the underground strobe light sequence where you can't decipher what the hell was going on as infected humans, a monster, and our lone survivors are duking it out, I went for the Tylenol. This film deals with those left alive at the end of the second film, dealing with the monsters as they discover three new characters along the way. One is a prepared and confident leader type whose fate is sealed when he attempts to show Secrets how to shoot a pistol. One is a very talented martial artist whose arms are both eaten off leaving him little help to anyone. The third is a prophet who seems to have the gift to ward off the monsters, only to discover that it's the screeching sound of his ear piece causing them to move away. The prophet talks the remaining members from the second film into going underground in the sewer tunnels and this idea, while seeming like an ideal strategy, doesn't help them as infected human freaks, demented and violent, are wandering around. And, behind them comes a monster. Those that remain include Biker Queen(Diane Goldner), Secrets(Hanna Putnam), Greg(Tom Gulager), Lightning(Juan Longoria García), Bartender(Clu Gulager), and Tat Girl(Chelsea Richards). Following the Prophet, they encounter far more danger than possibly realized. At the start of the film, they are able to finally get inside the sheriff's office, getting their revenge on Hobo(William Prael)who kept the building locked tight, by beating him to a pulp. When they realize that this will only service them temporarily, the gang splits up after exiting. Discovering Hobo's meth lab(..in a school bus buried under the earth), Biker Queen and Tat Girl finally believe they will be able to finally flee the premises, encountering engine problems. That's when they meet the Prophet, watching him command the monsters to scatter, and follow him into the sewers.I don't know what director Gulager was attempting to accomplish with the ending, regarding the giant robot, but I was at my wit's end with the movie anyway. You get plenty of bloody carnage, but seeing what's going on is a major factor I struggled with. I soon just gave up caring and followed the mind-numbingly brain-dead flick until it's conclusion, breathing a sigh of relief as the Elvis impersonator was singing some song in Mexican as the credits rolled. For those that care, Slasher(Carl Anthony Payne II)gets anal raped by a monster who impregnates him, creating a hybrid human creature spawn! When the movie moves underground, almost all of it is incomprehensible and dark. There's some use of "nocturna vision", but even that is shot in such a haphazard manner, I doubt few will be satisfied. And, as the first two films proved, these characters have little worth, so their deaths couldn't come fast enough. John Allen Nelson is Sh#tkicker, the hero stereotype Gulager gets rid of just for the hell of it and Craig Henningsen is Jean Claude Seagal, the kickboxer who doesn't hold onto his arms very long. Josh Blue barely registers as Prophet, under a cloak, he mumbles directions and occasionally tells the monsters to take a hike as others complain of how noisy his hearing aid is, not knowing that it's loud frequency irritates the beasties. Greg goes almost the entire film with that pipe jammed into his face, and Bartender attempts to cauterize Claude Seagal's wounds like in Rambo III blowing the poor kid's other arm off!
Arlis Fuson As part 2 left us on the roof , this movie picks up right where it left off. In fact it kind of rewinds a bit and goes in to more details about the ways and means of death caused to the last few murdered in part 2. This movie is the same cast, or surviving cast and takes them off the roof and into the jail where they have to deal with the meth head hobo and soon a new hero named "Sh*tkicker" - Thye find meth heads secret meth lab which is a school bus underground and they hijack it. They eventually meet a cape wearing (Obi-Wan Kenobi wanna be) man named prophet who has a power over the creatures (we soon find its a weak power) Prophet leads them underground where they meet a young martial arts bad boy named Jean Claude Segal and they stay underground forever trying to stay alive and find a way into the city through the sewers. All kinds of wild twist and turns happen as they try to reach their bloody yet happy finish.Worst of the 3 and the main reason for that in my opinion was the fact it was so dark, the underground scenes are dark and hard to follow. The monsters aren't as present here and once underground they meet weird people who are psychotic and have nothing to do with the story at all, yet they have to fight and kill them. The whole underground part (which was most of the movie) was horrible. The new characters were all rather dull with the exception of Jean-Claude. The movie seemed to go downhill from the trilogy and was just very disappointing. It had a completely different and very unoriginal feel to it.John's direction was good, but it was sloppy and dark most of the time. Mike Leahy was back on production and he might be a big part of the problem I am not sure. Edward's music failed here too, and the writing duo of Dunstan and Melton seemed thrown together and careless. There was even a crappy ending with a gigantic terminator looking robot that made no sense and the movie ends with a Mariachi singer doing a Spanish theme song to tie all 3 films in. Craig Henningten did great as Jean-Claude and Tom Gulager was amazing playing his part with a piece of metal stuck through his entire head.. and of course Clu is always good.It was good ONLY if you like the first two, which I did greatly, but it goes down hill as the movie progresses... The song mentions a part 4 but I hope that doesn't happen.5/10 stars